OLIVIER MOSSET, Untitled, 2008
30 x 30 x 2 cm
analogue photo print, di-bond
edition 10 + 3 AP
Galerie van Gelder Editions, Amsterdam
€ 3.800,- plus € 25,- Track & Trace registered EU mail
inv.OM 000-pr
“De Zwitserse kunstenaar Olivier Mosset is het meest bekend om zijn conceptuele schilderkunst waarbij het niet moest gaan om zaken als originaliteit of auteursrecht die belangrijk zijn voor de kunstmarkt maar puur en alleen om het kunstwerk zelf. Hij maakte en maakt echter ook heel ander werk. Bij Fluxus in New York bijvoorbeeld verscheen in de jaren ‘60 een editie die bestond uit een plastic doosje met rode papiersnippertjes. Kees van Gelder, oprichter van de gelijknamige Galerie van Gelder, heeft ooit zijn stand op Art Rotterdam laten vol storten met soortgelijke stukjes papier, maar dan in de kleur grijs. Prachtig werk, en vast nog wel ergens te koop. Zelf bezit ik een auto van chocolade: Mosset heeft op de doos geschreven dat het een Buick Riviera betreft.”
Harry Ruhé, in GalleryViewer.
JONATHAN MONK, Picture Post Card from Post Box Pictured, 2006
14,8 x 10,5 cm
post card, stamp [delivered on 2-12-2022]
signed
published by Jan Mot, Brussels, Belgium
inv.JMon 000
DAVID HAMMONS, invite, 2019
each 20 x 26 cm
complete set of Hauser & Wirth announcements and invitations 2019
42 cards, offset, heavy weight cardboard
condition: splendid
published by Hauser & Wirth, Zurich, St Moritz, London, New York, Hongkong. Los Angeles
inv.H&W 588-pr
These cards were issued in 2019 with the following artists:
RITA ACKERMANN
IDA APPLEBROOG
DIANE ARBUS
JEAN ARP
MAX BILL
LOUISE BOURGEOIS
MARK BRADFORD
GETA BRÃTESCU
STEFAN BRÜGGEMANN
HEIDI BUCHER
ALKEXANDER CALDER
JOHN CHAMBERLAIN
EDUARDO CHILLIDA
ED CLARK
MARCEL DUCHAMP
GÜNTHER FÖRG
CHARLES GAINES
SONIA GOMES
CATHERINE GOODMAN
PHILIP GUSTON
DAVID HAMMONS
MARY HEILMANN
EVA HESSE
LUCHITA HURTADO
EVA HESSE
SHEILA HICKS
JENNY HOLZER
LUCHITA HURTADO
MATTHEW DAY JACKSON
RASHID JOHNSON
DONALD JUDD
MIKE KELLEY
BHARTI KHER
GUILLERMO KUITCA
MARIA LASSNIG
ANNIE LEIBOVITZ
LEE LOZANO
SOL LEWITT
RENÉ MAGRITTE
ANNA MARIA MAIOLINO
PIERO MANZONI
TAKESADA MATSUTANI
LÀSZLÓ MOHOLY-NAGY
BRUCE NAUMAN
MERET OPPENHEIM
PABLO PICASSO
CAROL RAMA
MAN RAY
DIETER ROTH
ED RUSCHA
AMY SHERALD
LORNA SIMPSON
SYLVIA SLEIGH
DAVID SMITH
JESÚS RAFAEL SOTO
ALINA SZAPOCZNIKOW
KEITH TYSON
ANDY WARHOL
FRANZ WEST
ISA GENZKEN, invite, 2020
20 x 26 cm
part of Hauser & Wirth announcement and invitation 2020
14 stiff cards
condition: splendid
published by Hauser & Wirth, Zurich, St. Moritz, Gstaad, London and New York
inv.H&W 589-pr
These fourteen stiff cards were issued between January and March 2020 with the following artists:
RITA ACKERMANN
LARRY BELL
ZHANG ENLI
LUCIO FONTANA
GÜNTHER FÖRG
CHARLES GAINES
ISA GENZKEN
LUCHITA HURTADO
DON MCCULLIN
NICOLAS PARTY
PABLO PICASSO
ALINA SZAPOCZNIKOW
NOT VITAL
JACK WHITTEN
JOËLLE TUERLINCKX, invite “Openstelling”, 1997
10 x 15 cm / 71,3 x 15 cm (leporello unfold)
offset, 2 parts
published by Provinciaals Museum van Hedendaagse Kunst, Hasselt, Belgium
inv.JTue 000-pr
“Openstelling” is an exhibition based on a concept of Joëlle Tuerlinckx who invited or integrated the following artists:
Orla Barry
Stanley Brouwn
James Coleman
Tacita Dean
Daniel Faust
Christoph Fink
Michel François
Thibaut Halbardier & Philippe van Van Cutsem
Douglas Huebler
Ann-Veronica Janssens
On Kawara
Suchan Kinoshita
David Lamelas
Guy Mees
Bernard Piffaretti
Michaelangelo Pistoletto
Joëlle Tuerlinckx
Marijke van Warmerdam
Richard Venlet
STEVEN PARRINO, postcard, 1993
stamp dated 30 July
14,8 x 10,5 cm
signed
condition: diagonal fold, due to postal handling
A hand written text on this post card refers to a scheduled solo exhibition in Galerie van Gelder in Amsterdam that took place from 16 October till 11 November 1993. Ad hoc in the gallery space Steven Parrino painted ‘Creeping eye’ (1993), made of lacquer and stitches on canvas. He installed the four canvasses touching each other making that wall piece into a size of 200 x 400 x 30 cm altogether. Years later just after his fatal motor cycle accident in 2005 this works was auctioned for US$ 575.000,-
ANN VERONICA JANSSENS, untitled, 1993
21,4 x 15 cm
folded as issued
published by Eric Antonis, Antwerp, Belgium
mint
€ 65,- plus € 8,- Track & Trace registered EU mail
This publication exists out of 6 spread sheets with mere photos (unfolded 29,5 x 42 cm). It was published on behalf of “Contemporary Visual Art programme of Antwerp 93”. A short and only text reads: ‘On taking
a normal situation
and retranslating it
into overlapping
and multiple readings
of conditions
past and present’
“Vertrekken vanuit
een normale situatie
en deze hervertalen
in elkaar overlappende
en meervoudige lezingen
van condities
uit heden en verleden”
JONATHAN MONK, People Looking At Art, 2021
15,8 x 11,4 x 2,5 cm
leporello, 32 pp., linen bound
edition 50
published by Fithsyllable, UK
splendid condition
This artist’s book contains a selection of images taken from social media of people looking at art, found by Jonathan Monk.
IAN PAGE, Stool, 2021
27 x 24 x 24 cm
wood, paint, varnish
signed, dated
numbered in order of sale
€ 580,- plus € 24,- Track and Trace registered EU mail
Ian Page is interested in constructions and carriers that are effected by images put to these and vice versa; here a spray painted logo of Playboy magazine is applied on a stool’s seat.
TAMÁS ST.AUBY, SUBSIST.ENCE LEVEL ST.ANDARD Project 1984, 2013
29,7 x 21 cm
2 prints (screen shots website ExIndex)
inv.DTan 000
One of the most unknown-known Hungarian artists is Tamás St. Auby (ps. of Tamás Szentjóby, born in 1944) being a non-artist, poet and performer, both inside and outside of the arts. He founded IPUT / ‘International Parallel Union of Telecommunications’ in 1968. Its central idea: “The art is hokum. The history is hokum. Art is everything, what not allowed. Be not allowed!” He had to leave Hungry in 1975, and he came back not earlier than in 1991.
When I met Tamás St. Auby for the first time in his studio in 2004, I was quite impressed by his for me scary shamanistic dominance in his social interaction. Yet his presence was deeply lived through and sensitive. His attitude was not one of being an artist in the first place but more one of a teacher of an academy in Budapest. At once it was clear to me that I wanted to invite him to participate in ‘Freedom Borders’, a group exhibition with Hungarian artists I curated in Galerie van Gelder, Amsterdam in 2004. The other two artists were Szabolcs KissPàl and visual poet and writer Dezsö Tandori.
Part of installation in ‘Freedom Borders’ at Galerie van Gelder, 2004
Foto K. van Gelder, Amsterdam
TAMÁS ST. AUBY, Ballot-Disco, 2004
250 x 140 x 140 cm
wood, voting bills, pen, walk-man/sound, map, light, human skull, plastic curtain, cardboard box
