JOËLLE TUERLINCKX, invite “Openstelling”, 1997
10 x 15 cm / 71,3 x 15 cm (leporello unfold)
offset, 2 parts
published by Provinciaals Museum van Hedendaagse Kunst, Hasselt, Belgium
inv.JTue 000-pr
“Openstelling” is an exhibition based on a concept of Joëlle Tuerlinckx who invited or integrated the following artists:
Orla Barry
Stanley Brouwn
James Coleman
Tacita Dean
Daniel Faust
Christoph Fink
Michel François
Thibaut Halbardier & Philippe van Van Cutsem
Douglas Huebler
Ann-Veronica Janssens
On Kawara
Suchan Kinoshita
David Lamelas
Guy Mees
Bernard Piffaretti
Michaelangelo Pistoletto
Joëlle Tuerlinckx
Marijke van Warmerdam
Richard Venlet
JEFF WALL, invitation card, 1984
10,5 x 14,8 cm
offset
published by Basler Kunstverein, Basel, Switzerland
€ 60,- plus € 8,- Track & Trace registered EU mail
inv.JWal 484-pr
JENNY HOLZER, Truisms, in “Stickers Vol.2”, 2019-2022
29,7 x 23 cm
published by Rizzoli International Publications Inc., New York, USA
mint
€ 45,- plus € 18,- Track & Trace registered EU mail
For purchase see Stickers Vol.2: From Punk Rock to Contemporary Art.
inv.JHol 000-pr
This book was first published in 2019 and reprints were made in 2020, 2021 and 2022. The back of this heavy weight book contains 16 pages of stickers ready to be peeled off. Among these a page with stickers of Jenny Holzer and one of Shepard Fairey.
STEVEN PARRINO, postcard, 1993
stamp dated 30 July
14,8 x 10,5 cm
signed
condition: diagonal fold, due to postal handling
A hand written text on this post card refers to a scheduled solo exhibition in Galerie van Gelder in Amsterdam that took place from 16 October till 11 November 1993. Ad hoc in the gallery space Steven Parrino painted ‘Creeping eye’ (1993), made of lacquer and stitches on canvas. He installed the four canvasses touching each other making that wall piece into a size of 200 x 400 x 30 cm altogether. Years later just after his fatal motor cycle accident in 2005 this works was auctioned for US$ 575.000,-
MARIJKE VAN WARMERDAM, Then, now, and then, 2022
29,5 x 25,5 cm,
catalogue, offset, 16 pp., English text
edition 500
published by Roma Publications, Amsterdam
MARIJKE VAN WARMERDAM, Then, now, and then, 2022
29,5 x 25,5 cm
catalogue, offset, 16 pp., Dutch text
edition 500
published by Roma Publications, Amsterdam
ANN VERONICA JANSSENS, untitled, 1993
21,4 x 15 cm
folded as issued
published by Eric Antonis, Antwerp, Belgium
mint
€ 65,- plus € 8,- Track & Trace registered EU mail
This publication exists out of 6 spread sheets with mere photos (unfolded 29,5 x 42 cm). It was published on behalf of “Contemporary Visual Art programme of Antwerp 93”. A short and only text reads: ‘On taking
a normal situation
and retranslating it
into overlapping
and multiple readings
of conditions
past and present’
“Vertrekken vanuit
een normale situatie
en deze hervertalen
in elkaar overlappende
en meervoudige lezingen
van condities
uit heden en verleden”
JENNY HOLZER, Truisms, 2019
29,7 x 22,8 cm
double sided sheet: recto 12 Truism-stickers, verso various stickers (8)
firm book page from “Stickers Vol. 2”
edition 400
published by Rizzoli, New York, USA
mint
inv.JHol 000
€ 145,- plus € 8,- Track & Trace registered EU mail
Stickers Vol. 2 deals with stickers about Punk Rock, electronic music, skateboarding, streetwear, graffiti, political activism, surf and BMX bike culture, fine arts and personal wisdoms of amateurs who tag the streets. This publication contains 16 pages with 125 removable stickers bound at the back of the book. These sheets include a list of artists including Jenny Holzer, Barry McGee, INVADER, Marylin Minter, Erik Parker, SWOON, FUTURA, Robert Lazzarini, Kenzo Minami, Kostas Seremetis, Kristen Liu-Wong, Anthony Lister, Ron English, Ryan McGuinnes, BAST, D*Face, Shepard Fairey, FAILE, Skullphone, Tara McPherson, Peter Schuyff, Swoon, & James Hyde, ESPO, a.o.
TAMÁS ST.AUBY, SUBSIST.ENCE LEVEL ST.ANDARD Project 1984, 2013
29,7 x 21 cm
2 prints (screen shots website ExIndex)
inv.DTan 000
One of the most unknown-known Hungarian artists is Tamás St. Auby (ps. of Tamás Szentjóby, born in 1944) being a non-artist, poet and performer, both inside and outside of the arts. He founded IPUT / ‘International Parallel Union of Telecommunications’ in 1968. Its central idea: “The art is hokum. The history is hokum. Art is everything, what not allowed. Be not allowed!” He had to leave Hungry in 1975, and he came back not earlier than in 1991.
When I met Tamás St. Auby for the first time in his studio in 2004, I was quite impressed by his for me scary shamanistic dominance in his social interaction. Yet his presence was deeply lived through and sensitive. His attitude was not one of being an artist in the first place but more one of a teacher of an academy in Budapest. At once it was clear to me that I wanted to invite him to participate in ‘Freedom Borders’, a group exhibition with Hungarian artists I curated in Galerie van Gelder, Amsterdam in 2004. The other two artists were Szabolcs KissPàl and visual poet and writer Dezsö Tandori.
Part of installation in ‘Freedom Borders’ at Galerie van Gelder, 2004
Foto K. van Gelder, Amsterdam
TAMÁS ST. AUBY, Ballot-Disco, 2004
250 x 140 x 140 cm
wood, voting bills, pen, walk-man/sound, map, light, human skull, plastic curtain, cardboard box
