MALCOLM MORLEY, Tankerton Bay, 2009
29.5 x 38.5 inches
screenprint
edition 72, signed, numbered
published by Lincoln Center, New York, USA € 1.800,- / $2,400 September 2011
Print is named for Tankerton Bay, a seaside village in Southeast England, based on a 2006–2007 collaged painting.
GUILLERMO KUITCA, Alice Tully Hall, 2009
19.5 x 19.5 inches
edition 117
published by Lincoln Center for the Performing Arts, New York, USA
out of stock
Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreated the seating chart for Alice Tully Hall at Lincoln Center in this work. In a characteristic manner, he casts a shadow of red over the diagram, which turns the space into an abstract superposition of planes. One of the most prominent contemporary artists from Latin America, the Argentine Guillermo Kuitca makes haunting paintings of stadiums, airports, theaters, and other public spaces; borrowing imagery from maps, floor plans, and seating charts.
History of prices:
Lincoln Center for the Performing Arts, New York, USA $ 1,800.- September 2009
Galerie van Gelder, Amsterdam, Netherlands € 2.100,- October 2014
PIERRE BISMUTH, Something Less, Something More, 2009
37 x 50 cm
triple corrugated cardboard plate with seven pre-cut discs, metal stick, instructions for use in French and English
wrapped in green, blue, yellow or clear plastic envelope
edition 180
published by CEC / Centre dʼÉdition Contemporaine, Geneva, Switzerland € 250,- / CHF 300.- December 2012
This is obviously a DIY edition of Pierre Bismuth.
FALKE PISANO, Figure 1 (Context, Past, Present, Future), 2009
39,8 x 39,8 cm, screen print
edition 50
signed, dated, numbered
Published by ICA, London, England
Collection Kees van Gelder, Amsterdam
In 2012 the Falke Pisano produced a similar print on a sticker:
FALKE PISANO, Figure 1 (Context, Past, Present, Future), 2012
vinyl sticker
edition 3 + 1 AP
signed, dated, numbered
JONATHAN MEESE, Grappa d’Annunzioz, 2009
height bottle: 32 cm / box size: 37 x 11,5 x 10 cm
bottle 1/2 liter 40% vol., ceramic black Iron Cross, sealed banderol, cardboard box with label
edition 40, here number 25/40
signed, hand numbered
published by Brigade Commerz, Pforzheim, Germany
mint condition
€ 450,- plus Track & Trace EU registered mail
inv.JMee 1171
DOROTHY IANNONE, Ta(Rot) Pack, 2009
3.75 x 5 inches
offset cards, wooden box, signed and numbered
edition 100 + 10 AP
published by The New Museum, New York, USA
not available
Between 1968-1969 Dorothy Iannone made a series of 27 A4 drawings depicting her life with Dieter Roth while living in Germany, France and Iceland. Dorothy described this period as “always immersed in the beloved.” She called this series of drawings Ta(Rot) (Dieter Roth was also known as Dieter Rot). When Dorothy had her exhibition at the New Museum in 2009, she collaborated with Jarrett Gregory and Daniel Thiem to re-imagine her Ta(Rot) series into a tarot pack edition. She compressed them into 3.75 x 5″ inches laminated cards.
History of prices:
The New Museum, New York, USA 8 December 2012 US$ 200.-
DANIEL KNORR, Pukapuka Tohunga Mahi Toi, 2009
ca 16 x 23 x 2,5 cm
SC, inserted objects, Maori text, 240 pages, DVD
edition 168
numbered, signed
published by Clouds, Aotearoa, New Zealand
Daniel Knorr’s artist’s book ‘Pukapuka Tohunga Mahi Toi’ involves a process of mapping the city in which Knorr collected pieces of rubbish on the street. This material was interleaved into the blank pages of each book and pressed by a 200-ton press, embossing the objects into the paper. Each book sets out to respond to local concerns and histories and, for this reason, the text for the New Zealand version is entirely in Maori. The cover the artist used the typeface Churchward Maori, designed by New Zealand type designer Joseph Churchward. The book includes a video which documents the process of making the work.
Clouds is a small publishing house involved in the publication of art books.
History of price:
published by Clouds, Aotearoa, New Zealand November 2009 US$ 200.- (year of issue)
Extra information:
DANIEL KNORR, Carte de Artiste, 2007
book with pressed objects, CD,
edition 100 with original objects
published by NBK / Neuer Berliner Kunstverein, Berlin, Germany December 2012 € 160,-
YOKO ONO, Imagine Piece, 2009
ca 21 x 30 cm
stencil, coloured pencils in a plastic bag
edition 881, several copies signed
LOUISE BOURGEOIS, Self-Pity, 2009
75 x 66,5 x 6,1 cm
pillow shaped woven textile in frame
edition 25 copies
published by Louisiana Edition, Huemlebak, Denmark
Louise Bourgeois made sculptures in wood, steel, stone and cast rubber and used drawing and printing as a tool of artistic expression, often organic in form and sexually explicit, emotionally aggressive yet witty, covered many stylistic bases. But from first to last they shared a set of repeated themes centered on the human body and its need for nurture and protection in a frightening world; protection often translated into images of shelter or home.
History of prices:
Louisiana Edition, Huemlebak, Denmark € 8.800,- incl. V.A.T. November 2012
HREINN FRIDFINNSSON, Touch, 2009
ca 8 x 8 cm
eye ball of glass, red ribbon with text, carton box
Christmas ball, in original silver coloured box with small booklet
signed in print on object
limited edition
rare
€ 268,- plus € 12,- Track & Trace EU registered mail
The glasswork ‘Touch’ (2009) of Hreinn Fridfinnsson could be characterized as a breakable object that has been touched by the artist’s paint hand in the colours blue, green, yellow, violet and red. It reads as a symbolic act of all the touches done by billions of individuals, a universal human urge that will last until eternity. Fundamental colours that refer to white light and to elementary colours emphasise this continuity of human condition to relate to nature, and the way we look at it and how behave in that same nature being part of it. During millennia many touches have been made and in that sense during the ages to come with touch after touch nothing will change this human drive. KvG