MONIEK TOEBOSCH, 15 minuten solozang, invitation, 1977 [invite Other Books and So, Amsterdam]

MONIEK TOEBOSCH, 15 minuten solozang, invitation, 1977
29.7 x 21 cm
stenciled print, 2 handmade ink stamps
published by Other Books and So, Amsterdam
condition: good, although yellowed due to non-acid free paper quality
Added: newspaper clipping Het Parool, 1 juni 1983
inv.UCar 000-pr

On the occasion of the new space at Herengracht 259, an exhibition with posters/flyers of Allen Kaprow and an exhibition of Tom Ockerse Editions took place simultaneously. Ulises Carrión was quite proud he got hold on a more than decent amount of printed matter related to Allen Kaprow.

MARCEL BROODTHAERS, Musée d’Art Moderne à Vendre 1970-1971 pour cause de faillite, 1971 [printed matter]

MARCEL BROODTHAERS, Musée d’Art Moderne à Vendre 1970-1971 pour cause de faillite, 1971
45 x 31,7 cm
SC, Lümbeck binding
pages in catalogue
edition 15.000
19 editioned dust couvers, signed, numbered (here unsigned, not numbered)
condition: couver used, inside very good
published by Verein Progressiver Deutscher Kunsthändler, Cologne, Germany
€ 220,- plus € 24,- Track & Trace registered EU mail
inv.MBro 103
 

Sometimes publications hide works of renown artists. The page of Michael Werner Galerie announces the selling of the Museum of Modern Art Marcel Broodthaers founded in 1968. He designed this page and nineteen signed dust couvers were wrapped around the Cologne art fair catalogue.
The same catalogue contains an advertisement of Wide White Space Gallery shows 24 couvers of publications, a page called ‘Ma Collection’ (trans. “My Collection”) specially designed for the occasion by Marcel Broodthaers.


Marcel Broodthaers – Michael Werner Galerie
 


Marcel Broodthaers – Wide White Space Gallery, Antwerp
 


Richard Long – Konrad Fischer Galerie, Düsseldorf
 


Zero – Galerie Ursula Lichter, Frankfurt am Main
 


Jan Dibbets – Video Galerie Gerry Schum, Düsseldorf

HANS KOETSIER, Advertisements 1969-1981, 1984 [artist’s book + 16 newspaper prints]

HANS KOETSIER, Advertisements 1969-1981, 1984
60 x 46,4 x 2,5 cm
HC, offset, 93 plates (186 pp.), linen bound with bolts, ca 11 kgs.
signed
rare in this condition
published by Staatsuitgeverij, Den Haag, Netherlands
added: 16 full page Vrij Nederland newspaper advertisements, vintage
extremely rare
€ 1.250,- plus € 32,- Track & Trace registered EU mail
inv.HKoe 000

Hans Koetsier initially worked in advertising and started painting in 1962. He painted figures and fragments of these and incorporated them into serigraphs. At the end of the sixties, he made his first blobby balloon-like sculptures and gradually the idea became more and more important. He developed into a conceptual artist with always a soft spot for typography and ideas written down as ideas. Director of Stedelijk Museum Amsterdam Wim Beeren suggested to him to advertise and in 1969 he placed his first series of advertisements with texts in national newspapers Het Parool, NRC Handelsblad, Art Forum (USA), Kunst (Bundesrepublik Deutschland) Studio International (UK) and on the front page of Dutch weekly magazine Vrij Nederland under the title ‘Random Art / Probability Art’.

Hans Koetsier has never shared his ideas within the Fluxus or Provo movement. Yet the fact cannot be denied that he had comparable autonomous thinking and acting. In the Netherlands Koetsier became known for unusual high-profile plans. For example, he once suggested establishing a national holiday, the ‘Day of Inspiration’, starting on Whit Monday 1980. The Dutch Prime Minister Van Agt was against the idea, because it would suggest that in the Netherlands there was a “fairly general lethargy”, which he said was not the case.
In Friesland, which according to Koetsier would be the last oasis left in the middle of industrialization, Koetsier wanted to build a watchtower in a place where the view around would still be intact.

Hans Koetsier became best known for placing advertisements in weekly magazine Vrij Nederland, which, in addition to short-sighted texts, often had an algebraic or enigmatic appearance.
KvG June 2023

verso:

Added: 16 newspaper pages


Advertisement in Vrij Nederland, 15 April 1978


Advertisement in Vrij Nederland, February 1974


Advertisement in Vrij Nederland, 10 February 1973


Advertisement in Vrij Nederland, 2 February 1974


Advertisement in Vrij Nederland, 15 February 1975


Advertisement in Vrij Nederland, 31 December 1975

OLIVIER MOSSET, Biennale di Venezia, 1990 [catalogue]

OLIVIER MOSSET, Biennale di Venezia, 1990
40 x 30 cm
catalogue Swiss Pavilion, SC, 24 pp., 6 full colour spreads, sewn
text L’ objet qui n’en est pas un by Jean Beaudrillard in French, Italian, German and English
published by Schweizerisches Bundesamt für Kultur, Bern and Verlag Lars Müller, Baden, Switzerland
condition of dust couver: used
€ 110,- plus € 24,- Track & Trace registered mail
inv.OM 000_000-pr

 

Olivier Mosset is known for making huge paintings as shown among other venues in Galerie van Gelder in Amsterdam and at the Venice Biennale, both in 1990.

page 8 – 9:

page 10 – 11:

page 16 – 17:

&nbsp:

Added information
exhibition view Venice Biennale 1990, source Henry Magazine:

History of price:
Alternate Projects, London, UK August 2023 US$ 330.-
20th Century art Books, Lugano, Switzerland August 2023 € 268,-

PIERO MANZONI, Merda d’artista 1961, 2013 [artist’s shit, edition]

PIERO MANZONI, Merda d’artista 1961, 2013
ca 22 x 8 x 8 cm
tin can number 36, offset wrap, cellophane bag,
seal with finger print in print
edition 100, i.e. complete edition 9000
published by Fondazione Piero Manzoni, Milan, Italy
inv.PMan 000-pr

The Fondazione Piero Manzoni presents this item as a re-edition. If so, it would be right to point out some particularities that comes with this so called re-issue of canned excrements of Piero Manzoni:
– the label mentions 30 grams netto, in fact this object weighs 250 grams bruto
– it is not likely that the can contains excrements of Piero Manzoni
– the tin comes in a cellophane bag
– the cellophane bag has a seal with the image of a reproduced finger print of the artist

This concerns tin number 36 of which 100 have been produced. The complete edition consists of 90 tins numbered from 1 – 90. The Fondazione Piero Manzoni has made a re-produced edition of 100 of each number. Hence the total edition of 9000 copies.

White chickens
The German Zero artists took the view that Manzoni’s Merda d’artista, canned excrement, was too conceptual; it was ‘an idea’ rather than an attractive, aesthetic work of art. They would prefer to see the can be excluded from the ‘nul’ exhibition, whereupon Manzoni threatened to release white chickens in their room during the opening. After all, chickens are also white and ‘kinetic’, Manzoni argued; they are monochrome and are moving, like many works of the German colleagues.

Stedelijk Museum, Schiedam, 2022

History of prices:
Finarte, Milan, Italy 27 September 2023 € 150 (hammer price)
Arte Moderna e Contemporanea, Boetto, Italy 25 August 2023 € 450 (hammer price)
Kunstveiling.nl, Netherlands 18 July 2023 € 125 (hammer price)
Casa d’Aste Capitolium, Brescia, Italy 29 June 2023 € 227
Studio d”Arte Borromeo, Senago MI, Italy 28 August 2023 € 80 (hammer price)
Studio d”Arte Borromeo, Senago MI, Italy 1 April 2023 € 175
Studio d”Arte Borromeo, Senago MI, Italy 5 April 2022 € 90 (hammer price)
LiveAuctioneers, Upper Chichester PA, USA 8 February 2022 € 256 (hammer price)