VOEBE DE GRUYTER, Dokalucht, 1996

VdG1996dokalucht_cover500

VOEBE DE GRUYTER, Dokalucht, 1996
29,7 x 15,2 cm
book with text in Dutch, each with original hand made charcoal drawing, tracing paper dustcover, SC, 24 pp.
edition 120
signed, numbered
published by The Bifrons Publisher / Galerie van Gelder, Amsterdam
€ 150,-

 

original sketch for the cover of the charcoal drawings of “Dokalucht”:

Dikwijls worden de werken van Voebe de Gruyter begeleid met een tekst. Hier reproduceert zij een dialoog:
“Je moet nog een titel vinden voor het boekje!”
“Ja, maar het moet niet te literair zijn door het bijvoorbeeld naar een van de stukjes te noemen.”

Ik vond het vreselijk moeilijk. Drie dagen later kreeg ik plots een idee. Ik kwam op een vroege avond buiten en rook een sterke, zurige lucht om me heen. Waarschijnlijk een mengsel van uitlaatgassen van auto’s en vrachtwagens en andere stadsapparaten. Vrijwel onmiddellijk wist ik de titel: beelden uit een stad die aan het ontwikkelen zijn, waarvan sommigen al beeld zijn geworden en vorm hebben gekregen in stukjes.

MARTIN CREED, Work 88, 1995 [crumpling]

MARTIN CREED, Work No. 88, 1995
diameter ca 5 cm crumpled sheet of A4 paper, paper shavings, cardboard box
numbered, signed on certificate
unlimited edition
published by Hauser & Wirth Edition, Zurich, Switzerland
not available

This work is made out of a sheet of A4 paper crumpled into a ball. It is an unlimited edition, but this doesn’t mean that such a work is available for ever: www.hauserwirth.com/editions/30/work-no-88-br-a-sheet-of-a4-paper-crumpled-into-a-ball/view/ 

LOUISE BOURGEOIS, Untitled, 1994

     

LOUISE BOURGEOIS, Untitled, 1994
each 92,7 x 71 cm / 36 x 28 inches
hand coloured intaglio print
edition 65 (black and white) and edition 35 (red)
signed, numbered
published by The Paris Review, New York, USA
not available

Louise Bourgeois made sculptures in wood, steel, stone and cast rubber and used drawing and printing as a tool of artistic expression, often organic in form and sexually explicit, emotionally aggressive yet witty, covered many stylistic bases. But from first to last they shared a set of repeated themes centered on the human body and its need for nurture and protection in a frightening world;  protection often translated into images of shelter or home.

 

History of prices:
each US$ 3,500.-  September 2012

Mechanical Reproduction, 1994

MechanicalReproduction1994-cover700

Mechanical Reproduction, 1994
14,8 x 10,5 cm
artists: HENRY BOND & LIAM GILLICK, SYLVIE FLEURY, RICHARD HAWKINS, ARNOLD MOSSELMAN and WOLFGANG TILLMANS
17 machine produced photos, 2 pages with text, transparant celluloid cover, 20 pp.
hand numbered
edition 50
extremely rare
published by Galerie van Gelder, Amsterdam
€ 1.500,- plus € 18,- Track & Trace registered mail

Published on behalf of exhibition ‘Een goed in de weg staande tafel’ / “A table absolutely standing in the way” in Galerie van Gelder in 1994, curator Jack Jaeger.

TONY CRAGG, Untitled, 1994 [6 etchings Griffelkunst]

TONY CRAGG, Untitled, 1994
each 34,5 x 39 cm
6 etchings
signed in pencil
limited edition
mint
published by Griffelkunst, Hamburg, Germany
€ 975,- plus € 32,- Track & Trace registered mail
inv.TCra 1025-pr

This series of etchings has the following titles: Things, Autumn, Current, The Foggy, Desert and Vessel.

History of prices:
K & K Auktionen, Heidelberg, Germany € 1.100,- 14 July 2023 (hammer price)
Berrenge, Berlin, Germany € 850,- 2 December 2022 (Qty 4, hammer price)
Dorotheum, Vienna, Austria € 832,- 10 October 2022 (Qty 6, hammer price)
Sturies Andreas, Düsseldorf, Germany € 950,- 14 November 2020 (hammer price)
Doebele-Kunstauktionen, Dettelbach-Effeldorf, Germany € 600,- 16 May 2020 (hammer price)
Catawiki June 2014 € 410,-

SYLVIE FLEURY, no title, 1993 [signed and numbered wrapping paper]

SYLVIE FLEURY
no title, 1993
100,5 x 70,5 cm
edition 200 of which 100 are signed, numbered and dated  
published by Galerie van Gelder Editions, Amsterdam, Netherlands
mint
€ 300,- plus € 18,- registered mail

Galerie van Gelder Editions invites artists to come up with an idea for wrapping paper to be used in the gallery for wrapping sold art works.

History of prices:
Kunstauktionshaus Schloss Ahlden, Ahlden, Germany € 500,- 28 November 2020 (hammer price)
Galerie van Gelder Editions, Amsterdam, Netherlands € 95,- / Dfl. 200,-  September 1993 (year of issue)

SYLVIE FLEURY, Slim-Fast / vanille, 1993

SYLVIE FLEURY, Slim-Fast / vanille, 1993
15 x 18 x 10 cm
screen print on wooden block
signed, numbered
edition 250
condition: very good
published by Art & Public, Geneva, Switzerland
€ 650,- plus € 28,- Track & Trace registered EU mail

A recurrent contamination of the masculine world and the feminine, of fashion and art or advertising is seen in the works of Sylvie Fleury. In the early nineties she showed in her first exhibition with John M Armleder and Olivier Mosset a pile of empty Coco Chanel boxes intuitively collected by her for years, because of its attractiveness as she once said. Her installations with shopping bags triggered people to call her the ‘Bag Lady’ at a certain point. Nowadays her work is described as political, but definitively her oeuvre does not lack a post-conceptual attitude at all. With the multiple ‘Slim-Fast’ she shows that the idea is very close to how the artist originally was attracted by the Coco Chanel mascara and perfume boxes, only now more rationally made with a tongue-in-cheek to Pop-art.

History of prices:
Piasa, Paris, France 27 September 2023 € 350 (hammer price)
Dorotheum, Vienna, Austria 10 October 2022 € 576,-
Art & Public, Geneva, Switzerland August 1993 SFr 500,-