The Situationist Times, nr. 6, 1967
27,4 x 21,5 cm
edition 2000 + 500 HC
litho prints from 33 artists
inlay as colophon pristine
published by Jacqueline de Jong, Paris, France
€ 395,- plus € 12,- Track & Trace registered EU mail
inv.TST 000-pr
The Situationist Times, no 6 is a compilation of 32 original lithographies printed in four colours. Participating Jan Voss, Jack Vanarsky, Topor, René Bertholo, Guido Blasi, Samuel Buri, Lourdes Castro, Maurice Henry, Martin Engelman, José Gamarra, Klaus Geissler, Theo Gerber, Reinhoud d’Haese, Hannelore, Peter Klasen, Jacqueline de Jong, Mariano Hernandez, Wifredo Lam, Yasse Tabuchi, Paul de Lussanet, Milvia Maglione, Christina Martinez, Roberto Matta, Lucio del Pezzo, Hannes Postma, Lea Lublin, Alejandro Marcos, Antonio Segui, Antonio Saura, Pierre Alechinsky, Asger Jorn, Arne Haugen-Soerensen and couver on the back is the 33rd lithograph at the back is of Ulf Trotzig.
History of prices:
Concept Books, Veldhoven, Netherlands June 2026 US$ 478.-
Antiquariat CoBrA, Oberrohrbach, Germany June 2026 US$ 735.-
p015, Rotterdam, Netherlands June 2026 US$ 358.- (poor)
CARY LEIBOWITZ, Achtung Baby-Aloha Baby-Shalom Baby, 1993
5,2x 25,3 cm
3 cards, staples
signed, dated
edition unknown
condition: pristine
published by the artist
€ 120,- plus € 12,- Track & Trace registered EU mail
inv.CLei 995-pr
BEN PATTERSON, Sneak Preview – Special edition, one of five “surprises”, 2014
5,3 x 31,6 x 22,3 cm
3 photo prints, 2 DVD’s, catalogue, list of content, confetti streamers and various items, cardboard box
signed, dated
with dedication special edition 5 rare
published by Down With Art! Verlag, Berlin, Germany
(in stead of € 500) € 250,- plus € 15,- Track & Trace registered EU mail
inv.BPa 000-pr
Publisher (ed. Petra Stegmann) Down With Art! Verlag asked to financially support the production of a catalogue to be named ‘Sneak Preview’. For this, a cardboard box with surprises was sent to a very limited amount of supporters. This is one of the five boxes made for the occasion.
WJM KOK, Monochrome 360°, 2020
590 x 340 cm
coloured paper on Peperbus
open series
rental price per column ca € 700,- dd. 2020
ask for details
In 2020, Wjm Kok made a series of approximately 60 large-scale advertising columns part of his work. These columns, known as ‘Peperbussen’ and normally used for poster campaigns are distributed throughout the city of Amsterdam. They periodically remain vacant between advertising cycles. During these intervals, Kok transforms them into monochrome works, i.e. blue in this instance to become part of his oeuvre.
What began as an independent artistic initiative is now recognized as part of Amsterdam’s ‘art in public space’ and has been incorporated into the city’s archives of Stadscuratorium.
‘Amsterdam has a long tradition of art in public space. A large number of well-known and lesser-known artworks tell the story of the city and its inhabitants. Art in public space manifests itself in many different ways, in various forms, and with different functions. For instance, the collection of the Amsterdam Metropolitan Area is rich in a broad spectrum of artworks: from monuments, sculptures, social projects, and interventions in environmental design, to graffiti, murals, and wall reliefs.’
City Curatorium, Amsterdam
ELSWORTH KELLY, Postcards, 2023
28,8 x 22,5 x 4 cm
HC, 344 pp., 2nd edition
embossed frame on linen cover with glued on postcards, recto-verso
mint
published by The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs NY and Delmonico Books – D.A.P., USA
€ 185,- plus € 18,- Track & Trace registered mail
History of price:
Amazon-DiscountLibrary, USA May 2026 € 175,-
Modern Art Museum, Fort Worth, Texas, USA US$ 77.-
HERMAN NITSCH, exhibition card, 1988
15 x 15,5 cm
offset, card
published by Harry Ruhé / Galerie A, Amsterdam
€ 50,- plus € 15,- Track & Trace registered EU mail
inv.HMi 1014-pr
REBECCA PURDUM, exhibition card, 1998
15,9 x 15,9 cm
cream coloured card
letterpress, verso slight scuffing due to postal handling
condition: used
published by Jack Tilton Gallery New York, USA
€ 45,- plus € 8,50 Track & Trace registered EU mail
inv.RPu 1010-pr
YOKO ONO, We’re All Water, 2005
4,5 x 17,2 x 10,4 cm
wrapper, 6 cards, English and Japanese language, lunch box
edition 400
mint, wrapper slightly dodged
published by Gallery 360 grades, Tokyo, Japan
€ 425,- plus € 18,- Track & Trace registered EU mail
inv.YOno 000-pr
“We’re all water from
different rivers,
that’s why it’s
so easy to meet.
We’re all water in this
vast, vast ocean.
Someday we’ll
evaporate together”
Yoko Ono / John Lennon, 1980
History of price:
DR Fine Arts, New Yok, USA May 2026 € 398,76
SYLVIE FLEURY, Flexible 3 Close to the Body, 2000
ca 26 x 18 x 2 cm
exhibition catalogues with print on fabric folder, 2 parts
mint
published by Nederlands Textielmuseum, Tilburg, Netherlands
€ 150,- plus € 18,- Track & Trace registered EU mail
inv.SF000-pr
MIKE KELLEY, Destroy All Monsters Magazine, 2011
together with CARY LOREN, NIAGARA and JIM SHAW
27 x 21 cm
artist’s book, SC, 270 pp.
signed
special edition 100, here numbered 2/100 includes a unique monotype-spray painted page, signed by 4 artists
black and white photograph (signed photo edition number 46/75) by Cary Loren, sealed bag with sand, original mylar envelope mint
published by Destroy All Monsters magazine, Detroit, USA
€ 980,- plus € 24, – Track & Trace registered EU mail
inv.MKel 000-pr
‘Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges and Michael Davis of the MC5). Later emerging as extremely distinctive individual artists, collectively the group forged new terrain in art, music, performance, theater and video. Destroy All Monsters released very little recorded music until Thurston Moore issued a three-CD compilation in 1994, but they published six issues of a now legendary and much sought-after zine, also titled Destroy All Monsters. This publication collects those six zines, released between 1976 and 1979, and also includes parts of a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by Kelley, Loren, Niagara and Shaw, and together provide insight into the collective’s kaleidoscopic vision of the dystopian values of their time.
“The new reprint volume lacks any introductory or explanatory text; true to Destroy All Monsters’ anarchic spirit, it plunges the reader straight into a frenzied dystopic world. Détourned comic strips, images pulled from pulp magazines, film stills, and tabloid news clippings clash with saccharine greeting cards, family Polaroids, and children’s coloring-book pages, while Op-art backgrounds, scrawled doodles, stickers, and rubber stamps compound the visual pandemonium. All of this is faithfully reproduced in the new facsimile, which is hand-bound and printed on paper of different weights, colors, and finishes—from coated stock to copy paper in elementary-school pastels. Each copy also includes a unique original spray painting by Loren, giving this lavish reproduction an authentically DIY accent.” Gwen Allen, Bookforum review
Ref. https://www.thebookbeat.com/bookshop/catalog/destroy-all-monsters-magazine/
In 1974, while attending the University of Michigan, he co-founded the proto-punk, experimental noise band Destroy All Monsters (DAM). The member of the band were: Mike Kelley on drums and vocals, Jim Shaw on vocals and squeeze toys, Niagara (Lynn Rovner) on vocals, and Cary Loren on guitar and vocals. Having met each other at the university, DAM convened in the basement of Kelley’s student accommodation, also known as ‘God’s Oasis Drive-In Church’, which soon became a communal space for the band to collaborate. Image below shows dirt in a tiny bag from ‘God’s Oasis Drive-In Church’, being part to this edition.
