DAVID HORVITZ, Untitled (sand mailed by the artist’s mother from California), 2013
11 x 14,5 cm / 10,7 x 16,6 cm
stamped address on envelope / plastic bag with sand
published by the artist
Galerie Chert, Berlin € 50,- July 2015
Untitled (sand mailed by the artist’s mother from California) is a work that consists of a posted envelope of sand from the Californian beach by the artist’s former home, where his mother still resides. Originally the artist’s mother sends this sand by post to the buyer. This same beach and sand is a repetitive motif for Horvitz and has been used for several projects including: Rarely seen Bas Jan Ader, Disappear, Public Access, The Distance of a Day and his Studio Rent Editions.
DAVID HORVITZ, The Distance of the Day, 2013
ca 12,5 x 18 cm, 2 parts
set of leporello postcards, beach sand from Maladives and Los Angeles in cellophane envelopes
signed, dated, numbered
‘In early February I asked my mom to go and watch the sunset and make a video. She did this from the Palos Verdes Peninsula, where I used to watch the sunset when I lived in California. She made the video with her iPhone taped to a metal barrier that protects people from falling over the cliffs.
In synchronicity with her, I too was looking at the sun and making a video. From my perspective the sun was rising. I had calculated where the the sun would be seen as rising at the exact same moment it was seen as setting in Los Angeles. In early February this was the Maldives, a location which may not exist in the near future due to the rising of the seas.
As my mom watched the sun set into the Pacific Ocean, I was watching it rise over the Laccadive Sea. Synoptic is a useful term here. It comes from the Greek syn, meaning “together”, and optic, meaning “seen”. Though separated by thousands of miles, we were watching the sun together.
The title, The Distance of a Day, is a reference to the idea of the journey. Originally, journey meant the distance one traveled in a day. Here, the spatial distance that separated my mother and myself was not defined by the distance one could travel in a day, but by the day itself. By the delimitations of a day – where the sun rises and where the sun sets.
Phones were chosen to make (and display) the video because they are devices that orient us spatially and temporally. They are like contemporary pocket-watches and compasses that we carry with us. They coordinate and synchronize us. They broadcast moments instantaneously across distances. Or, what seems to be instantaneously. There is always some delay.
The same two phones that were used to shoot the videos, that were once on opposite sides of the world, are now used to display the videos. They are now only inches away.
Right now somewhere the sun is simultaneously setting and rising. Someone or something is probably bearing witness to this.’
DAVID HORVITZ, Do you live in the US?, 2012 [screenshot Twitter]
DAVID HORVITZ, Take a photograph of your head inside a freezer, 2009
images on internet
On April 6, 2009, New York-based artist David Horvitz posted a picture of himself with his head in a freezer on his Flickr account and invited readers to participate in his DIY work.