PAULINE BOUDRY / RENATE LORENZ, Untitled (Moving Backwards), 2019 60 x 65 cm edition 50 + 6 AP signed, numbered published by the Swiss Pavilion of Biennale di Venezia, Venice issued on behalf of the Venice Biennale 2019 “At the 58th Biennale di Venezia, artist […]
PAULINE BOUDRY / RENATE LORENZ, Wig Piece, 2019 60 x 45 cm edition 10 + 2 AP signed, numbered published by the Swiss Pavilion of Biennale di Venezia, Venice issued on behalf of the Venice Biennale 2019 “By introducing hair in a painting’s visual space, […]
This plate was produced for the edition ‘Obelisco’, 1992. Porcelain in glazed blue relief print, verso signed and dated ‘Richter ’92’ burnt in glaze. This piece comes from a series of ‘everyday porcelain’ produced in Kahla on behalf of the Cologne “Edition Obelisco” following the designs of contemporary artists and presented 1992 at Art Cologne.
This sign of a cross “X” drawn by hand with felt pen, in duplo on two discs of glass and put on top of each other is the basis for reproduction of a series of unlimited samples. For display Joëlle Tuerlinckx suggests in the accompanying certificate to use a furniture piece, a desk, a window sill, to hold it in one’s hand or to put it on a shelf. The two discs are shown on top of each other with the crosses not necessarily perfectly fitting.
MAURIZIO CATTELAN, Blah, blah, blah, 2018 190 x 20 cm, scarf polyacrylic fibres, cardboard hanger, offset limited edition 400 published by Made in Catteland, Italy Maurizio Cattelan’s address for contacting Made in Catteland shows the following image:
TAKAKO SAITO, You and Me, 1981, yarn spools, coloured threads, wooden box, ink stamps
OLIVIER MOSSET, Untitled # 3, #4, #5 and #6, 1992 ca 60 x 60 cm (4 sq. feet) / 31 x 30.5 cm (1 sq. foot) two pieces of acrylic paint on canvas, 4 labels; 6 parts signed on 3 labels numbered and dated in […]
TAKAKO SAITO, A part of Fluxus, 1992 2 x 2.3 x 2.3 cm plastic box, human hair, glue, paper collet with ink stamped text edition unknown signed, dated pristine condition inv.TSait 681
This edition comes together with a piece of wrapping paper and also called “Blockbuster or Avant garde?” as an insert in Cut magazine about art issue #19 – November 2018. Published by Galerie van Gelder, Amsterdam, Netherlands.
This booklet is a catalogue with a feel of an artist’s book filled with solely images + an ultra short CV. Anders Tornberg worked closely together with artists like Gerald Rockenschaub. Hence the design Rockenschaub made for this publication.
LILY VAN DER STOKKER, Decent, tidy, 2014. This edition is a series of unique pieces. The flowers changes colors from piece to piece.
John M Armleder, Assiettes, 1988, set dinner plates for soup, main course and dessert, 3 parts, verso signed in glaze, Porcelaine Winterling
The dinner plates of this edition were sold separately and published by Catherine Issert Editions, Saint Paul de Vence in France.
As a set this edition is difficult to find.
Gerhard Richter, Abstract Painting 825-II, 69 Details, 1969 is produced in 100 copies in English, stamp numbered and signed in ink on the last page, subtitled on the fifth page: Für Elise.
SALIM BAYRI, Sad Ali, 2017 [small version] 16,2 x 4,9 cm print, lasered sky leather signed, numbered, dated edition 4 € 250,- Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no […]
LILY VAN DER STOKKER, Friends my closest ones (4-12 in total), 2016 44 x 44 cm digital print, unframed signed, dated, numbered edition 3 + 1 AP (56 x 56 cm) € 850,-