CANDACE COMPTON, I Would Like to Introduce Myself, n.d. [ca 1970-’75], poster, feminist and lesbian artist, The Woman’s Building, Los Angeles, Carlifornia, USA,
ZOE LOENARD / Fierce Pussy, “List” posters, 1991 each 43,1 x 48 cm Xeroxgraphy, stack of posters with sticker as issued some slightly yellowed due to age provenance: Printed Matter, New York, USA ‘During the collective’s first meeting, at Zoe Leonard’s apartment in East Village […]
PAULINE BOUDRY / RENATE LORENZ, Untitled (Moving Backwards), 2019 60 x 65 cm edition 50 + 6 AP signed, numbered published by the Swiss Pavilion of Biennale di Venezia, Venice issued on behalf of the Venice Biennale 2019 The exhibitions of this artists duo […]
PAULINE BOUDRY / RENATE LORENZ, Wig Piece, 2019 60 x 45 cm edition 10 + 2 AP signed, numbered published by the Swiss Pavilion of Biennale di Venezia, Venice issued on behalf of the Venice Biennale 2019 “By introducing hair in a painting’s visual space, […]
This plate was produced for the edition ‘Obelisco’, 1992. Porcelain in glazed blue relief print, verso signed and dated ‘Richter ’92’ burnt in glaze. This piece comes from a series of ‘everyday porcelain’ produced in Kahla on behalf of the Cologne “Edition Obelisco” following the designs of contemporary artists and presented 1992 at Art Cologne.
This sign of a cross “X” drawn by hand with felt pen, in duplo on two discs of glass and put on top of each other is the basis for reproduction of a series of unlimited samples. For display Joëlle Tuerlinckx suggests in the accompanying certificate to use a furniture piece, a desk, a window sill, to hold it in one’s hand or to put it on a shelf. The two discs are shown on top of each other with the crosses not necessarily perfectly fitting.
MAURIZIO CATTELAN, Blah, blah, blah, 2018 190 x 20 cm, scarf polyacrylic fibres, cardboard hanger, offset limited edition 400 published by Made in Catteland, Italy Maurizio Cattelan’s address for contacting Made in Catteland shows the following image:
TAKAKO SAITO, You and Me, 1981, yarn spools, coloured threads, wooden box, ink stamps
OLIVIER MOSSET, Untitled # 3, #4, #5 and #6, 1992 ca 60 x 60 cm (4 sq. feet) / 31 x 30.5 cm (1 sq. foot) two pieces of acrylic paint on canvas, 4 labels; 6 parts signed on 3 labels numbered and dated in […]
TAKAKO SAITO, A part of Fluxus, 1992 2 x 2.3 x 2.3 cm plastic box, human hair, glue, paper collet with ink stamped text edition unknown signed, dated pristine condition inv.TSait 681
This edition comes together with a piece of wrapping paper and also called “Blockbuster or Avant garde?” as an insert in Cut magazine about art issue #19 – November 2018. Published by Galerie van Gelder, Amsterdam, Netherlands.
LILY VAN DER STOKKER, Decent, tidy, 2014. This edition is a series of unique pieces. The flowers changes colors from piece to piece.
John M Armleder, Assiettes, 1988, set dinner plates for soup, main course and dessert, 3 parts, verso signed in glaze, Porcelaine Winterling
The dinner plates of this edition were sold separately and published by Catherine Issert Editions, Saint Paul de Vence in France.
As a set this edition is difficult to find.
SALIM BAYRI, Sad Ali, 2017 [small version] 16,2 x 4,9 cm print, lasered sky leather signed, numbered, dated edition 4 € 250,- Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no […]
LILY VAN DER STOKKER, Friends my closest ones (4-12 in total), 2016 44 x 44 cm digital print, unframed signed, dated, numbered edition 3 + 1 AP (56 x 56 cm) € 850,-