Category Archives: J-P



MONTEVIDEO, 1984 [program magazine]

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MONTEVIDEO, 1984 [program magazine]
each ca 21 x 15 cm
offset printed program, Dutch texts
lot of 4 issues: maart, mei, juni, juli, each 8 or 12 pp.

March: Astrid Heibach / Klaus mom Bruch, Pim van Pagee / John Sturgeon, Christiaan Bastiaans, Kees de Groot, Sluik / Kurpershoek and Dedo (Harry Hebink).
May: viewing texts on Lydia Schouten, Roos Theuws, Eric and Mary Ross, Juan Downey, Noel Harding and Bill Viola.
June: viewing texts on Ulises Carrión, David García, Annie Wright, John Sanburn, Dan Dinello / Sally Shapiro, Madelon Hooykaas / Elza Stansfield, Sluik / Kurpershoek and John Orentlicher.
July: Hooykaas / Stansfield, Sluik / Kurpershoek, Pieter Baan Muller, Bartlett / Klinkowstein / Tambellini, Marshall Reese and Dan Reeves
sold

 

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ALISON KNOWLES, A Bean Concordance, 1983

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ALISON KNOWLES, A Bean Concordance, 1983 New York, 1983
28 x 20 cm / 10 x 7.5 inches
108 pp. of which 90 pp. illustrated
published by Printed Editions, New York, 1983

A Bean Concordance gathers together a variety of material that relates to beans from social detritus across cultures. Clippings include pieces about Native American bean rituals, the Japanese tradition of Setsubun, in which end of winter is marked by throwing beans, and Italian proverbs using beans as well as more graphic findings from newspapers and packaging. In short many bean stories, pictures and ephemera collected and designed by Alison Knowles. Contributors include Alison Knowles, George Brecht, Robert Filliou, Simone Forti, Geoffrey Hendricks, Dick Higgins, Anne Tardos, Yasunao Tone, and many others. Estimate $50.00 August 2013

The first Montevideo catalogue, 1982 [rare catalogue]

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The first Montevideo catalogue, 1982
17,4 x 25,4 x 3,8 cm
screen print on black cassette with colophon on label, 40 archive cards with tab
text by Tineke Reijnders

Participating artists a.o.: Michael Cardena, Ulises Carrión, René Coelho, Dedo (Harry Heyink), Nan Hoover, Livinus, Sluik/Kurpershoek. At that time all living and working in Amsterdam, the Netherlands.

   
Example of archive card:
Montevideo-archive-cassette.tab-U.Carrion700

HANS KOETSIER, Advertisements 1969 – 1981

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HANS KOETSIER, Advertisements 1969-1981
60 x 46,3 cm
HC, screw binding of heavy weight cardboard pages
signed
inv.HKoe 000-pr

 

Artist’s book with series of advertisement as art format that weighs 11 kilograms due to the heavy cardboard pages. A bi-lingual text of 9 pages is added to the collection of  93 facsimile plates of front pages of Dutch newspapers Vrij Nederland, Het Parool and NRC-Handelsblad.

BENGT LINDSTRÖM, Untitled I, n.d. [1980]

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BENGT LINDSTRÖM, Untitled I, n.d. [1980]
75 x 96 cm
aquatint etching
signed, numbered

 

 

Bengt Lindström’s work is full of monstrous personages with frightening faces. Although the artist had a heavy fauvist colour palette
in this aquatint colours clearly don’t play a role, while the scary part stayed. In spite of the lack of colour this black-and-white print is much more expressionistic than the coloured version shown below.

BENGT LINDSTRÖM, Untitled I, n.d. [1980]
89,3 x 72,6 cm
color etching, aquatint with carborundum,
edition 90
signed, numbered

MAN RAY, Self Portrait, ca 1980 [postcard]

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MAN RAY, Self Portrait, ca 1980
15 x 10 cm / 4″ x 6″
postcard
edition unknown
for sale in combination with Man Ray Self-portrait, i.e. extremely rare poster as sculpture in print

Self portrait photographed in 1943 by Man Ray. In his fifties Man Ray shaved half his face for the above self-portrait. Francis Naumann has suggested that this act may have referred to Man Ray’s duel identity as an American artist with strong ties in Europe. Man Ray was living in Hollywood at the time he took the photograph (1942), and would return with his wife Juliet to Paris in 1951 to spent the rest of his life in the capital.