OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 900,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm
2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging
very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
CHRISTIAN MARCLAY, business card, 1996 This card apparently was printed in Japan considering a printed code at the lower left. Here the card has been barred for privacy reasons. BARBARA KRUGER, Business as usual, 2018 This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.- History of prices: PIPILOTTI RIST, Pepperminta, 2005 This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’ JOHN M ARMLEDER, Untitled, 2019 History of price: BARBARA KRUGER, Untitled (Kiss), 2019 A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020. History of prices: WJM KOK, Off Color (Crimson), 2019 When ordered, colour may differ from the colour shown above. Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness. In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making. ANITA DI BIANCO, Corrections and Clarifications, 2001-2019 Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page. DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 “Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago. “These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..” From the liner-notes by Dorothy Iannone, November 2017 SALIM BAYRI, Sad Ali, 2017 [small version] Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things. Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees: GILBERT & GEORGE, As used by the sculptors, 1973 The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful. Signature in detail: PIETER ENGELS, announcement, 1966 In 1964, Engels founded the company EPO: Engels Products Organization for which he made EPO products that he also called EPO-art. Simon Es was a pseudonym and his (fictional) sales promoter. History of price: MIKE KELLEY, Destroy All Monsters Magazine, 2011 ‘Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges and Michael Davis of the MC5). Later emerging as extremely distinctive individual artists, collectively the group forged new terrain in art, music, performance, theater and video. Destroy All Monsters released very little recorded music until Thurston Moore issued a three-CD compilation in 1994, but they published six issues of a now legendary and much sought-after zine, also titled Destroy All Monsters. This publication collects those six zines, released between 1976 and 1979, and also includes parts of a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by Kelley, Loren, Niagara and Shaw, and together provide insight into the collective’s kaleidoscopic vision of the dystopian values of their time. “The new reprint volume lacks any introductory or explanatory text; true to Destroy All Monsters’ anarchic spirit, it plunges the reader straight into a frenzied dystopic world. Détourned comic strips, images pulled from pulp magazines, film stills, and tabloid news clippings clash with saccharine greeting cards, family Polaroids, and children’s coloring-book pages, while Op-art backgrounds, scrawled doodles, stickers, and rubber stamps compound the visual pandemonium. All of this is faithfully reproduced in the new facsimile, which is hand-bound and printed on paper of different weights, colors, and finishes—from coated stock to copy paper in elementary-school pastels. Each copy also includes a unique original spray painting by Loren, giving this lavish reproduction an authentically DIY accent.” Gwen Allen, Bookforum review In 1974, while attending the University of Michigan, he co-founded the proto-punk, experimental noise band Destroy All Monsters (DAM). The member of the band were: Mike Kelley on drums and vocals, Jim Shaw on vocals and squeeze toys, Niagara (Lynn Rovner) on vocals, and Cary Loren on guitar and vocals. Having met each other at the university, DAM convened in the basement of Kelley’s student accommodation, also known as ‘God’s Oasis Drive-In Church’, which soon became a communal space for the band to collaborate. Image below shows dirt in a tiny bag from ‘God’s Oasis Drive-In Church’, being part to this edition. MIEKO SHIOMI, Events & Games, 2005 This white plastic box is a re-edition of ‘Events & Games’ from the edition of 1964, signed and numbered by the artist. Mieko Shiomi was a Japanese composer, visual artist and poet. ‘Content Mieko Shiomi began studying musicology at the Tokyo National University of Fine Arts and Music in 1957. Interested in avant-garde music, she founded the group Ongaku with her classmates in 1960, which explored new forms and improvised performances. She then played her first compositions in public. In 1961 she participated in a concert with Toshi Ichiyanagi, the first husband of Yoko Ono, who mentioned the group to George Maciunas. He in turn included them in his tentative program for the Festival of Very Early Music, a programme that he wrote in 1962 but which was never realised; the group split up shortly after. Mieko Shiomi deepened her exploration of spatial-temporal music in relation to everyday objects. Between 1962 and 1963 she began to write exclusively textual pieces that she called action poems. In 1963 she created Endless Box, a multiple composed of 34 boxes in foldable paper of differ sizes, which she sent – on the advice of Nam June Paik (1932-2006) – to Maciunas, thus making her entrance into the Fluxus movement. Kuniharu Akiyama (1929-1996), a Japanese avant-garde composer, music critic, producer and poet was a founding member of the Jikken Kobo group of avant-garde artists in the 1950s. As a music critic he was best known for his studies of Erik Satie and Japanese film music. He was married to the pianist Aki Takahashi. Gallery 360 grades, Tokyo, Japan€ April 2026 271,83 DAVID HORVITZ, Studio Rent Edition – November, 2017 Each month David Horvitz makes 10 editioned pieces, each of which costs 1/10th of his studio rent. Subscriber receive the edition through mail. ‘In 2010, I was living in Brooklyn. I had just received my MFA from Bard College and I was trying to figure out a studio situation. I don’t necessarily need a studio to make my work, but I’ve always felt it is important to have a designated place outside my home to go to. A silent place where I could sit and think. A place to drink green tea and daydream, to develop thoughts and leave those thoughts there for the next day. Since I didn’t have a full time job, I couldn’t see myself paying rent for a New York studio over a long period of time. And so I came up with an idea. I would make an edition-of-ten artwork each month. Maybe it was a photograph turned into a postcard, or some photocopies, or a text-work, or a LaserJet print, a watercolor of a flower I stole while walking down the street, or an envelope of sand from a California beach.’ David Horvitz, April 2016 ERRO, Mao, 2017 OTTO EGBERTS, tentoonstelling- en uitnodigingskaarten, 1986 – 2006 DAVID HORVITZ, Public Access, 2011 This edition was printed in 2011. A later edition from 2012 was published with a different book couver. ‘Publication Studio (founded in 2009 in Portland, Oregon) prints and binds books one at a time on-demand, creating original work with artists and writers we admire. We use any means possible to help writers and artists reach a public: physical books, an online library, eBooks and unique social events with our writers and artists in many cities.’ From website Publication Studio. Ref. https://publicationstudio.biz/about/ ZERO, catalogue, 1979 History of prices: GUY SCHRAENEN, A show from the Small Press Archive, 1977 History of price: CHRISTINE ALBERTS, Zonder titel, 2001 Added informationCHRISTIAN MARCLAY, business card, 1996
Featured
6,7 x 9 cm
pictorial onomatopoeia with handwritten telephone/fax number
inv.ChrM 000-prBARBARA KRUGER, Business as usual, 2018 [metal pin]
Featured
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.- PIPILOTTI RIST, Pepperminta, 2005 [box with printed matter]
Featured
25 x 18,7 x 2,8 cm
cardboard box, linen bound
17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert. 
JOHN M ARMLEDER, Untitled, 2019 [wallpaper]
Featured
52 x 1000 cm
edition 160
mint
published by Wallpapers by Artist, Scabal et Neutral, Zurich, Switzerland
inv.JMA 000-pr
Wallpapers by Artist, € 130,- January 2020BARBARA KRUGER, Untitled (Kiss), 2019 [Artek stool, stamp signed]
Featured
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836
Bellhams Auctioneers & Valuers, Billinghurst, UK 19 November 2025 € 679,- (hammer price)
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
Featured
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
Featured
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 [multiple]
Featured
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-prSALIM BAYRI, Sad Ali, 2017 [small version]
Featured
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Pauline Curnier Jardin
Sam Samiee
Rafaël RozendaalGILBERT & GEORGE, As used by the sculptors, 1973 [signed postcard]
Featured
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
PIETER ENGELS, invitation, 1966 [incised exhibition card]
42.2 x 19 cm
shaped and incised card, letterpress
condition: slightly aged
published by Galerie 20d, Amsterdam
€ 80,- plus € 8,- Track & Trace registered EU mail
inv.PEn 000-pr
FTN Books, Oegstgeest, Netherlands January 2026 € 90,-MIKE KELLEY, Destroy All Monsters Magazine, 2011 [special edition, signed]
together with CARY LOREN, NIAGARA and JIM SHAW
27 x 21 cm
artist’s book, SC, 270 pp.
signed
special edition 100, here numbered 2/100
includes a unique monotype-spray painted page, signed by 4 artists
black and white photograph (signed photo edition number 46/75) by Cary Loren, sealed bag with sand, original mylar envelope
mint
published by Destroy All Monsters magazine, Detroit, USA
€ 980,- plus € 24, – Track & Trace registered EU mail
inv.MKel 000-pr
Ref. https://www.thebookbeat.com/bookshop/catalog/destroy-all-monsters-magazine/
MIEKO SHIOMI, Events & Games, 2005 [multiple, signed, numbered]
Photos: K. van Gelder
5 x 14 x 16.8 cm
black and white photograph – crumpled as issued, 22 cards with instructions + loose card with colphon
(incl. Chieko Shiomi: Water Music card)
screen print on plastic box
edition 80 + 5 AP
signed, numbered, here number 64/80
mint
published by 360 grades, Tokyo, Japan
inv.MShi 000-pr
● 23 Instruction cards of various sizes, 1 black & white photo, explanation card in the white plastic box: 14 bilingual cards and the cards of the smallest & medium sizes of “SHADOW PIECE Ⅱ” were printed by George Maciunas for the Fluxus Edition in the early 60’s. The other 7 cards in English were printed by the author for ReFlux in the 1980’s.
● The profile (black & white photo) and the box were reproduced for this edition by Gallery 360°.
After Kuniharu Akiyama passed away, who was an original member of Fluxus and was a conductor for the Fluxus concert at Carnegie Hall, a bunch of instruction cards of Mieko Shiomi were found in his belongings. They are the instructions for the events for Fluxus. Anybody can revive the events just by following the instructions.’
From website of Gallery 360°
Aware-Archives of Women Artists, Centre Pompidou, Paris.
Verso: text on cards are in Japanese with black background.DAVID HORVITZ, Studio Rent Edition – November, 2017 [rent for November, mail art]
print on tracing paper, 5 parts, incl. envelope
signed, dated, numbered
edition 10, here 5/10
inv.DHor 000-pr
ERRO, Mao, 2017 [art book]
30,5 x 24,5 cm
SC, 168 pp., 1.2 kgs, plastic couver
language bilingual
mint
published by Cercle d”Art, Paris, France
€ 35,- plus € 18,- Track & Trace registered EU mail
inv.Err 000-pr
OTTO EGBERTS, 50 uitnodigingskaarten, 1986 – 2006
32 x 26 x 4,5 cm
ring binder with 50 exhibition invites in plastic sleeves
condition: splendid
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.OE 000-pr DAVID HORVITZ, Public Access, 2011 [artist’s book]
23,1 x 19,3 cm
artist’s book, SC
mint
published by Publication Studio
€ 60,- plus € 12,- Track & Trace registered EU mail
inv.DHor 000-pr ZERO, catalogue, 1979 [signed by Günther Uecker, Otto Piene, Heinz Mack]
21 x 19,3 cm
SC, 156 pp.
near mint
signed by artists Günther Uecker, Otto Piene, Heinz Mack
published by Kunsthaus Zürich, Switzerland
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.Uec 000-pr 
Marion Fricke, Berlin, Germany March 2026 € 120,- (poor condition) signed by Uecker, Piene, Mack
Planet der Buecher, Hamburg, Germany March 2026 € 39,-GUY SCHRAENEN, A show from the Small Press Archive, 1977 [announcement]
29,7 x 21 cm
stencil, biro ink
invite, twice folded as mailed
condition: excellent
published by Other Books and So, Amsterdam
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.UCar 000-pr
Jonathan Hill Bookseller, New York, USA March 2026 US$ 150.-
Jonathan Hill Bookseller, New York, USA June 2023 US$ 300.-CHRISTINE ALBERTS, Zonder titel, 2001 [Vogue magazine, die-cut]
27,5 x 21 cm
Vogue magazine No.609, die-cut, certificate
signed, dated, numbered
edition 3
privécollectie K. van Gelder
inv.CAlb 000-pr 
Jaap Kroneman’s solo exhibition ‘Chainless Liaison’ in 2001 (in GvG/AP) was on his instigation extended with a table showing various necklaces of graphic and necklace designer Christine Alberts:
