YANN SÉRANDOUR, Cahiers Clairefontaine, 2006
22 x 17 cm
school notebooks with lined pages in six colours, stapled, each 32 pp.
edition 1500, of which 32 numbered, signed with insert of original ink drawing on tracing paper
produced by Cahiers Clairefontaine, Paris, France
The printed grids on the notebook pages of ‘Cahiers Clairefontaine’ have been originally hand drawn by pupils of the Jules Verne Primary School in Croissy-sur-Seine in France and were reproduced in print. These notebooks are used for learning to write straight by making use of horizontal blue and vertical red printed lines. The edition is 1500 of which 32 are numbered and signed.
PETER FISCHLI and DAVID WEISS, Untitled (Mushroom), 2006
50 x 60 cm / 20 24 inches
photograph
edition 120
recto: signed, dated, numbered
Untitled (Mushroom) is taken from a series of photographs of ferns, fungi, flowers, insects, grasses and undergrowth. Each photograph is a double exposure, made by either Peter Fischli or David Weiss taking pictures and then handing the camera over to the other, or maybe not, rewinding the film, and shooting again on the same roll of film. The result is a kaleidoscopic world of double-vision. A kind of what they called “concentrated daydreaming”—real-time glimpses into daily life in Zurich: a mountain sunrise, a restaurant chef in his kitchen, sanitation workers, a bicycle race, and so here mushrooms in nature.
History of prices:
Counter Editions, London, England € 2.500,- / GBP 2,000.- September 2012
Auctionata Inc., New York, USA € 1.916,- / US$ 2,400.- November 2014
MARIJKE VAN WARMERDAM, On and on, 2006
15,5 x 21,5 x 1,4 cm
offset, 50 pages on stiff paper
edition 300
30 are signed and numbered
published by CCA Kitakyushu, Japan
After the funeral of her mother in 2006, Marijke van Warmerdam made photos of the flowers on her grave. In the following weeks she recorded the stages of withering, while the winter weather also brought some snow. In On and on the sequence of the photos is reversed, the intention being to turn back time.
LAWRENCE WEINER, Give & Get, Have & Take, 2006
two incised copper plates, 4 times folded leporello in offset, subscription card, cardboard box
edition 1000
mint
published by Cereal Art, New York, USA
€ 360,- plus € 18,- Track & Trace registered EU mail
inv.LW 000-pr
History of prices:
DR Fine Arts, New York, USA November 2023 US$ 450.-
DR Fine Arts, New York, USA October 2022 US$ 225.-
Maison Jules Veilinghuis, Ghent, Belgium, 2 December 2017 € 100,-
MARIJKE VAN WARMERDAM, Days and holidays, 2006
3,8 cm / 2,5 cm
badges in plastic bag, stapled print on paper, 2 parts
edition 250
published by IKON Gallery, Birmingham, England
€ 85,-
When Marijke van Warmerdam was commissioned to make a badge for the IKON Gallery in Birmingham, she based her design on the spots from a cup and saucer she has used for a mobile with rotating photos called Take a break. She compares a working day to a holiday and so she made two badges representing both kinds of days. The printed light reflections on each badge suggest that the circular form is an air bubble. KvG
Helvetica as Metallica, 2006
wood cut print
49 x 59 cm
edition 20
numbered, signed
printed by David Liaudet, Esbam, Le Mans, France
The inversion of two extremely opposed visual identities. Helvetica is a sans serife font created in 1957 by Swiss graphic designer Max Miedinger (1910–1980) for the Haas Type Foundry in Basel. Metallica is an American heavy metal group formed in 1981 in Los Angeles.
MARIJKE VAN WARMERDAM, In and out, 2006
66 x 100 cm
photo print on black mirror, dibond
edition 5 + 1 AP
published by World House Editions, Middlebury, Connecticut, USA
p.o.r.
“Nature decides the fate of an apple that falls from a tree. Here it falls either on the embankment or in the ditch”. Marijke van Warmerdam, 2011
Quote from catalogue ‘Close by in the distance’, published by Museum Boijmans van Beuningen, Rotterdam.
OLIVIER MOSSET, wallpaper, 2006
53 x 100,5 cm / 20.86 inches x 11 yards
edition 100
published by Wallpaper by Artists, Lyon, France extremely rare
mint condition
Private collection, Amsterdam
Margin Scheme
With this plain yellow wallpaper Olivier Mosset continues his exploration of monochromes, a smooth manufactured plane with no more than one colour and its materiality. Although this wallpaper too is meant to be attached to a wall creating a monochrome colour field, here the roll could be looked at as a monochrome sculpture by Olivier Mosset. As a kind of DIY edition quite a few rolls have been used to create a monochrome wall in yellow by Olivier Mosset. Hence quite uncommon.
inv.OM 31
HENK PEETERS, truus-3, 2006
ca 24 x 18 cm, unfolded as issued 120 x 150 cm
offset, screen print
edition 70
signed, dated, numbered (here nr 03/70)
published by PlaatsMaken, Arnhem, Netherlands
