DINOS CHAPMAN, Garage Tattoos, 2011
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
Category Archives: New in stock
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
mint condition
rare
JOHN BALDESSARI, Stairway, Coat and Person, 2011
JOHN BALDESSARI, Stairway, Coat and Person, 2011
50,8 x 40,6 cm / 20 x 16 inches
archival inkjet print
edition 120
published by CCA Wattis Institute for Contemporary Arts, San Francisco, USA
John Baldessari is intentionally questioning the conventions of picture-making, among other things. He says: ‘I am interested in conceptual leaps people can make from one bit of information to another and how they can fill the space.’
FRANÇOIS DEY, Benjamin’s house, 2011
FRANÇOIS DEY, Benjamin’s house, 2011
each ca 31 x 22 cm (installation size: 66 x 122 cm)
6 photo prints
signed, dated, numbered
edition 3
Swiss artist François Dey (1981) is attracted by the continuous flux of life in which nothing is basically fixed. Therefore improvisation and unexpected contexts make as much sense as well prepared plans and thought over constructions, whether in the physical reality or our mind. Also language is used breaking the laws of idiom and spelling which makes his written texts look peculiar and even shabby. For him it is a way to get out of the prison of too much treaded roads we already know of.
MAI-THU PERRET, ‘Tous les chevaux du rois, 2008’, 2011
JONATHAN MONK, Grey / Gray, 2012
JONATHAN MONK, Grey/Gray, 2012
two 7” vinyl records, sleeves,
numbered on certificate with finger prints of grey paint
edition 100
signed
mint
published by CCA Wattis Institute, San Francisco, USA
€ 360,- plus € 20,- Track & Trace registered EU mail
inv.JMon 206
Within each edition copy Grey/Gray one of the two records is visually unique.
Side A is the sound of black paint being mixed with white. Side B is the sound of white paint being mixed with black.
One is in a black sleeve and the other one in a white sleeve, housed within a clear plastic sleeve with a printed sticker and a small offset printed certificate signed in pencil and painted with grey (English spelling) or gray (USA spelling) finger prints.
CONSTANT DULLAART, Users, Phaedrus, No Sunshine, Impossible Sculptures, 2011
CONSTANT DULLAART, Users, Phaedrus, No Sunshine, Impossible Sculptures, 2011
DVD
seal bag, unbound book as published (18,5 x 14,5 cm); insert with content table, 60 pp.
edition 250
hand numbered
published by Peeping Tom Éditions, Paris, France
See info on publishing house
Table of content
LUCY CLOUT, Hook, 2011
GLENN LIGON, I Am a Man [tote bag], 2011
GLENN LIGON, I Am A Man, 2011
25 1/2 x 14 x 3 1/2 inches / bag itself approx. 14″x16″
tote bag
published by Modern Art Museum, Fort Worth, Texas, USA
p.o.r.
In 1968, at the height of the Civil Rights Movement, hundreds of black sanitation workers in Memphis went on strike. Famously, they carried signs reading, “I AM A MAN”. This statement “I AM A MAN” started out as an exasperated cry from an oppressed minority to be treated as human. The posters were carried by the workers on strike that drew Martin Luther King Jr. to Memphis, Tennessee the first week of April 1968. After King’s assassination later that week, the poster became a nationally recognized symbol of the struggle for equality and humanity. Twenty years later, Ligon replicated those signs in his painting Untitled, 1988. Working through the legacy of the civil rights movement he has found his artistic voice: this was one of Ligon’s earliest paintings to include appropriated text, an exploration that continues to this day.
RYAN GANDER, Still not even to be trusted with a paperclip, 2011
RYAN GANDER, Still not even to be trusted with a paperclip, 2011
38.2 x 45.8 cm (image 25,4 x 33,9 cm)
archival inkjet print on paper
edition 50
published by Ingleby Gallery, Edinburgh, Scotland
not available
History of price:
Ingleby Gallery, Edinburgh, Scotland € 725,- / GBP 600.- July 2013
Ingleby Gallery, Edinburgh, Scotland € 690,- / GBP 600.- April 2018
Ryan Gander’s print is a close up image of a shirt with a small piece of paper poking out of the pocket displaying a description of a dream by a friend of the artist.