BARBARA KRUGER, Your gaze hits the side of my face, 2013

BARBARA KRUGER, Your gaze hits the side of my face, 2013
5-5/8 inches, width ca 1-3/4 inches
tortoise/black sunglasses with red temples
fabric drawstring sleeve for glasses, box
edition 100
published by LACMA, Los Angeles, USA
not available

The sentence “Your gaze hits the side of my face” phrase first appeared in an 1981 artwork along with the profile of an anonymous classical bust. A phrasing that suggests that such a gaze is impertinent. When it comes to the lens of a camera Barbara Kruger says: ‘What it menas to put a camera at another person, I think there is a brutality about that.’

 

Extra information:
Other versions published by LACMA each in an edition of 100:

 

CHRISTIAN MARCLAY, Splat, 2013

CHRISTIAN MARCLAY, Splat, 2013
46,7 x 35,6 cm / 18-1/4 x 14 inches
screen print with splash painting
edition 30
published by Graphic Studio, Tampa, USA
not available

Continuing his exploration of collage and the visualization of sound these partly unique prints utilize imagery from Manga comics, originally published in Japan and translated for the US market, and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.

History of prices:
Graphic Studio, Tampa, USA     € 3.270,- / $ 4,500.- December 2013

OLIVIER MOSSET, sans titre, 2012-2013 [sound post card]

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OLIVIER MOSSET, sans titre, 2012-2013
11,7 x 8,8 cm
virtual sound post card
unlimited edition
published by MAMCO, Geneva, Switzerland
Collection Kees van Gelder, Amsterdam

May be obtained for free by clicking here Olivier Mosset
At the moment no sound support by Mamco!

 
Olivier Mosset is known for being part of the BMPT (Buren-Mosset-Parmentier-Toroni) group founded in 1968 and his huge monochromes as shown at the Swiss pavilion of the Venice Biennual. Less known is that he is a fervent Harley Davidson motorbike driver as one may understand when looking/listening at the sound postcard.

 

List of artists who made sound post cards for MAMCO:

Luc Andrié — Lillian Ball — Cathryn Boch — Katinka Bock — Brice Catherin — Mio Chareteau — Jérémy Chevalier — Nina Childress — Rudy Décelière — Jacques Demierre — Paul Devautour — Tamara de Wehr — Léo Durand — Peter Downsbrough — Heike Fiedler — Luca Forcucci — Gilles Furtwängler — Aloïs Godinat — Alex Hanimann — Thomas Huber — Peter Kogler — Juan José “Pepe” Laici — Anne Le Troter — Beat Lippert — Elisabeth Llach — Marlene McCarty — Olivier Mosset — Ann Noël — ORLAN — Frédéric Post — Marta Riniker-Radich — Sarkis — THE DONKEY’S TAIL — Joëlle Tuerlinckx — Francis Baudevin, Christian Pahud — Filippo Filliger, Dorothée Thébert, Colette — Francesca Gabbiani, Eddie Ruscha

JEREMY DELLER, Voodoo Ray / Ooh-oo-hoo ah-ha ha yeah, 2013

JEREMY DELLER, Voodoo Ray / Ooh-oo-hoo ah-ha ha yeah, 2013
12 inch vinyl
screen printed sleeve,
limited signed edition 50
published by The Vinyl Factory, London, UK
not available

In the summer of 2013 The Vinyl Factory collaborated with Deller on the soundtrack to ‘English Magic’, his film work exhibited in Venice in the same year; for which the music is composed of three cover versions of classic British songs: ‘Voodoo Ray’, ‘The Man Who Sold The World’ (by David Bowie) and ‘Symphony in D Minor’ (by Ralph Vaughan Williams) and played by the Melodians Steel Orchestra, an English/Trinidadian steel band, and produced by Deller at Abbey Road Studios.
The Melodians Steel Orchestra performed at both the Pavilion’s official inauguration on the 29th May 2013 and later that evening at The Vinyl Factory & British Council party on the Isla Vignole, Venice, alongside with Scottish DJ/duo Optimo, long-time friends and collaborators with Deller. A remix of three track 12″ features with vocal, instrumental and bonus beats by Scottish DJ/duo Optimo.
Inspired by this party, here JD Twitch from Optimo has remixed ‘Voodoo Ray’ into a joyous piano-house stomper in a vein similar to the now hard-to-find Frankie Knuckles re-work from back in the day, with vocals from the Melodians.

In 2001 The Vinyl Factory began as a pressing company after purchasing the manufacturing equipment from EMI. For two years, they completed orders left over from EMI’s company, which helped to keep and maintain a loyal customer base. In 2008, it expanded into a record label. The Vinyl Factory has presented solo exhibitions by Ragnar Kjartansson, Ryoji Ikeda, Carsten Nicolai, a.o.

History of price:
Price in year of issue € 180,- / GBP 150.-

ANTHONY GORMLEY, Domain, 2013

ANTHONY GORMLEY, Domain, 2013
38 x 30,3 cm
etching
edition 100
numbered, signed
published by Baltic, Gateshead, England
p.o.r.

The installation ‘Domain Field’ (2003) at Baltic in Gateshead comprises 287 sculptures made of measurements from volunteers living in Newcastle and Gateshead resulting in a myriad of stainless steel trajectories, giving the impression of a field of human figures in steel representing the particular presence of a living inhabitant of Gateshead and Newcastle.
The etching ‘Domain’ (2013) represents an abstract human body with a Gormley-spiky background.

RAGNAR KJARTANSSON, Think piece, 2013 [set of Icelandic and English version]

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RAGNAR KJARTANSSON, Think Piece, 2013 [set of Icelandic and English version]
(Það er fallegt en sorglegt að vera manneskja / It is beautiful but sad to be a human being)
each ca 8 x 8 x 10 cm
ball of glass with text, red ribbon with text, cardboard box
Christmas ball in original silver coloured box with small booklets in English and Icelandic
signed in print on each object
limited edition
set of two balls € 240,-

Ragnar Kjartansson says the following about this work:
“It was Christmas night, 1998, and I was sitting in the living room with my father. Everyone else had gone to bed, the candles were burning out, and rain was falling on the Christmas snow outside. My father usually gets a bit drunk at Christmas and feels it’s important to use the festive occasion to instruct his son in the principles of life. This Christmas he was in a particularly good mood. We were smoking cigars and he had a glass of cognac in his hand. Suddenly, his breath heavy, he said: “Ragnar, I need to tell you something, and it is the most important thing that I will ever tell you.” He closed his eyes and there was a long silence. Then he said: “It is beautiful but sad to be a human being.” It had a profound effect on me. Now this truthful contradiction decorates the Globe of Goodwill.”

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MARC BIJL, Burnt by the sun (after Malevich), 2013

MARC BIJL, Burnt by the sun (after Malevich), 2013
33 x 33 cm
screen print, airbrush, glitters
signed, numbered
edition 40
published by Plaats Maken, Arnhem, Netherlands
order at Plaats Maken: https://www.plaatsmaken.nl/nl/galerie/webshop/burnt-by-the-sun-after-malevich-zwartwit-kunst-online-kopen-maxima-marc-bijl-marcbijl