ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: exclusive glued on image, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
regular edition 150 copies
published by ZKM, Karlsruhe, German
splendid, only slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 95,- plus € 18,- Track & Trace registered mail
inv.ZRey 000-pr
This limited and vinyl EP cover with special glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2018
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.-
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.
History of prices:
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
LILY VAN DER STOKKER, What is Love, 2025
5,1 x 7,9 cm
sticker, chrome coat paper, screen print
edition inknown
published by Apply Stickers, New York, Brooklyn, USA
inv. LvdS 000-pr
JONAS MEKAS, Reminiscensijos, 1972 – book design by GEORGE MACIUNAS
14 x 19,7 x 3,3 cm
offset, wood, metal hinges, ink stencil
signed on verso couver
Lithuanian language
edition 250, numbered; here number 29
inv. JMek 000-pr
During the Second World War, Jonas Mekas fled the Nazis, ending up in New York in 1949, where he became a key figure in experimental cinema. In “Remeniscences” brief and fragmentary impressions of his trip to Lithuania are depicted. He visited his old family home and reunites with his mother and other family members.
It was already summer, we left the village of Flensburg.
Ships were already sailing in the water-meadow, and
on the coastal piers, on the water, under the fishing boats
the warmth flickered.
And when we went on,
on and on, until we reached Glücksburg –
there, children were already splashing around,
wading through the dense forest of reeds.”
…..
History of prices:
James Cummins bookseller, New York, USA November 2025 US$ 2,500.-
Sotheby’s webshop, USA November 2025 US$ 2,500.-
Royal Books, Inc., Baltimore, USA October 2025 US$ 1,875.-
Printed Matter, New York, USA October 2025 US$ 1,500.-
RAUL MARROQUIN, The Neotronics Greatest Hits, 1983
vinyl, 45 RPM
drawing couver by R. Marroquin, music by Rod Summers mint, i.e. never played
published by Stemra, Amsterdam
€ 200,- plus € 19,50 Track & Trace registered EU mail
inv. RMar 000-pr
“In The Neutronics Greatest Hits, Marroquin takes on the genre of the music video as the carrier of his underlying critique of mass media. Intended as part of the programming for Marroquin’s Amsterdam/New York satellite broadcast called The Link, the work is both a music video and a documentation of a live performance given by the concept band at the Mazzo club in Amsterdam.”
History of prices:
Discogs.com, Beaverton, Oregon, USA 18 February 2025 € 129,-
Discogs.com, Beaverton, Oregon, USA 20 August 2024 € 228,85
Discogs.com, Beaverton, Oregon, USA 11 June 2023 € 175,-
LILY VAN DER STOKKER, Good Old Abstract Art, 2025
8,3 x 5,4 cm
iron-on patch, woven with embroidered edge
published by Apply Stickers, New York, Brooklyn, USA
For more details contact Applystickers.com
inv. LvdS 000-pr
This patch was taken from drawing ‘Good Old Abstract Art’ that LvdS made in 1992. The piece may be glue ironed on fabric or anything comparable.
Apply Stickers is founded in 2019 by Spencer Lazar, Chris Fischer and Blake Hinckley. It operates as an Internet company offering stickers.
LILY VAN DER STOKKER, How To Pump Your Breasts, 2025
70 x 38 cm
Tote bag, screen print, cotton, tag
published by Kaufmann Repetto, Milan, Italy
For more details contact Kaufmann Repetto, Milan, Italy
inv. Tassen 619-pr
MESCHAC GABA, Museum of Contemporary African Art & More, 2009
42 x 59,4 cm
exhibition announcement, 3 times folded as mailed
splendid condition
published by Museum De Paviljoens, Almere, Netherlands
€ 120,- plus € 8,50 Track & Trace registered EU mail
inv. MGab 910-pr
Meschac Gaba explores themes of globalization, consumerism, and the Western museum through appropriation.
KEES SMITS, invitation card, 1983
21 x 21 cm
one-sided printed in grey
condition excellent
folded as mailed, published by Van Krimpen, Amsterdam
€ 40,- plus € 8,50 Track & Trace registered EU mail
inv. KSmi 909-pr
SIGURDUR GUDMUNDSSON, Situations, 2000
14,7 x 20,9 cm
invitation card, depicting ‘Event’ (1975)
mint
published by Museum Het Domein, Sittard, Netherlands
€ 45,- plus € 8,50 Track & Trace registered EU mail
inv. SG 000-pr
Added information:
in the nineties, during a long period of years discussions were held about whether the UK should leave the EU or not. The Independent published an adapted image of ‘Event’ on Wednesday 13 March 1996 with a glued on comment saying: ‘Prime Minister, how do you feel about a referendum? ….. with apologies to the artist’. The artist was never informed about this second hand use of his photo work he made in 1975.
KRISTJAN GUDMUNDSSON, Equal Time Lines – Cause and Consequence, 1975
14.1 x 21 cm
offset
condition: very fine-excellent
published by Seriaal BV, Amsterdam
MARLENE DUMAS, 8 invites, 1985 – 2010
8 exhibition cards, 4 Dutch newspaper articles
various sizes and years
published by various institutions, galleries or publishers
Track & Trace registered EU mail
inv.MDum 000-pr
– ICA, London, United Kingdom – Marlene Dumas, 1993
– Produzentengalerie, Hamburg, Germany – Land of Milk and Honey, 1993
– Haus der Kunst, Munich, Germany – Tronies, n.d. [2010]
– Stampa, Basel, Switzerland – Rosemarie Trockel / Marlene Dumas, 1988
– Zeno X Gallery, Antwerp, Belgium – For Whom the Bell Tolls, 2008
– Stampa, Basel, Switzerland – Zeichnung + Skulptur, 1989
– Art Gallery of York University, Toronto, Canada – Marlene Dumas, 1994 (1-sided foxing)
– Flatland Galerie, Utrecht, Netherlands – Tekeningen, 1987 Added:
– artikel ‘Marlene Dumas’ in Per Kwartaal / Centraal Museum, Utrecht, Netherlands, 1e jaargang, nr 2, november 1984
– 4 krantenknipsels:
‘Overblijfselen van een denkproces’, Janneke Wesseling, NRC-Handelsblad, 13 november 1984
‘Er moet weer ruimte komen voor illusies’, Anna Tilroe, De Volkskrant, 26 juli 1985
‘Een plaatje van de atoombom aan de muur’, Catherine van Houts, Het Parool, 10 februari 1990
‘Verwantschap in een Turijns knekelhuis’, Paul Depondt, De Volkskrant, 23 juni 1995
