OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 900,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm
2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging
very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
CHRISTIAN MARCLAY, business card, 1996 This card apparently was printed in Japan considering a printed code at the lower left. Here the card has been barred for privacy reasons. BARBARA KRUGER, Business as usual, 2018 This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.- History of prices: PIPILOTTI RIST, Pepperminta, 2005 This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’ JOHN M ARMLEDER, Untitled, 2019 History of price: BARBARA KRUGER, Untitled (Kiss), 2019 A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020. History of prices: WJM KOK, Off Color (Crimson), 2019 When ordered, colour may differ from the colour shown above. Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness. In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making. ANITA DI BIANCO, Corrections and Clarifications, 2001-2019 Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page. DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 “Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago. “These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..” From the liner-notes by Dorothy Iannone, November 2017 SALIM BAYRI, Sad Ali, 2017 [small version] Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things. Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees: GILBERT & GEORGE, As used by the sculptors, 1973 The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful. Signature in detail: JILL MAGID, Particular Old Dutch Houses and some other Royal Things, 2003 This leporello was published by Galerie van Gelder Editions om behalf of Jill Magid’s first solo exhibition in The Netherlands. GERHARD RICHTER, 1986, Abstraktes Bild 595-1 CHRISTIAN BOLTANSKI, Point d’Ironie, 1998-2021 FUTURA aka Leonard Hilton McGurr, 2023 FUTURA 2000 (born Leonard Hilton McGurr; New York, NY, 1955) is a graffiti artist who began painting subways in New York in the late 1970s. Screenshot JIM JARMUSH, 2022, Point d’Ironie “For my collages I use only newsprint for their sources, and most involve only the removal and/or replacement of heads or faces. I remember as a kid, I received a microscope for my birthday. The first thing I examined through its lenses was a tiny scrap of torn newspaper. I was astounded. Instead of a single, solid sheet-like material, it was in fact a tangled mass of threadlike fibers, a chaotic jungle of microscopic pulp. Ever since, the fragility and inherently temporary nature of this particular (and now nearly obsolete) material has attracted me.” J. Jarmush WILLIAM EGGLESTON, 2025, Point d’Ironie ‘William Eggleston (born in 1939, Memphis Mississippi) is an American photographer who pioneered color photography. For the Point d’Ironie, William Eggleston selected four photographs from The Outlands. The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come.’ Agnes b. MARIJKE VAN WARMERDAM, Travelling Latéral JAAP KRONEMAN, Krop Sla / head of Lettuce (3), 2026 BALTIC No.15 – ALEC FINLAY, 2002 This copy is added to a stack of 11 Baltic Newsletters published between 1998 – 2002. JAAP KRONEMAN, Krop Sla / Head of Lettuce (2), 2026CHRISTIAN MARCLAY, business card, 1996
Featured
6,7 x 9 cm
pictorial onomatopoeia with handwritten telephone/fax number
inv.ChrM 000-prBARBARA KRUGER, Business as usual, 2018 [metal pin]
Featured
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.- PIPILOTTI RIST, Pepperminta, 2005 [box with printed matter]
Featured
25 x 18,7 x 2,8 cm
cardboard box, linen bound
17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert. 
JOHN M ARMLEDER, Untitled, 2019 [wallpaper]
Featured
52 x 1000 cm
edition 160
mint
published by Wallpapers by Artist, Scabal et Neutral, Zurich, Switzerland
inv.JMA 000-pr
Wallpapers by Artist, € 130,- January 2020BARBARA KRUGER, Untitled (Kiss), 2019 [Artek stool, stamp signed]
Featured
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836
Bellhams Auctioneers & Valuers, Billinghurst, UK 19 November 2025 € 679,- (hammer price)
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
Featured
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
Featured
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 [multiple]
Featured
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-prSALIM BAYRI, Sad Ali, 2017 [small version]
Featured
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Pauline Curnier Jardin
Sam Samiee
Rafaël RozendaalGILBERT & GEORGE, As used by the sculptors, 1973 [signed postcard]
Featured
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
JILL MAGID, Particular Old Dutch Houses and some other Royal Things, 2003 [leporello + pasted in mini leporello]
6,9 x 10,4 cm
leporello, incl. tipped in tiny 2nd leporello
edition 50
mint, rare
published by Galerie van Gelder Editions, Amsterdam
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.JM 000
‘A colossus of porcelain towers four meters towards the ceiling: the Empire State Building of New York. The work, entitled House 83.5, exists out of hundreds of relief tiles which Jill Magid made at De Porseleyne Fles in Delft. Displayed on a shelf alongside the Delft Blue tower is the complete collection of KLM miniature houses, numbered 1 – 83. The miniatures are modelled after characteristic “Old Dutch Houses”, filled with the Bols Royal Jenever alcohol, and given away as “drinks” to First Class passengers—avoiding a law that disallows airline companies from giving gifts to its passengers.’ 
GERHARD RICHTER, 1986, Abstraktes Bild 595-1 [book page, signed]
25,4 x 31,1 cm
catalogue page, offset
signed
splendid condition
€ 1.200,- plus € 18,- Track & Trace registered EU mail
inv.GRic 000-pr CHRISTIAN BOLTANSKI, Point d’Ironie, 2021 [Nr. 7]
42,8 x 30,6 cm
offset on thin paper, 8 pp., reprint Number 7
published by Agnes B., Paris, France
mint condition, once folded as issued
inv.Pointd 954-pr 
FUTURA aka Leonard Hilton McGurr, 2023, Point d”Ironie [Nr. 67]
Point d’Ironie
41,8 x 30,2 cm
8 pp., offset on thin paper, Number 67
text in English
published by Agnes B., Paris, France
mint condition, once folded as issued
inv.Pointd 954-pr JIM JARMUSH, 2022, Point d’Ironie [Nr. 66]
42,8 x 29,9 cm,
offset on thin paper, Number 66, 8 pp.
published by Agnes B., Paris, France,
mint condition, center folded as issued
inv.Pointd 954-pr WILLIAM EGGLESTON, 2025, Point d’Ironie [Nr. 70]
39,6 x 30,2 cm
8 pp., offset on thin paper, Number 70
published by Agnes B., Paris, France
mint condition, center folded as issued
inv.Pointd 954-prMARIJKE VAN WARMERDAM, Travelling Latéral [brochure]
29,7 x 21 cm
brochure, firm paper, 4 pp., French text by Kees van Gelder
published by Le Quartier / Centre d’Art Contemporain, Quimper, France
€ 30,- plus € 8,50 Track & Trace registered EU mail
inv. MvW 000-pr
JAAP KRONEMAN, Krop Sla / Head of Lettuce (3), 2026 [object, gold leaf]
ca 7 x 16 x 13 cm
baked clay, 23.75 Krt gold leaf
series of 3 unique objects
signed, datedBALTIC No.15 – ALEC FINLAY, 2002 [Baltic Newsletter – ALEC FINLAY]
48 x 34 cm
newspaper, 8 pp., offset, folded
condition: stained
published by, Baltic, Gateshead, UK
inv. AFi 000-pr
No.1 announces reconstruction of Gatehead’s flower mill into Art Centre Baltic.
No.2 comes with announcement of “Flash”, a DVD project of the Bifrons Foundation (director Thora Johansen).
No.3 comes with announcement of Anish Kapoor’s exhibition and more elaborated announcement of “Flash”.
No.4 comes with announcement of Kurt Schwitters exhibition / Per Kirkeby.
No.5 comes with announcement of a more elaborated announcement of Anish Kapoor’s exhibition.
No.6 lacking
No.7 comes with announcement of Jaume Plensa, photo spread with Anthony Gormley, reconstruction Baltic.
No.8 announces further development of Baltic’s reconstruction and commission for 35 mm film loop by Marijke van Warmerdam.
No.9 lacking
No.10 comes with complete contribution of Jenny Holzer
No.11 comes with announcement of presentation film loop “Weather Forecast” of Marijke van Warmerdam, interview Jenny Holzer by Sune Nordgren, director Baltic.
No.12 comes with announcement of exhibition “Contemporary Artists from Stockholm”, and opening of baltic on 9 March 2002
No.13 lacking
No.14 comes with more elaborated announcement on “Weather Forecast” of Marijke van Warmerdam and new commissions.
No.15 comes with 8 pages with questions by Alex Finlay.
JAAP KRONEMAN, Krop Sla / Head of Lettice (2), 2026 [baked clay. gold leaf]
ca 7 x 16 x 13 cm
baked clay, 23.75 Krt gold leaf
series of 3 unique objects
signed, dated
€ 350,- to be picked up
inv. JK 000