OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 900,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm
2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging
very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
CHRISTIAN MARCLAY, business card, 1996 This card apparently was printed in Japan considering a printed code at the lower left. Here the card has been barred for privacy reasons. BARBARA KRUGER, Business as usual, 2018 This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.- History of prices: PIPILOTTI RIST, Pepperminta, 2005 This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’ JOHN M ARMLEDER, Untitled, 2019 History of price: BARBARA KRUGER, Untitled (Kiss), 2019 A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020. History of prices: WJM KOK, Off Color (Crimson), 2019 When ordered, colour may differ from the colour shown above. Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness. In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making. ANITA DI BIANCO, Corrections and Clarifications, 2001-2019 Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page. DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 “Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago. “These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..” From the liner-notes by Dorothy Iannone, November 2017 SALIM BAYRI, Sad Ali, 2017 [small version] Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things. Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees: GILBERT & GEORGE, As used by the sculptors, 1973 The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful. Signature in detail: The Situationist nr. 4 (1963), nr. 5 (1964) and nr. 6 (1967) On 16 July 1948 the Experimentele Groep was founded by Karel Appel, Corneille, Theo Wolvecamp, Constant, Jan Nieuwehuys, Anton Rooskens and Eugene Brands. Later on this group became known as the Dutch hard core of the international Cobra movement. The artists closely co-operated with experimental groups a.o. from Paris, Copenhagen, Brussels.
They published a magazine called Reflex, a name that referred to the fact that they looked at their works as an immediate reaction to reality, not steered by the ratio; an expression of reality equal to how they experienced the years after the Second World War.
In The Situationist (Reflex) nr 1 Constant wrote a manifest explaining the goals of the Experimentele Groep in Holland. RICHARD HAMBLETON, invitation, 1984 One of Richard Hambleton lesser-known series of “Shadow men” is the so-called “Blood works” and “Mass Murder series”, where he used his own blood as a medium to push the impact of an image to its limits. A fallen figure on the street (or stair case) was outlined as if that was drawn by the police after a shot incident. A splash of blood as part of such a street painting gave it an eery atmosphere in the city of New York. KEITH HARING, invitation card, 1986, dated 25-2-1986 _________________________________________________________ ‘Due to the opening of the KEITH HARING exhibition At 11:30 AM, Keith Haring will give a LECTURE in the auditorium. From 3:00 PM to 5:00 PM, the exhibition will be opened. You are cordially invited.’ In 1986, Haring had his first solo museum exhibition at the Stedelijk Museum Amsterdam. During this period, he also actively manifested himself outside the museum in the city. He took to the streets with young graffiti artists and painted the wall of the then-museum depot on the grounds of the Central Market Halls on Jan van Galenstraat, Amsterdam. Added: TAMÁS St. TURBA, NETRAF, 2026 Tamás St. Turba, also known as Tamás St. Auby, Tamás Szentjóby, Staub, Stjóby, Stauby, Emmy/Emily Grant, St. Aubsky, T. Taub, St. Ruby, etc. began a non-art-art activity as soon as he ended his art activities in 1966. From that period on, he created an extensive oeuvre made up of actions, happenings, objects, concrete/visual/action-poems, images, compositions, sculptures, photos, videos, mail art and email art. Disseminating happenings and Fluxus ideas he deems himself a Neo-Socialist Realist. The protests and art activities of Tamás St. Turba – aka Tamás St. Auby – in the late 50’s were heavily embedded in the shadow of the Sovjet umbrella. He became familiar with the ideas of Dada and the later Fluxus movement, and thus found his allies. In 1969, he organized the first Fluxus concert in Budapest. His work often challenged political and social norms, leading to his expulsion from Hungary in 1975. He settled in Switzerland and returned to Hungary in 1991. In 2004, Tamás St. Auby showed several works in a group exhibition ‘Freedom Borders’ in Galerie van Gelder. During the installation he told me his view on the Hungarian society. Once back in his country after his exile, he discovered that although the political leaders from the communist era had been removed from their positions, the elite in the lower echelons (with their more than dubious or corrupt Stasi behavior in the past) had once again secured influential positions. To this day, he challenges unstoppable political and social norms in Hungary. BEN PATTERSON, Sneak Preview – Special edition, one of five “surprises”, 2014 Publisher (ed. Petra Stegmann) Down With Art! Verlag asked to financially support the production of a catalogue to be named ‘Sneak Preview’. For this, a cardboard box with surprises was sent to a very limited amount of supporters. This is one of the five boxes made for the occasion. Photo: Stadscuratorium, Amsterdam WJM KOK, Monochrome 360°, 2020 In 2020, Wjm Kok made a series of approximately 60 large-scale advertising columns part of his work. These columns, known as ‘Peperbussen’ and normally used for poster campaigns are distributed throughout the city of Amsterdam. They periodically remain vacant between advertising cycles. During these intervals, Kok transforms them into monochrome works, i.e. blue in this instance to become part of his oeuvre. ‘Amsterdam has a long tradition of art in public space. A large number of well-known and lesser-known artworks tell the story of the city and its inhabitants. Art in public space manifests itself in many different ways, in various forms, and with different functions. For instance, the collection of the Amsterdam Metropolitan Area is rich in a broad spectrum of artworks: from monuments, sculptures, social projects, and interventions in environmental design, to graffiti, murals, and wall reliefs.’ Ref. KARIM HASHEM, Wibautotisme, n.d. [ca 1980] As a graphic designer, Karim Hemshed created newspapers, posters, and flyers—everything in the fight against the ‘Amsterdamse stadsvernieling’ and in support of squatter movements. For instance, he drew a circle with an arrow through it using a thick felt-tip pen, which subsequently became a squatter symbol starting in 1979. Added information ELSWORTH KELLY, Postcards, 2023 History of price: HERMAN NITSCH, exhibition card, 1988 CLAUDE RUTAULT, invitation card, 1997CHRISTIAN MARCLAY, business card, 1996
Featured
6,7 x 9 cm
pictorial onomatopoeia with handwritten telephone/fax number
inv.ChrM 000-prBARBARA KRUGER, Business as usual, 2018 [metal pin]
Featured
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.- PIPILOTTI RIST, Pepperminta, 2005 [box with printed matter]
Featured
25 x 18,7 x 2,8 cm
cardboard box, linen bound
17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert. 
JOHN M ARMLEDER, Untitled, 2019 [wallpaper]
Featured
52 x 1000 cm
edition 160
mint
published by Wallpapers by Artist, Scabal et Neutral, Zurich, Switzerland
inv.JMA 000-pr
Wallpapers by Artist, € 130,- January 2020BARBARA KRUGER, Untitled (Kiss), 2019 [Artek stool, stamp signed]
Featured
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
p.o.r.
inv.BKrug 836
Bellhams Auctioneers & Valuers, Billinghurst, UK 19 November 2025 € 679,- (hammer price)
Phillips, London, UK 24 October 2025 € 743,- (hammer price)
Phillips, London, UK 23 September 2025 € 1.030,- (hammer price)
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600.- 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
Featured
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
Featured
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019 [multiple]
Featured
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-prSALIM BAYRI, Sad Ali, 2017 [small version]
Featured
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Pauline Curnier Jardin
Sam Samiee
Rafaël RozendaalGILBERT & GEORGE, As used by the sculptors, 1973 [signed postcard]
Featured
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
The Situationist nr. 4 (1963), nr. 5 (1964) and nr. 6 (1967) – Reflex
many signatures in print, dated
edition successively 2000, 1600 and 2000 + 500 HC
condition: excellent, although aged, nr. 6 is pristine
including numurous lithographs by Corneille, Karel Appel, Constant Jan Nieuwenhuys, a.o.
inv.Refl 000-pr
RICHARD HAMBLETON, invitation, 1984 [exhibition announcement]
29,7 x 21 cm
twice folded as mailed
condition: splendid – mint
rare
published by Galerie Barbara Farber, Amsterdam
€ 260,- plus € 12,- Track & Trace registered EU mail
inv.RHa 000-pr
Galerie Barbara Farber was the only gallery in Amsterdam in the 80’s that showed American street artists like Richard Hambleton.KEITH HARING, invitation card, 1986 [invitation card 25-2-1986, exhibition SMA]
10,5 x 14,5 cm
text on card, Dutch language + added newspaper article
very rare
published by Stedelijk Museum Amsterdam
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.KHa 000-pr
on March 15, the upper floor of the Stedelijk Museum
will be closed until 15:00.
_________________________________________________________
Central Foodmarket, Jan van Galenstraat, Amsterdam
TAMÁS St. TURBA, NETRAF, 2026 [poster]
size needed
print for free use
published by the non-art-artist
ask for deatils
‘In the mid-’60s, the idea of Joseph Beuys, George Maciunas, and others about “everybody is an artist” proved to me that I’m not alone at the grassroots level. This conviction was in organic symbiosis with socialist/communist ideology, so I propagated Fluxus as Neo-Socialist-Realism, and established the International Parallel Union of Telecommunications (IPUT) in 1966, a Big Sister institution to counterbalance the power of the International Telecommunication Union, which controls the totality of the electromagnetic spectrum deeply into interstellar space as well.’ Interview with Jon Hendricks in MoMA Post notes on Art, 19 December 2018BEN PATTERSON, Sneak Preview – one of five “surprises”, 2014 [signed, special edition]
5,3 x 31,6 x 22,3 cm
3 photo prints, 2 DVD’s, catalogue, list of content, confetti streamers and various items, cardboard box
signed, dated
with dedication
special edition 5
rare
published by Down With Art! Verlag, Berlin, Germany
(in stead of € 500) € 250,- plus € 15,- Track & Trace registered EU mail
inv.BPa 000-pr
WJM KOK, Monochrome 360°, 2020-present [posters on ‘Peperbussen’]
590 x 340 cm
coloured paper on Peperbus
open series
rental price per column ca € 700,- dd. 2020
ask for details
What began as an independent artistic initiative is now recognized as part of Amsterdam’s ‘art in public space’ and has been incorporated into the city’s archives of Stadscuratorium.
City Curatorium, Amsterdam
https://stadscuratorium.nl/collectie/KARIM HASHEM, Wibautotisme, n.d. [poster, ca 1980]
39,1 x 61,3 cm
poster, thin paper
edition unknown
inv.MapD 000-pr
ELSWORTH KELLY, Postcards, 2023 [art book]
28,8 x 22,5 x 4 cm
HC, 344 pp., 2nd edition
embossed frame on linen cover with glued on postcards, recto-verso
mint
published by The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs NY and Delmonico Books – D.A.P., USA
€ 185,- plus € 18,- Track & Trace registered mail
Amazon-DiscountLibrary, USA May 2026 € 175,-
Modern Art Museum, Fort Worth, Texas, USA US$ 77.-HERMAN NITSCH, exhibition card, 1988 [invitation]
15 x 15,5 cm
offset, card
published by Harry Ruhé / Galerie A, Amsterdam
€ 50,- plus € 15,- Track & Trace registered EU mail
inv.HMi 1014-pr CLAUDE RUTAULT, invitation card, 1997 [exhibition card, hand written text]
10,5 x 15 cm
offset, card
condition: splendid
published by Galerie Martine et Thibault de la Châtre, Paris, France
€ 80,- plus € 15,- Track & Trace registered EU mail
inv.CRu 1013-pr 