ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: glued on special plate, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
published by ZKM, Karlsruhe, German
mint, although slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 180,- plus € 18,- Track & Trace registered mail
inv.ZRey 000-pr
This limited and special vinyl EP cover with glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 885,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2018
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
mint
published by Printed Matter, New York, USA
€ 125,- plus € 15,- Track & Trace registered EU mail
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-Glamzillagod, Brooklyn, New York, USA March 2025 US$ 125.-
eBay-hotelmarquetteprints, Cleveland, Ohio, USA March 2021 $ 175.-
Printed Matter, New York, USA March 2020 US$ 60.-
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
€ 1.100,- incl. Track & Trace registered mail
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.
History of prices:
Milea Bros Ltd, Boonton NJ, USA 14 February 2025 US$ 1,000.- (hammer price)
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
K&K Auktionen, Heidelberg, Germany 8 November 2024 € 1.300,- (hammer price)
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
GERHARD ERWALD WALTHER, Fläche Weinrot, 1997
23 x 16,5 cm
heavy fabric, sewn, envelope with sticker
edition 100 + 20 AP, here number 50/100
signed, numbered, dated
published by Edition Texte zur Kunst, Berlin, Germany.
€ 300,- plus € 12,- Track & Trace registered EU mail
inv.FEW-pr
Textiles were an instrument for the viewer and prompted a specific action, such as lying on or leaning against them. According to Walthers, the textile objects he sewed became works of art when a person or a group of people did something with them, he stated. In this case a hand may be resting on the surface of the neatly sewn canvas.
Here Franz Erhard Walther’s hand is put on a copy of the edition.
OTOBONG NKANGA, Crumbling Through Powdery Air, 2015
80 x 59 cm
digital print, poster, laser cut
signed, numbered
edition 50
mint, unframed
published by Portikus, Frankfurt / am Main, Germany
€ 50,- For purchase visit: https://www.portikus.de/en/editions/728_crumbling_through_powdery_air_poster_edition
Added information:
This edition is made from the regular poster announcing the exhibition of Otobong Nkanga at Portikus. With the applied laser technique the lower part of the poster is cut off completely.
‘In 1875 a prospector scouting the land described Green Hill, an area so rich in ore minerals that it radiated the bright green colour of oxidised copper. The Green Hill would become legendary as having the highest concentration and diversity of minerals in Namibia. Yet what Nkanga came upon was a cavernous hole. The extraction of the minerals malachite and azurite had mined the hill into oblivion. The copper had been processed, transported and erected elsewhere with no tangible connection to its origins in Tsumeb. The closed mine, abandoned miners’ houses and disused railway buildings that Nkanga encountered languish – ruins and debris of places that once bustled and bristled with desire.’
From the website of Portikus.
History of price:
Portikus, Frankfurt am Main, Germany June 2025 € 50,-
KATHARINA FRITSCH, Spaziergänger mit Hund, 1986
14,8 x 10,5 cm
offset, postcard
published by Sonsbeek 86, Arnhem, Netherlands
recto: mint – verso: aged paper
limited edition
photo: Thomas Ruff, Düsseldorf, Germany
€ 50,- plus € 12,- Track & Trace registered EU mail
inv.KFrit 886_89-pr
This artist’s postcard was especially printed for sculpture exhibition Sonsbeek ’86 and distributed free to the public attending the show. As with other Fritsch items there was only one printing of the card. In the catalogue raisonné this card is archived as a multiple. Image is by Thomas Ruff, Düsseldorf, Germany.
NAVIN RAWANCHAIKUL, Com…, 1999
29,7 x 21,2 x 2,7 cm
artist’s book, introductory text by Helen Michaelsen
tipped in postcard, airmail envelope, Post-it paper, piece of fabric, comic strip booklet
published by Verlag der Buchhandlung Walher Koenig, Cologne, Germany
€ 185,- plus € 18,- Track & Trace registered EU mail
inv.RWan 000-pr
‘Born in 1971 in Chiang Mai, Navin Rawanchaikul is a Thai artist whose ancestral roots are from the Hindu-Punjabi communities of present day Pakistan. Questioning modern systems of artistic creation and presentation, Rawanchaikul has developed a unique and vast body of work that relies heavily on team spirit and collaboration, and is often produced under the banner of Navin Production, a studio he founded in 1994.’
KIMBAL GUNNAR HOLTH, Making notes on a film yet to be made, and this is the film, 2025
5,5 x 8,5 cm
digital print
edition 50
several copies are signed and dated
published by the artist
NAVIN RAWANCHAIKUL, Untitled [Taxi], 2000
27 x 64 x 17 cm
cushion, embroidered red text recto and black text verso
limited edition
published by the artist
mint extremely rare
€ 650,- plus € 24,- Track & Trace registered EU mail
inv.NRaw 000-pr
VOEBE DE GRUYTER, Temperatures, 1996
9,8 x 14,6 cm, invitation card with inlay (29,9 x 21,1 cm)
2 parts, screen prints, folded as issued
published by De Kunstbank VzW, Louvain, Belgium
mint
€ 35,- plus € 12,- Track & Trace registered EU mail
inv.VdG 892-pr
‘From an encounter between Voebe de Gruyter and Herman Labro [founder of Galerie Eve’n and Yet] arises a collaboration which, in 1996, results in De Gruyter’s second solo exhibition, Winterbeelden, this time in Louvain. Winterbeelden ultimately turns out not to be a true solo: curator Labro has one more ace up his sleeve, the Swiss photographer Peter Blatt and Lizz Kampe are also invited. However, there is no trace of De Gruyter’s co-exhibitors before or during the exhibition.
The 2020 encounter does not lead to a new joint project: De Gruyter declines. This happens against the backdrop of a relationship that becomes strained when, in 2015, De Gruyter discovers that the MOEV collective consists of no one other than Labro himself.’ Ref. “How It Functions – an introduction”, Rudi Salomon, May 2025
BERT MCLEAN, What does it do?, 2024
ca 20 x 12 cm, various sizes
signed and dated on each of 6 hand made paper bags, on date June 2025
series of 40 unique patches, numbered 1-40
In order to install this floor sculpture one may throw these patches one after each other down on a floor. Surprisingly, these always drop down in a completely right way. Yet, one may still ask: “What does it do”.
DAVID HORVITZ, Everything that can happen in a day, n.d. [2008]
57,8 x 41,8 cm
offset on newsprint, twice folded as published
published by the artist
condition: yellowed
€ 120,- plus € 18,- Track & Trace registred EU mail
inv.DHor 910
VOEBE DE GRUYTER, zonder titel, 1999
70 x 50 cm
photo print
numbered, signed
edition 10
published by Galerie van Gelder Editions 1999
€ 700,- plus € 24,- Track & Trace registered EU mail
inv.VdG 000
This print shows a (illegally) painted text on a parking space in front of Galerie van Gelder being part of Voebe de Gruyter’s first solo exhibition in 1999. The text reads:
‘An elderly man with dangerously high blood pressure is sitting in a dirty old Mercedes diesel, the engine running, eating an orange. The engine is running very irregularly.’
