AI WEIWEI, Maybe being powerful means to be fragile, 2013
skateboard
hand numbered, signed in print on deck
edition 150
published by TheSK8room.com                

This is part of a set of hand-numbered and signed skateboard decks by Chinese artist and dissident, Ai Weiwei. These carry recognisable images from his oeuvre, including porcelain crabs and sesame seeds, accompanied by one of Ai’s aphorisms, such as “The World is not changing if you don’t shoulder the burden of responsibility” and “There are no outdoor sports as graceful as throwing stones at a dictatorship in the world.”

AI WEIWEI, There are no outdoor sports as graceful as throwing stones at a dictatorship in the world, 2013
skateboard
hand numbered, signed in print on deck
edition 150
published by TheSK8room.com                  

This is part of a set of hand-numbered and signed skateboard decks by Chinese artist and dissident, Ai Weiwei. These carry recognisable images from his oeuvre, including porcelain crabs and sesame seeds, accompanied by one of Ai’s aphorisms, such as “The World is not changing if you don’t shoulder the burden of responsibility” and “There are no outdoor sports as graceful as throwing stones at a dictatorship in the world.”

AI WEIWEI, Dropping a Han dynasty urn, 2013
50 x 70 cm
linen tea towel, Weiwei-ism quote
published by Third Drawer Down, Indooroopilly, Australia
price in year of issue                        AU$ 40.- September 2013

AI WEIWEI, Sunflower Seeds, 2013 [small version]
40 x 40 cm
cotton handkerchief, hand rolled edges
published by Third Drawer Down, Indooroopilly, Australia

Sunflower Seeds; interview with Ai Wei Wei about the production of ceramic seeds for Tate Modern Turbine Hall in London.

Sunflower Seeds was an installation made up of ten million unique porcelain sunflower seeds. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small-scale workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of sixteen hundred inhabitants with skilled hands. The seeds were displayed at Tate Modern Turbine Hall’s vast industrial space, the 100 million seeds formed a seemingly infinite landscape.

AI WEIWEI, The World is not changing if you don’t shoulder the burden of responsibility, 2013
skateboard
hand numbered, signed in print on deck
edition 150
published by TheSK8room.com                

This is part of a set of three, hand-numbered and signed in print skateboard decks by Ai Weiwei. In the works of Ai Weiwei, the story and political context is important, if not more relevant than the objects themselves. In the case of the depicted crabs on his skate board design he refers to a story about a dinner party Ai arranged in 2010 as a protest against a sudden bureaucratic decision to demolish his brand-new studio. In 2008 when the mayor of Jiading (a northern district of Shanghai) invited Ai to build a studio space that would provide a cultural center for the city. The government promised to provide all the proper permits and to support the studio’s construction. Soon after the building was completed in 2010, the same government pledged to demolish Ai’s newly built studio. In response, Ai invited friends and supporters via Twitter to gather in his studio’s courtyard for a feast of 10,000 river crabs standing for the false “harmony” and invitation the government offered. Ai was placed under house arrest and couldn’t attend the feast with the crabs, but it went on without him. In the beginning of 2011 the studio was razed.

Based on stories like the one above porcelain crabs and sesame seeds have become part of his oeuvre, accompanied by one of his aphorisms, such as “The World is not changing if you don’t shoulder the burden of responsibility” or “There are no outdoor sports as graceful as throwing stones at a dictatorship in the world.”