SIGMAR POLKE, Kartoffelköppe (Mao + LBJ), 1964
14,8 x 10,5 cm
offset postcard
signed
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 749-pr
Category: printed matter
SIGMAR POLKE, Schokoladenbild, 1964
14,8 x 10,5 cm
offset postcard
signed
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 747-pr
San Diego University, invitations, posters, 1988-1998
various sizes
14 publications, mostly XL
condition: fine
published by San Diego State University Art Gallery, San Diego, USA
€ 250,- plus € 18,- Track & Trace registered EU mail
inv.SDie 746-pr
List of artists:
– Franz Erhard Walther, May 1990, 23,5 x 61 cm, 3x folded
– Mikolaj Smoczynski, 1991, 63,3 x 45,7 cm, 2x folded
– B. Wurtz, Bernd and Hilla Becher, Thomas Ruff, a.o. in Perspective on Place, 1990, 40,7 x 55,9 cm, 2x folded
– Barbara Ess, Duane Michals, Cindy Sherman, The Starn Twins, a.o. in Apparitions and Allusions, 1986, 61 x 45.7 cm, 3x folded
– Yishai Jusidman, 1996, 43,1 x 50,8 cm 2x folded
– David Bunch, Gavin Lee, Clegg & Guttmann, Catherine Opie, a.o. in Composite Persona, 1997, 17,7 x 60,8 cm, 4x folded
– Judith Hersko, 1998, 23,5 x 71,1 cm, 2x folded
– Francis Alÿs, Jamex & Einar de la Torre and Spring Hurlbut in Reconstructing Ritual, September 1997, 15,2 x 70 cm, 3x folded
– Elizabeth Newman, December 1995, 21,5 x 53 cm, 2x folded
– Paul Kos, May 1991,61 x 44,4 cm, 2x folded
– Alexander Brodsky and Ilya Utkin, 1989, 43,2 x 54,4 cm, 2x folded
– Buzz Spector, 1994, 45,7 x 61 cm, 2x folded
– Andrea Zittel, A-Z for You. A-Z for Me, 1998, 16 x 69,8 cm, 4x folded + sleeve, orange sticker, 12 x 51,5 cm (3x folded)
– Noriyuki Haraguchi, April 1988, 60,8 x 44 cm, 2x folded
A collection of 12 posters and 2 brochures put in a home-made light weight box.
SIGMAR POLKE, Ohne Titel (Kuss, Kuss), 1965
14,8 x 10,5 cm
offset, postcard
here signed
mint
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 727-pr
SIGMAR POLKE, Ohne Titel, 1994
14,8 x 10,5 cm
offset postcard
signed
mint
published by Gebr. König Postkartenverlag, Cologne, Germany
€ 240,- plus € 12,- Track & Trace registered EU mail
inv.SPolk 726-pr
SIEGFRIED CREMER, Winkelbild, 1978
16,2 x 32 cm
catalogue, SC, offset, Lümbeck binding
recto-verso embossing on couver
incl. pencil drawing (15 x 31 cm), nr. 20
recto and verso signed, dated
published by Galerie Lutz, Stuttgart, Germany
Private collection, Amsterdam
inv.SCre 000-pr
LOUWRIEN WIJERS, Kookboek voor natuurvoeding en makrobiotiek (deel 1), 2011
43 x 30 cm
photo copy, marker
signed and dated in print
inv.LWij 553-pr
JCJ VANDERHEYDEN, letter, n.d. [1999]
21 x 29,7 cm
photo copy, ink pen
Privécollectie, Amsterdam
inv.JCJ 420-pr
LOUWRIEN WIJERS, Art sprouts as a bloom, 1972
20.5 x 20.x x 1.5 cm
letterpress, paper, cardboard, 4 loose pieces of cardboard, 1 introduction page in Dutch on thin paper, rope
here signed
published by the artist / Steendrukkerij de Jong & Co, Hilversum, Netherlands
Private collection, Amsterdam
inv.LWij 000-pr
“I am offering this printed matter tonight to those attending the concert organized by Frans de Jong and Henk de Hoog. I describe what I believe is art and practicing art.”
…..
“I wrote this piece several months ago out of a need to put into words my inner feelings about art and being an artist. It describes in a broad sense the interaction between art and life. I then printed that paper and sent it to a number of people. Frans de Jong suggested publishing it again on behalf of this evening. He himself made this second edition in his printing house.” Louwrien Wijers, 14 April 1972
page 1:
page 4:
GUGLIELMO ACHILLE CAVELLINI, n.d. [ca 1975]
29,7 x 22,8 cm
offset
published by the artist
condition: poor
inv.GAC 772-pr
In the early seventies Mail artist Guglielmo Achille Cavellini predicts his death in 2014, and in 1971 he describes his work being part of a large retrospective at the Ducale Palace, Venice. This becomes part of the artist’s autostoricizzazione; self-historifisation. He loved the Italian flag tricolors and used them in his work. He created the “Cavellini sticker” always in red, white and green that bore the dates of the fast approaching Cavellini Centennial: 1914-2014. The above print shows his home-made self-historification, completed with the colours of the Italian flag.