ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: glued on special plate, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
published by ZKM, Karlsruhe, German
mint, although slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 380,- plus € 18,- Track & Trace registered mail
This limited and special vinyl EP cover with glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 885,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2018
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.-
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
€ 1.100,- incl. Track & Trace registered mail
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.
History of prices:
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
LILY VAN DER STOKKER, Toeval 50% – Gestructureerd 40%, 1991-2025
33,8 x 49 cm
digital colour print, piezography signed, dated, numbered
edition 4 + 2 AP
GALERIE VAN GELDER EDITIONS 2025
€ 900,- plus € 24,- Track & Trace registered EU mail
inv.LvdS 000
KRISTJAN GUDMUNDSSON, Horizontal-Diagonal-Vertical, 1993
32,7 x 38,7 cm
lead pencil fillings, 0.7 mm (H)
edition 40, here nr. 3/40 signed, numbered, dated
verso machine typed text
published by the artist
€ 420,- plus € 24,- Track & Trace registered EU mail
inv.KG 000
In 1987 Kristjan Gudmundsson started to make use of graphite on paper without using graphite as a traditional technique to draw with. In stead he merely combined graphite and paper as an assemblage, i.e. a solid block of graphite together with a paper roll. In ‘Horizontal-Diagonal-Vertical’, its use has been applied as a collage showing three formal compositions. KvG
MARIJKE VAN WARMERDAM, pin, 2025
17 x 15 x 5 cm
16 mm celluloid, film ‘Skytypers’, wood, paint, metal
series of ca 30 unique pins, hand-made by the artist
On behalf of Eye on Art – Artists Talk at Eye in Amsterdam on 11 March 2025, 30 speakers were invited to throw a light on each of the presented film loops. In gratitude for the personal lectures – one and a half minute each – of technicians, experts and friends, Marijke presented them with a pin. The used 16 mm celluloid clipping is taken from her film “Skytypers”. A tiny orange ball at the end of the gold spray painted pin refers to a series of film loops on oranges she is working on now.
KRISTJAN GUDMUNDSSON, 200 pages on Barnett Newman, 2001
24,5 x 27,2 x 3 cm
SC, 200 pp., MC paper signed, numbered
edition 100
mint
published by Silverpress, Reykjavik, Iceland
€ 520,- plus € 24,- Track & Trace registered EU mail
inv.KG 000
This book has sculptural characteristics, due to its concept and heavy weight. The 200 pages of the book correspond to the total surface of Barnett Newman’s painting ‘Who is Afraid of Yellow, Red and Blue I’ (1966), oil paint on canvas measuring 190 x 122 cm. It includes the exact ratio of the three colors of the painting. When you hold this book in your hands, you have the entire surface of the canvas in your hands.
ROB SCHOLTE, Untitled [zakdoek], ca 2006
41 x 41 cm
fabric, cardboard, aluminum frame
verso authenticated
out of a series of 20 unique works
published by the artist
p.o.r.
ANSELM KIEFER, Watercolours 1970 – 1982, 1983
29 x 33,6 cm
HC, linen bound, 90 pp., unpaginated, 32 illustrations
signed, numbered 272
edition 850
condition: couver slightly scuffed on left part, inside splendid
published by Anthony d’Offay, London, UK
€ 200,- plus € 18,- Track & Trace registered EU mail
inv.AKie 000-pr
pages 17, 19 and 21:
History of prices:
Amazon-brookb, Brooklyn, New York, USA March 2025 US$ 510.- (aged couver)
Walgenbach Art & Books, Rotterdam, Netherlands March 2025 € 485
Zwiggelaar Auctions, Amsterdam 23 June 2023 € 460,- (hammer price)
Lost & Found, invitation, 3 juli [2009]
21 x 14,8 cm
card
creased for easy folding
published by Stichting Lost & Found, Amsterdam
€ 50,- plus € 8,- Track & Trace registered EU mail
inv.L&F 000-pr
For this event on 3 July 2009 the following artists made selections for the evening: Constant Dullaart, Katja Mater, Julia van Mourik.
Lost & Found, 1997 – 2018
various sizes and printing techniques
numerous invitation cards and posters in folders extremely rare as a collection
all published by Stichting Lost & Found, Amsterdam
inv.L&F 000-pr
It is unclear whether this collection is complete, but for a very large part it certainly is.
Invitation card, 2009:
Lost & Found, 2009
23 x 17,8 cm
invitation card
published by Stichting Lost & Found, Amsterdam
YANN SÉRANDOUR, How…, 2019
ca 25 x 10 x 5 cm
bleached cow bone, engraved text, white linen bag, chord
edition 4 + 2 AP
certificate, signed, numbered
published by More Publishers, Quenast, Belgium
According to the publisher (mail 08-02-2025), this work is related to an edition in which Yann Sérandour included a found book on dog training called “How to train your dog”.
Additional information
“L’Enseigne [How to Train Your Dog]” is an edition (8 + 4 AP) from 2015. It is unclear why this was added to a book cassette with a picture of French Rococo painter Antoine Watteau who is known for his hunting and love scenes.
PATTI SMITH, Seventh Heaven, 1979
18 x 12 cm
SC, 48 pp.
uncommon, i.e. this 1979 version with different type font
excellent condition
published by Expanded Media Editions, Göttingen, Germany
€ 55,- plus € 12,- Track & Trace registered EU mail
inv.PSm 855-pr
The photo on the front was taken by Robert Mapplethorpe.
This book contains all 22 poems, including Patti’s tributes to Edie Sedgwick and Marianne Faithfull.
A separate version (paperback, 48 pp.) was published by Expanded Media Editions, Bonn, Germany in 1979. See image above.
Additional information
The first publication from 1972 included 50 signed and numbered copies.
History of price:
2e Hands-ebbo, Belgium, February 2025 € 75,-
