LAWRENCE WEINER, Water & Sand / Sticks & Stones, 1993
13 x 8,5 cm
screen print, cotton, plastic seal bag
edition 2000
published by IMMA Ireland Museum of Modern Art, Dublin, Ireland
mint
History of price:
William Allen Word & Image, London, UK October 2022 GBP 45.-
JENNY HOLZER, Truisms, in “Stickers Vol.2”, 2019-2022
page with stickers
29,7 x 23 cm
published by Rizzoli International Publications Inc., New York, USA
mint
This book was first published in 2019 and reprints were consecutively made in 2020, 2021 and 2022 making this publication into a great success, apparently. The back of this relatively heavy and book contains 16 pages of real stickers to be used. Among these a page with stickers of Jenny Holzer and one of Shepard Fairey.
MARIJKE VAN WARMERDAM, Roll over, 2022
10 x 10 x 1 cm
badge, unique
Private collection, Amsterdam
This pin comes from a series of badges that was given by Marijke van Warmerdam during a speech as a present to people who were closely involved in the preparation of her solo exhibition “Then, now, and then” in Landhuis Oud-Amelisweerd / Centraal Museum Utrecht. Each badge out of this series bears the title of one of the 16 film loops in the exhibition.
During a speech on behalf of the opening of her solo exhibition at ZKM in Karlsruhe on 28 October 2022 Marijke van Warmerdam gave several people also a badge bearing the title of one of her film loops.
YANN SÉRANDOUR, Cahiers Clairefontaine, 2006
each 22 x 15 cm
offset, 32 pp., 5 parts out of 6
edition 1500
published by Edition CNEAI, Chatou, France, mint
The printed grids on the notebook pages of ‘Cahiers Clairefontaine’ have been originally hand drawn by pupils of the Jules Verne Primary School in Croissy-sur-Seine in France and were reproduced in print. These notebooks are used for learning to write straight by making use of horizontal blue and vertical red lines.
JONATHAN MONK, People Looking At Art, 2021
15,8 x 11,4 x 2,5 cm
leporello, 32 pp., linen bound
edition 50
published by Fithsyllable, UK
splendid condition
This artist’s book contains a selection of images taken from social media of people looking at art, found by Jonathan Monk.
Fotos: K. van Gelder, Amsterdam
JOHN M ARMLEDER, 2022, PackMax-Gra
16 x 23 cm
beach pouch with zipper, linen, 4 tags
signed in print, both on linen label and tag
mint
produced by JPR Editions / Vilebrequin, Geneva, Switzerland
On one of the tags one can read; ‘John M Armleder combines an extraordinary visual culture with delegation principles and chance procedures. This tension between mastery and the effects of randomness stretches his work from abstraction to appropriation.
SYLVIE FLEURY, Frisbee, 2022
bikini, size L, 8 tags, including Vilebrequin pouch
signed in print, both on linen labels and tags
produced by JPR Editions / Vilebrequin, Geneva, Switzerland
On one of the tags can be read: ‘Sylvie Fleury explores the crossovers between art, fashion, tuning, and the New Age aesthetic. She plays with the codes of these cultural fields as forms of self-customization’.
Photos: K. van Gelder, Amsterdam
IAN PAGE, Stool, 2021
27 x 24 x 24 cm
wood, paint, varnish
signed, dated
numbered in order of sale
€ 580,- plus € 24,- Track and Trace registered EU mail
Ian Page is interested in constructions and carriers that are effected by images put to these and vice versa; here a spray painted logo of Playboy magazine is applied on a stool’s seat.
TAKAKO SAITO, hand out by Takako on 14 July in Wiesbaden, 2022
ca 14 x 15 x 7 cm
plastic cup with text “On on On on”, felt pen ink, bean, colour print, cellophane bag
This object in cellophane bag was part of a performance in Nassauischer Kunstverein, Wiesbaden (Germany). Every ten years a Fluxus Anniversary is organised.
‘Takako’s performance consisted of her digging up all kinds of objects from a bag and throwing them one by one to the audience. Each object had one or more words on it. The people who caught the objects had to read aloud what was written on it. Completely different words, meaning didn’t matter, they were fantasy words to me. It did work comically, especially when she threw a lot of things in quick succession.’
From an email by Harry Ruhé to KvG, September 12, 2022
XIE NANXING, untitled, 2005
18 x 26,3 cm
print, ink stamped authorisation, hand numbered
edition 4500
mint condition
published by Contemporary, London, UK
inv.Cont 360-pr
