Category Archives: prints



JAAP KRONEMAN, Untitled, 1995 [screen print girl’s T-shirt]

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JAAP KRONEMAN, Untitled, 1995
200 x 152 cm
screen print, conté, acrylic paint
edition 8, here number 2/8
signed, dated, numbered

 

Jaap Kroneman is one of the founders of Flat Real Art, a branch of the visual arts, which uses concrete reality to begin with. Observed reality is the basis and in the implementation of his work that is flattened. Reality is abstracted, but nevertheless always recognizable. This print has been partly painted, i.e. the nipples and trousers. The outlines have been drawn with black crayon.

WJM KOK, Monochrome 360º (Revaleiland), 2020 [card]

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WJM KOK, Monochrome 360º (Revaleiland), 2020
SN 68172
10,4 x 14,8 cm
offset, verso residual glue and paper, cellophane envelope, sticker
edition 81, here number 28/81
signed, dated, numbered
published by the artist
€ 35,- plus € 5,- Track & Trace NL registered mail
inv.WJM 1034_1043

During the pandemic in 2020 Dutch advertising columns were temporarily out of use for advertising. They were all around set on hold and covered with a blue colour print on paper. Wjm Kok appropriated a considerable amount of these unused so-called ‘peperbussen’ in Amsterdam by merely localising them. He took a picture of each cylindrical column, adding a title and Serial Number.
Due to weather conditions the blue posters came down partly. A colleague teared some of these parts off. When this was offered to him, he decided to cut the torn off poster parts into cards. With this less ephemeral and more concrete gesture he brought this work closer to the approach of the American appropriation artists who materialised their ideas by putting the borrowed products merely on display, although without the need for manual work. KvG

Appropriated advertising column opposite Herengracht 213, Amsterdam

THOMAS RUFF, Sterne, 01h 55m/-30º, 1989 [signed postcard]

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THOMAS RUFF, Sterne, 01h 55m/-30º, 1989
14,8 x 10,4 cm
postcard
signed with silver marker
rare
splendid condition, with verso partly residual glue and paper
€ 225,- plus 12,- Track & Trace registered EU mail
inv.TRuf 1027-pr

 

Uncommon signature put straight into the image of the print, by which the artist’s name creates much more depth to the depicted firmament. It functions as a repoussoir.

BEN VAUTIER, Anything Anyhow / n’Importe Quoi n’Importe Comment [1972]

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BEN VAUTIER, Anything Anyhow / N’importe Quoi n’Importe Comment, nd. [1972]
each 9,5 x 12,5 cm
2 loose cards, offset on thin paper (160 g/m2)
edition 2000
published by Rijksuniversiteit Utrecht, Utrecht, The Netherlands
excellent condition
inv.BVau 1020

These two loose cards come from an envelope that contains five contributions of Ben Vautier, George Brecht, Gerhard von Graevenitz and François Morellet. The envelope was part of “TOEVAL”, a ring binder produced on behalf of a symposium. A fifth contribution consists of two dices with a Mozart score. It is published as examples of chance, but may be considered as an artist’s edition since the ideas and instructions come straight from the artists. It is not known if all loose contributions by various artists (e.g. “Chance Imagery” of George Brecht) have been added to the complete edition of 2000 copies.
A copy is in the collection of the Van Abbemuseum, Eindhoven, The Netherlands.

‘Actually it is not a catalogue but an artist’s book, with mostly original contributions by artists. That Morellet sheet – translucent paper – is usually signed.’
Mail 22 of January 2021 by Harry Ruhé to KvG.

 

Intimacy, 2020 [Gold Edition, signed]

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Intimacy, 2020 – G o l d  E d i t i o n
32 x 23 x 4,5 cm
cardboard box with magnet clam strip, 69 parts
numbered box, with extra contributions
several signed items
edition 23, here number 3 / Gold Edition
published by Cult Club, Amsterdam
order at www.multiples.nl

 

This box was produced in an edition of 48 copies, i.e. a Silver Edition of 25 copies and a Gold Edition box of 23 copies, the latter containing several signed items and extra contributions. Artists documented and/or participating:

MARINA ABRAMOVIĆ Role Exchange, Amsterdam, 1975

AY-O Finger Box-Kit, 1991; Ay-O in New York, n/d.

MATTHEW BARNEY Dildo, 1995

PAUL BLANCA Father & Son, 1985

TRACEY EMIN Everyone I Have Ever Slept With (The Tent), 1963-1995

VALIE EXPORT Tapp-und-Tast-Kino

KAREL GOUDSBLOM All of This, 1998

AL HANSEN anna banana clacla fluxcomix, drawing, early 1970s

DON JUAN, flyer, 1978

KIRSTEN JUSTESEN RYGSKRIVER (write on one’s back), 1985

ALISON KNOWLES Serenade for Alison (Paik), Amsterdam, 1962

BAS KOSTERS Hope Bracelet / Hope card + BAS KOSTERS TV Head Inflatable Art Doll
signed

SHIGEKO KUBOTA Vagina Painting, New York, 1965

JOHN LENNON & YOKO ONO photo: Annie Leibovitz, 1980

ANDRIES DE MAREZ OYENS Love-Stop-Touch, sticker and postcard
signed on envelope

PIERRE MOLINIER Selfportrait with dildo, 1966

CHARLOTTE MOORMAN & NAM JUNE PAIK performing Chamber Music , Asolo, 1974

OTTO MUEHL with Mrs Conz, and people living in commune Friedrichshof, ca. 1983

YOKO ONO (with ANTHONY COX), The Bag, Knokke, 1967

ORLAN L’Origine de la Guerre, 1989

WILLEM DE RIDDER SUCK nr 8 (The Last Suck), front cover, 1974 + SUCK nr 7, back cover, n.d.

NIKI DE SAINT PHALLE (with JEAN TINGUELY and PER OLOF ULTVEDT) Hon, Stockholm, 1966

CAROLEE SCHNEEMANN Interior Scroll, 1975

ANDRES SERRANO Plassex-poster, 1997

BARBARA T. SMITH Feed Me, San Francisco, 1973

ANNIE SPRINKLE Look inside: Annie Sprinkle, flyer, 1990

ANNIE SPRINKLE / BETH STEPHENS Cuddling, Athens, 2017; sticker

MARCO TIBERIO Enlarge Sanitizer Gel (bottle)
signed

TINKEBELL INTIMACY 1,2,3, three postcards, 2020
all postcards signed

ULAY / ABRAMOVIĆ Breathing in – Breathing out, Amsterdam, 1977

BEN VAUTIER Project for INTIMACY, sketch + photo Bed Event (1998), with Francesco Conz, ORLAN, Carolee Schneemann

AAT VELDHOEN Paring, Rotaprint, 1964

MAXIME C. DE WAAL Real Nature / Real Duvall, print

LUUK WILMERING A Personal Geographic. De naakten kleden, nr.7, 2010
signed