ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: glued on special plate, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
published by ZKM, Karlsruhe, German
mint, although slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 380,- plus € 18,- Track & Trace registered mail
This limited and special vinyl EP cover with glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 885,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2019
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
published by Printed Matter, New York, USA
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-hotelmarquetteprints, Cleveland, Ohio, USA $ 175.- March 2021
Printed Matter, New York, USA $ 60.- March 2020
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
€ 1.250,- plus € 32,- Track & Trace registered EU mail
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to the final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019.
History of prices:
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
PETER HALLEY, Painting as Sociogram 1981-1997, 1998
37 x 26 cm
SC, 92 pp., with XL fold out pages signed with ‘Peter’
dedicated to collectors Ank and Adrie Reinders
condition: excellent
comes in customised handmade light weight box
published by Kitakyushu Municipal Museum, Kitakyushu, Japan
€ 150,- + € 15,- Track & Trace registered EU mail
inv.PHal 000-pr
ROB SCHOLTE, Cut-out, 1987
57,8 x 42.5 cm
newspaper page
here signed, dated, hand numbered 293 added: krantenartikel ‘Ik vind het heerlijk als er in ‘n schilderij geen geheimen zijn’
Jan Donia over Rob Scholte
published by Het Vrije Volk, 7 November 1987
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RSch 000-pr
History of price:
Kunstveiling.nl-Galerie Rotor, Gorcum, Netherlands 13 May 2020 € 149,50
ISA GENZKEN, Glanzwasser, 1994
26 x 7 x 6 cm, 2 parts
glass bottle, print on adhesive film, synthetic resin, funnel
edition 150, here number 13/150 signed, numbered
published by Texte zur Kunst, Berlin, Germany
condition: poor, i.e. cracks in glass
€ 345,- + € 24,- Track & Trace registered EU mail
inv.IGen 000-pr
History of prices:
Booklooker.de, Germany November 2024 € 1.580,-
Marion Fricke, Berlin, Germany October 2024 € 1.200,-
MAARTEN PLOEG, invitation card, 1987
15,3 x 10,6 cm
offset
published by Galerie Jurka, Amsterdam
splendid condition
€ 45,- + € 8,- Track & Trace registered EU mail
inv.MPlo 000-pr
PETER HALLEY, untitled [Exploding Cell], ca 1997
14 x 21,6 cm
computer print
signed in print – here, hand signed by visitor and collector A. Reinders extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 838-pr
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Schellmann Editions. The above shown print is related and apparently meant as a DIY print.
PETER HALLEY. untitled [Exploding Cell], ca 1997
21,6 x 22,9 cm
computer print
signed in print extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 837-pr
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Edition Schellmann. One of the prints is related to apparently a DIY computer print featured above.
Additional information
Exploding Cell, 1994, each 36 x 47 inches, portfolio of nine prints, silkscreen on paper, edition of 32, published by Edition Schellmann, Munich, Germany
PETER HALLEY, invite, 1999
22,1 x 14,5 cm
folding card
published by Waddington Galleries, London, UK
condition splendid
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.PHal 839-pr
ISA GENZKEN, Weltempfänger, 1987
10 x 21 cm
exhibition card rare
published by Daniel Buchholz, Cologne, Germany
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.IGen 000-pr
Isa Genzken in an interview with Wolfgang Tillmans: ‘When I was photographing the hi-fi adverts I thought to myself, everyone has one of these towers at home. It’s the latest thing, the most modern equipment available. So a sculpture must be at least as modern and must stand up to it.’ Berlin, 2005
Nowadays Isa Genzken’s “Weltempfänger” count among her most sought-after works on the international art market.
PETER HALLEY, Drawings 1991-1995, 1996
26,7 x 22,9 cm
SC, 38 pp.
published by The Frances Lehman Loeb Art Center, Poughkeepsie, NY, USA rare
condition: splendid, recto tiny dog’s ear at lower right
€ 250,- plus € 12,- Track & Trace registered EU mail
inv.PHal 836-pr
History of price:
Todocolleccion, Valencia, Spain 18 October 2024 € 250,-
PETER HALLEY, Utopia’s Diagrams, 1998
16,8 x 11,9 cm
SC, 96 pp.
here signed, dated
mint
published by Tema Celeste Editions, Milan, Italy
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.PHal 816-pr
History of price:
eBay-The Rackless Path, Grand Rapids MI, USA 18 October 2024 US$ 65.- (unsigned, make offer)
