DAAN VAN GOLDEN, Apperception, 2012
29,5 x 23,5 cm
catalogue, SC, 224 pp.
+ inserted very thin wrapping paper (20 x 20 cm)
edition 2000 of which 100 catalogues are signed, numbered
mint condition
rare
€ 580,- plus € 18,- Track & Trace EU registered mail
The insert in this catalogue is a piece of original wrapping paper which the artist produced in 2000 for flower shop / exhibition space Brutto Gusto in Berlin, Germany
JOHN BALDESSARI
limited edition leather Tote bag (designer Monica Botkier), 2012
edition 300
not available
History of prices:
$ 300.- unsigned / $ 500.- signed, August 2012
PAUL McCARTHY, Chocolate Nose Bar, 2000
chocolate, cardboard box
unlimited edition
published by Hauser & Wirth editions, Zurich, Switzerland
here excl. perspex show case
“…Paul McCarthy contributed a huge brown inflatable rubber sculpture, Chocolate Blockhead (Nose Bar Outlet), which looks like a seated Pinocchio with a mallet for a head. Inside the sculpture round chocolate bars shaped like Pinocchio’s nose could be bought from vending machines, as if commanding the audience to buy lies. In Marijke van Warmerdam’s film, Flecks of Light, a skinny boy stands silently on the bank of a forest lake, the dripping wet pockets of his yellow bathing shorts turned inside out. On the lake a duck paddles by. ‘Does the boy jump?’ a visitor inquired impatiently of the guard. He replied apologetically ‘Sorry, no, he doesn’t.’ ” Frieze Magazine about Expo 2000, Nov./Dec. 2000
GILBERT & GEORGE, Side by Side, 2012
20 x 13 cm
linen bound book, HC, 170 pp.
signed, hand numbered
edition 2000
co-published by Walther König Buchhandlung, Cologne / Enitharmon Editions, London, England
mint
inv.G&G 000-pr
The artist’s book “Side by Side” was first published in 1971 by Koenig Brothers in an edition of 600. This second and larger edition is a reprint. Note on the inside cover at the back of the book: ‘The linens used to bind “Side by Side” were individually hand-marbled by Gilbert & George’. Hence each linen bound cover is unique.
DAMIEN HIRST, Fridge Magnets, n.d. [2012]
21,4 x 17,2 cm
15 kiss cut parts in various sizes, stiff rope envelope, high gloss print on magnets
edition unknown
published by Damien Hirst & Science Ltd on the occasion of his exhibition at Tate Modern in 2012
inv.DHir 000-pr
History of prices:
eBay-japan-culture-market01, Japan September 2023 US$ 300.-
eBay-thearteryfineart, Boston MA, USA August 2023 US$ 95.-
DAMIEN HIRST, Magnet Set “Calciferol 1996”, n.d. [2012]
14,5 x 14,5 x 0,7 cm
PVC on magnets, box with transparent lid
9 parts; each magnet is 4 mm deep and 25 mm in diameter
edition unknown
published by Damien Hirst & Science Ltd on the occasion of his exhibition at Tate Modern in 2012
LES LEVINE, Untitled, 1985
from portfolio of “Untitled”, two crayons and memo pad
edition 100, signed
Gallery 360 grades, Tokyo, Japan
GLENN LIGON,’2000-2009′, 2011
Epson Ultra Chrome K3 print on Museo Max 365 GSM paper
76,2 x 56 cm / 22 x 30 inch
edition of 30 + 5 AP + 5 PP
sold
History of prices offered and determined by:
LACMA, Los Angeles € 3200,- / US$ 4000.- (members US$ 3600.-) June 2012
Over the last three decades, Glenn Ligon has produced a substantial body of work engaged, as one critic has succinctly noted, with the “presence of the past in the present.” In this print Glenn Ligon has layered the figures of the years ten on top of each other.
Ligon draws from the aesthetic language and formalism of minimalism and the textual and philosophical modes of conceptual art, and enriches this all through his formative engagement with the modes of cultural studies and critical theory that have gained prominence since the 1980s.
JOHN BALDESSARI, Wrong, n.d. [ca 2010]
5 x 7 x 2 cm
eraser, issued in bare plastic bag
Definitively a shopping item for raising money for LACMA, yet interesting enough as a practical example of the artist’s way of thinking. Partly based on John Baldessari’s painting “Wrong” from 1967.
DAVID HORVITZ, Do you live in the US?, 2012 [screenshot Twitter]
virtual reproduction