JONATHAN MONK, The making of ten posters, ten languages, ten colours, ten words, ten euros, 2011


Photo: K. van Gelder

JONATHAN MONK, The making of ten posters, ten languages, ten colours, ten words, ten euros, 2011
book, 50 pp.
17 x 11,5 x 0,5 cm
50 pages of color photographs documenting the creation of an edition of Jonathan Monk posters
published by Yvon Lambert, Paris, France
pristine
set of 5: € 290,- plus € 20,- registered mail Track & Trace
inv.JMon 000-pr

 

Also available

As issued, stack of all the ten books in different colours, in original cellophane wrapping
pristine
set of 10: € 920,- plus € 20,- registered mail Track & Trace
inv.JMon 304-pr

JMonk2011theMakingofTenPosters-10books700

 

Jonathan Monk: “… Once something has been done, it can be done again in a different colour.”
From studio interview by U. G. Lambert,  26 April 2012.

inv.JMonk304

THIERRY DE CORDIER, Les Fragments d’Héraclite selon Thierry De Cordier, 2015 [artist’s book]

ThDeCordier2015lesFragments-cover650

THIERRY DE CORDIER, Les Fragments d’Héraclite selon Thierry De Cordier, 2015
22 x 13,9 cm
artist’s book, 170 pp., guilt edged, French text
numbered
edition 300, here nr 103/300
pristine, sealed as published
published by Salon Verlag, Cologne, Germany
inv. ThDeCor 303

 

ThDeCordier2015lesFragments-titlepage420

ThDeCordier2015lesFragments-giltEdge421

THIERRY DE CORDIER, Les Fragments de Héraclite selon Thierry de Cordier, 2015
Belgian artist Thierry De Cordier (1954) was once gifted a small book with the hand written title ‘Heracleitos’ on the cover. The booklet, barely eight pages, contained Dutch translations of texts by Heraclitus, a pre-Socratic Greek philosopher whose original writings are lost and who is only known through the quotations of later authors. At the time, De Cordier read these ‘Fragments of Heraclitus’ superficially without giving them much thought. He put away the book, probably a Dutch translation of Heraclitus by Laurens Vancrevel with artwork by Rik Lina, and forgot about it until it surfaced when he moved house. Reading Heraclitus again after all those years De Cordier found himself captivated by the quotations, sometimes no more than a couple of words, of the philosopher of change (‘no man steps in the same river twice’) and unification of opposites (‘the path up and down are one and the same’). De Cordier started to retranslate the Dutch texts in his native French trying to find a way to combine philosophical and poetic language. It took him more than a full winter to complete the work. De Cordier’s translations were published in 2015 without any comments, footnotes or illustrations in Salon Verlag’s ‘Ex Libris’ series, in which artists are invited to reprint their favourite books.

BILL MITCHELL, Azonic II – A drawing by Bill Mitchell, n.d. [ca 1978] – artist’s book

BMitchell-nd-AzonicII-cover600

BMitchell-nd-AzonicII-open600

BILL MITCHELL, Azonic II – A drawing by Bill Mitchell, n.d. [ca 1978]
19,9 x 15 cm
thread, plastic pages, tape, artist’s book, SC, 16 pp.
published in Newton Abbot, Devon, England
pristine condition

This artist’s book was published in two versions. Here “Azonic II” comes with a foul red cover and contains 16 pages. “Azonic I” was published in ca 1974 and has 26 pages with a foul blue cover.

GERHARD RICHTER, Wald, 2008 [artist’s book]

GRichter2013wald-bookcover700

GERHARD RICHTER, Wald, 2008 [artist’s book]
24,6 x 17 x 3,4 cm
offset, German language, 396 pp., ill., 1.3 kilograms
HC with dust jacket
edition 2000
published by Walter Koenig Buchhandlung, Cologne, Germany
pristine condition
€ 400,- plus € 18,- Track & Trace registered mail
inv.GRich 714_979

Gerhard Richter’s artist’s book Wald assembles 286 photographs that he has taken since 2005 in a forest Hahnwald close to Cologne. These photographs focus on fallen trees and branches lying on the woodland’s ground, i.e. photos on vertical tree trunks and horizontally piled logs or diagonally broken branches.

Opposite to the typology of the photographs, Gerhard Richter used a text taken from Waldung – Magazin für Wald, Wandern, Wissen, No. 1/2006, a German magazine about forestry. The text is composed of computer generated ad randomness, without syntax or linguistic logic. What is left of the original content is a collage of loose words and a scattered vocabulary of the articles in the magazine.

History of prices:
The Archive is Limited, Amsterdam January 2021 € 400,- (price temporarily adapted to market)
The Archive is Limited, Amsterdam December 2020 € 465,-
Amazon, December 2020 US$ 450.-
www.store.bookdummypress.com, May 2019 US$ 300.-
Amazon, May 2019 US$ 450.-
Amazon, July 2016 between US$ 430.- and US$ 605.-

MARC BIJL, Flash Art, 2002 [artist’s book, sticker]

MBijl2002flashArt-signedcard700

MARC BIJL, Flash Art, 2002
26 x 18 cm, offset
artist’s book, loose sticker, hand written card
edition unknown
comes with a Marc Bijl Lion sticker, signed text
published by Künstlerhaus Bethanien, Berlin, Germany
difficult to find with sticker

MBijl2002flashArt-signed-sticker400

An artist’s book that combines social engagement and romantic criticism with art magazine-like texts illuminated with images of his works. Articles on Symbols will be replacing words by Read Mercer Schuhardt, the International Situationists, Italian anarchism, the Dutch ‘Percentage for Art’ scheme by Marjolein Sponselee, etc. Also articles, statements and an interview with Oliver Ressler by Marc Bijl.

TARYN SIMON, Paperwork and the Will of Capital, 2016 [artist’s book / catalogue]

TSimon-bookPaperwork2016-cover650

TARYN SIMON, Paperwork and the Will of Capital, 2016
34,3 x 26,5 x 2,1 cm
1.8 kilograms
catalogue – artist book
condition: pristine
signed, dated for the occasion of her exhibition in Gagosian Gallery, New York
€ 1.200,- plus € 32,- Track & Trace registered mail

TSimon-bookPaperWork2016-signed-dated650

This book is half catalogue (authors write inside the book) and half artist’s book (the artist uses the book form as a means of expression).

At signings of political accords, contracts, treaties, and decrees powerful men flank floral centerpieces curated to convey the importance of the signatories and represented institutions, apparently. Taryn Simon dryly described each event and photographed the flower arrangements from archival images; she studied and collected these flowers. Then dried and pressed these as herbarium specimens. This sumptuous and yet visual book bears witness to an elaborate and intriguing relation between theatrical singings of politicians and the showing off of flower arrangements.

History of price:
AB Books, Ferndale (NY), USA US$ 1,350.58 August 2021 (unsigned)
Photobooknut Books, Jackson Heights (NY), USA US$ 499.95 August 2021 (unsigned)

JAAP KRONEMAN, Untitled (Fundamentals), 2016 [artist’s book + envelope]

JAAP KRONEMAN, Untitled, 2016
25 x 16,5 cm
artist’s book
felt pen ink, hand made drawings, dust cover, envelope
series of 12 unique artist’s books
signed, dated, numbered
published by Galerie van Gelder Editions, Amsterdam
Private collection, Amsterdam
inv.JK 671-pr


JAAP KRONEMAN: hand made drawing on page 1

 


JAAP KRONEMAN: marker, ink stamp on envelope