Category Archives: multiples



RAUL MARROQUIN, The Neotronics Greatest Hits, 1983

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RAUL MARROQUIN, The Neotronics Greatest Hits, 1983
vinyl, 45 RPM
drawing couver by R. Marroquin, music by Rod Summers
mint, i.e. never played
published by Stemra, Amsterdam
€ 200,- plus € 19,50 Track & Trace registered EU mail
inv. RMar 000-pr

“In The Neutronics Greatest Hits, Marroquin takes on the genre of the music video as the carrier of his underlying critique of mass media. Intended as part of the programming for Marroquin’s Amsterdam/New York satellite broadcast called The Link, the work is both a music video and a documentation of a live performance given by the concept band at the Mazzo club in Amsterdam.”

History of prices:
Discogs.com, Beaverton, Oregon, USA 18 February 2025 € 129,-
Discogs.com, Beaverton, Oregon, USA 20 August 2024 € 228,85
Discogs.com, Beaverton, Oregon, USA 11 June 2023 € 175,-

LILY VAN DER STOKKER, Good Old Abstract Art, 2025 [embroidered and woven patch]

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LILY VAN DER STOKKER, Good Old Abstract Art, 2025
8,3 x 5,4 cm
iron-on patch, woven with embroidered edge
published by Apply Stickers, New York, Brooklyn, USA
For more details contact Applystickers.com
inv. LvdS 000-pr

This patch was taken from drawing ‘Good Old Abstract Art’ that LvdS made in 1992. The piece may be glue ironed on fabric or anything comparable.

Apply Stickers is founded in 2019 by Spencer Lazar, Chris Fischer and Blake Hinckley. It operates as an Internet company offering stickers.

JOHN M ARMLEDER, Untitled, 1998 [spirograph drawing]

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JOHN M ARMLEDER, Untitled, 1998
53,1 x 38,2 cm (34,8 x 49,8)
spirograph drawing, colour pencil, lead pencil
signed, dated, numbered (as if it concerns an etching)
series of 25 unique drawings + 10 AP (numbered I-X)
published by Edition Franz Mäder Galerie, Basel, Switzerland
€ 4.200,- plus € 24,- Track & Trace registered EU mail
inv.JMA 000-pr

John M Armleder was invited to make an etching for publishing house Edition Franz Mäder Galerie, Basel. In stead of making a dry needle etching on copper plate he asked Mäder to make 25 blank plate prints on etching paper. On each of these Armleder drew unique spirograph drawings. He numbered them as if it concerned an edition.
At a certain point, Armleder used a spirograph by leaving the utensil uncontrolled run over the paper creating a most surprising juggler’s lightness and evocativeness. He once stated that for him in the end every time he has to think about how to make an art piece that is no more than a performance. Here it is, definitively, with it’s etching-like dancing appearance.

Close up:

 

Examples of drawings out of the so-called EA’s:

JONATHAN MONK, Picture Post Card From Post Box Pictured, 2025 [post card, signed]

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JONATHAN MONK, Picture Post Card From Post Box Pictured, 2025
14,8 x 10,5 cm
postcard, postdated 07-07-2025
signed
edition 100
published by Fifthsyllable, UK
inv.JMon 527-pr

In 2006 Jonathan Monk told David Shrigley in an interview: “I now think the only thing that stayed with me after art school was the idea of context. What and where things are placed in relationship to other things in the world.”

MARTHA ROSLER, Untitled (Postcard), 1973-2017 [postcard]

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MARTHA ROSLER, Untitled (Postcard), 1973-2017
15 x 10,5 cm
Postal Service Series #4
edition 100
mailed, condition: excellent
published by More Publishers, Brussels, Belgium
inv.MRos 897-pr

Postcards were sent to people from a mailing list of the artist. An enlarged version of the same postcard was released as a poster in an edition of 25 + 5 AP.

‘In her performances, videos, textual works, photographs, and installations, Rosler confronts her audiences with political subjects and the role of the media, analyzing quotidian, domestic, and urban life from a feminist viewpoint not altogether devoid of humor. In her series, “Beauty Knows No Pain,” or “Body Beautiful” (1965-74), she used techniques of collage to create a sense of unease with the ways in which women are portrayed. She has used this technique continuously, as in her well-known series of photomontages, “Bringing the War Home: House Beautiful,” and “Bringing the War Home: In Vietnam” (1967-72). Here, as in her installation “B-52 in Baby’s Tears” (1974), Rosler scrutinizes the role of the mass media in wartime.’ Generali Foundation 1974, Salzburg, Austria.