FRANZ ERHARD WALTHER, Works 1958 – 1970, 2003

FEWalther2003boxWorks1958-1970box450

FRANZ ERHARD WALTHER, Works 1958 – 1970, 2003
17 x 24 x 5 cm
5 clothes, 20 reproductions, 9 artist’s texts in box; comes with original wrapping with sticker
edition 100
signed, numbered
published by Gallery 360°, Tokyo, Japan
pristine
€ 980,- plus € 24,- Track & Trace registered mail
inv.FEWal 502
 

The edition “Works 1958 – 1970” is based on early performance works of Franz Erhard Walther.

FEWalther2003boxWorks1958-1970cloths450
inv.FEWal 502

FRED TOMASELLI, Untitled 2002 [print]

FRED TOMASELLI, Untitled, 2002
11 x 8.5 inches
archival pigment print
signed, numbered
edition 200
published by ACRIA / Aids Community Research Initiative of America, New York, USA

ACRIA / AIDS Community Research Initiative of America was founded in 1991 to advance research on HIV treatments. It conducts community-based clinical trials on promising experimental treatments for HIV/AIDS.

History of price:
Aids Community Research Initiative of America, US$ 400.- December 2012

Mont Blanc paper shopping bags, 2002 [Jean-Marc Bustamante, Anne and Patrick Poirier, David Lachapelle, Gary Hume, Sylvie Fleury and Sam Taylor-Wood]

MontBlancbagsB2002-650

Mont Blanc paper shopping bags, 2002
each 25 x 18 x 7,5 cm
signed in print, machine numbered
splendid, mint condition
limited edition of 4810
splendid condition; unused
very rare as set of 6
€ 1.450,- plus € 32,- Track & Trace registered mail

Shoppings bags by Jean-Marc Bustamante: Untitled, 2002
Anne and Patrick Poirier: ‘Demail le soleil rouge se levera aussi sur le mont blanc’, 2002
David Lachapelle: ‘All American’, 2002
Gary Hume: ‘Love letter in your pyjamas’, 2002
Sylvie Fleury: ‘Kustom Bag Kommando’, 2002
and Sam Taylor-Wood: ‘Kyoto girl’, 2002

History of price:
eBay/KleineAnzeigen-XaverWeldner, Baden-Wurttemberg, Germany December 2022 € 300,- (id est 3 used bags)

PIPILOTTI RIST, Lullaby, 2002

‘Lullaby’, 2002
DVD 1’53’, composer Caroline Berkenbosch
original film, limited edition, menu for both loop and single play!
Bifrons Foundation, Amsterdam, Netherlands     € 75,-   January  2012                                                                                               Galerie van Gelder, Amsterdam, Netherlands     € 75,-   August 2012


 

 

NEO RAUCH, Hirt, 2001

NEO RAUCH, Hirt, 2001
30,6 x 27,4 x 12,1 cm
digital print, plexiglass, aluminum, light device, shoulder-bag
edition 100
signed, numbered
published by Deutsche Guggenheim, Berlin, Germany
not available

The first sketch of ‘Hirt’, a so-called mutant, was quickly out of sight when it was bought by a Swiss collector during a New York show. Later on, while making a second sketch of this mutant ‘Hirt’ Neo Rauch came up with the idea to create his Deerdog as a light object coming fully to life in the dark when switched on.


The light object itself.

History of prices:
Ketterer Kunst, Düsseldorf, Germany 25 October 2008 € 1.220,- (incl. premium)
Deutsche Guggenheim, Berlin October 2001 € 330,-

HERBERT ZANGS, untitled, 2001 [monotype]

HERBERT ZANGS, untitled, 2001
32 x 24 cm (22 x 15,5)
monotype on envelope, acrylic paint, felt pen
series of ca 50 unique monotypes
inv.HZan 185
p.o.r.

Herbert Zangs made these series of monotypes for lenders and assistants of his exhibition. These were added to the first 50 copies of the accompanying signed catalogue published on behalf of his exhibition at the Kunstverein in Jena, Germany in 2001. A small part of the edition is signed with ‘ZANGS’ integrated in the image, the largest part of the edition has initials or just the letter ‘Z’ as shown here.

Some sources mention a series of no more than ca 20 monotypes.

MYNE SØE-PEDERSEN, Airmails from Venice, 2000

MSP2000airmailFromVenice600

MYNE SØE-PEDERSEN, Airmail from Venice, 2000
each ca 10,6 x 13,2 cm
4 x 5″ analogue hand cut photo prints, envelope (11,3 x 16,1 cm), sticker
edition of ca 8
published by the artist
€ 140,- plus € 8,- Track & Trace EU registered mail
inv.MSP317-MSP318

‘Airmail from Venice’ is a series of prints coming from unexposed 4″ x 5″ negatives sent by airmail from Venice to Amsterdam in September 2000.
I was on holidays in Venice for a week. Every day I sent a letter to my address in Amsterdam where I used to live at the time.
Each negative had an exposure time of three to four days. After the delivery the result of the mailing by air came out when the
prints were developed in the dark room.
says Myne Søe-Pedersen.