ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: exclusive glued on image, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
regular edition 150 copies
published by ZKM, Karlsruhe, German
splendid, only slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 95,- plus € 18,- Track & Trace registered mail
inv.ZRey 000-pr
This limited and vinyl EP cover with special glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2018
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.-
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.
History of prices:
Bellhams Auctioneers & Valuers, Billinghurst, UK 19 November 2025 € 679,- (hammer price)
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
JENNY HOLZER, Baltic Newsletter No.10, 2000
48 x 34,5 cm
black and white print, 12 pp., newspaper, folded
designed by Jenny Holzer (colophon) extremely rare
condition: splendid, paper gently aged without dodges
published by Baltic, Gateshead, UK
inv. JHol 000-pr
For Baltic Newspaper No. 10 Jenny Holzer got free hands to design all 12 pages (see colophon); 9 pages with text and 3 pages featuring public light projections. This copy is part of a set of first 14 issues of Baltic Newspaper, lacking nrs 6, 9 and 13.
KAY ROSEN, “O”, (Open, Orb, Orifice, Donut, Globe, Hole, Whole, Halo, Zero), 1999
diameter 30,5 cm
vinyl stencil, type face Futura Bold
edition 10 + 2 AP + 2 HC + 2 PP
to be installed with florescent Plaka colour nr. 81 (orange), signed on certificate
inv. KRo 000-pr
Kay Rosen works are text based. She finds words, letters for minimal use. In her paintings, drawings, wall works, collages and editions she has used various visual/typographical strategies revealing the unexpected, partly by challenging the way people see and understand words and letters they read. Here, she proposed herself possible references to notions as Open, Orb, Orifice, Donut, Globe, Hole, Whole, Halo and Zero. The work ‘O’ is applied to chipboard with a white background as base. It was shown in ‘Een goed in de weg staande tafel’ at Galerie van Gelder in 1999, curated by Jack Jaeger.
DAVID POWELL, Come Together, 1999
6,7 x 9,6 cm
artist’s booklet, photo print on firm paper, SC, sewn, 12 pp.
signed, numbered, dated
edition 5 mint
published by Galerie van Gelder Editions, Amsterdam
€ 60,- plus € 12,- Track & Trace registered EU mail
inv. DP 000
The couver of this artist’s book is in pristine condition. In other words, the ‘wear and scuffung’ shown is part of the photo print.
OLIVIER MOSSET, Untitled, n.d., ca 1991
each 27,5 x 56,5 cm
screen print, cream coloured handmade paper, 6 parts
numbered, edition 50
signed by Mosset (and McLean?)
unknown publisher
comes in customized cardboard KvG-box
p.o.r.
inv. OM 417-pr
Olivier is the most radical artist of the BMPT group founded in Paris in 1968. He is known for ultra large monochrome paintings, most of the time executed in various colours. This list of pop bands could be looked at as a kind of monochrome.
For some reason this edition is difficult to find.
JAAP KRONEMAN, untitled, 2013
21 x 15,5 cm
notebook, SC, 16 pp. + 4 pp. tracing paper, sticker
edition 50
signed, dated, numbered
published by the artist
€ 50,- plus € 12,- Track & Trace registered EU mail
inv. JK 000
In this edited notebook, parts of the checkered pattern have been removed, creating pages with a different appearance.
JACK JAEGER a.o., 2001
21 x 15,4 cm
SC, stapled, 20 pp.
edition 500
published by Galerie van Gelder, Amsterdam
inv. JJa 000
A small part of the edition came with a photo or print insert.
Jack Jaeger was an artist/curator who, very early on, recognized the qualities of artists like Henry Bond, Liam Gillick, Richard Hawkins, Wolfgang Tillmans, and ensured their first exhibitions in the Netherlands at Galerie van Gelder with a group exhibition “Mechanical Reproduction” in AP in 1994. He also curated a group exhibition “A table standing perfectly in the way” at GvG in 2001. Here, work by Phyllis Baldino, Lisa Beck, Ellen Cantor, Tom Friedman, Jeremy Deller and Alan Kane, Johan Grimonprez, Elke Krystufek, Kay Rosen, Steel Stillman, B. Wurtz, and many others were introduced for the first time in the Netherlands.
BRUCE NAUMAN, Self-Portrait as a Fountain, not dated [1967]
10,8 x 15,2 cm
post card, offset extremely rare
published by MCA / Museum of Contemporary Art, Chicago, USA
comes with CoA by previous owner
p.o.r.
inv. BNau 000-pr
Additional information
In spite of the poor biro ink quality of the used pen, in graphological sense the diacritic hand movements in the signature are authentic. In a forensic sense it seems that Bruce Nauman tends to use his full name when it comes to dedication or a personal request to sign one of his catalogues or post cards. For comparison of handwriting see image below.
Screenshot
One of Bruce Nauman’s signed and dedicated catalogues.
HANNES VAN ES, Liberty, Vanes Paint, 1987
00 x 00 x 00 cm
paint, 3 cans, label
limited edition extremely rare
published by XX, Spain
inv. HvE 000-pr
In the 1980s, Hannes van Es began creating abstract paintings. The paint was applied to the canvas with a smoothing squeegee. This had to be so pasty that the grooves remained in the paint. For this, he had found a manufacturer in Spain who produced a tough paint specifically for him. Van Es designed a wrapper for the paint cans and they were marketed under the name ‘Vanes Paint’.
HANNES VAN ES, “Clear view on several black stains”, 1987
Galerie van Gelder, exhibition view with blobs of “Vanes Paint’ on rolled out paper strips.
YAYOI KUSAMA, Pumpkin, 2019
51,5 x 84 cm
print on bath mat, polyester fabric
mint, here wrapped in cellophane
published by Redbubble, Docklands, Victoria, Australia
€ 395,- plus € 12,- Track & Trace registered EU mail
inv. YKusa 937-pr
In 2019 for a very short period a bath mat (both small and large) with printed pumpkin was offered for sale. The design was striking since only circa 5% of the surface was used for the image. In less than two months it was taken from the website of Redbubble.
Additional information
Redbubble is a global online marketplace for print-on-demand products based on user-submitted artwork. The company was founded in 2006 in Melbourne, Australia, and also maintains offices in San Francisco and Berlin in 2017.
FRANCK BRAGIGAND, Painted Street Collection – cassettes, n.d. [2003]
11,8 x 8,5 x 7 cm
5 music cassettes, hand written titles of songs on inner sleeves, lacker paint
out of a series of objects found in the streets of Amsterdam
inv. FB 000-pr
The title of this series “Painted Street Collection” refers to one of Franck Bragigand’s recycling methods. He collects all kinds of objects found in the garbage on the street, which he then cleans, sands and paints. Here he only applied a method of working that he calls ‘Un plan, une couleur’ (trans. “One plane, one colour”), i.e. painting a yellow layer of paint on one side of each cassette.
