KRISTJAN GUDMUNDSSON, Horizontal-Diagonal-Vertical, 1993
32,7 x 38,7 cm
lead pencil fillings, 0.7 mm (H)
edition 40, here nr. 3/40 signed, numbered, dated
verso machine typed text
published by the artist
€ 420,- plus € 24,- Track & Trace registered EU mail
inv.KG 000
In 1987 Kristjan Gudmundsson started to make use of graphite on paper without using graphite as a traditional technique to draw with. In stead he merely combined graphite and paper as an assemblage, i.e. a solid block of graphite together with a paper roll. In ‘Horizontal-Diagonal-Vertical’, its use has been applied as a collage showing three formal compositions. KvG
MARIJKE VAN WARMERDAM, pin, 2025
17 x 15 x 5 cm
16 mm celluloid, film ‘Skytypers’, wood, paint, metal
series of ca 30 unique pins, hand-made by the artist
On behalf of Eye on Art – Artists Talk at Eye in Amsterdam on 11 March 2025, 30 speakers were invited to throw a light on each of the presented film loops. In gratitude for the personal lectures – one and a half minute each – of technicians, experts and friends, Marijke presented them with a pin. The used 16 mm celluloid clipping is taken from her film “Skytypers”. A tiny orange ball at the end of the gold spray painted pin refers to a series of film loops on oranges she is working on now.
KRISTJAN GUDMUNDSSON, 200 pages on Barnett Newman, 2001
24,5 x 27,2 x 3 cm
SC, 200 pp., MC paper signed, numbered
edition 100
mint
published by Silverpress, Reykjavik, Iceland
€ 520,- plus € 24,- Track & Trace registered EU mail
inv.KG 000
This book has sculptural characteristics, due to its concept and heavy weight. The 200 pages of the book correspond to the total surface of Barnett Newman’s painting ‘Who is Afraid of Yellow, Red and Blue I’ (1966), oil paint on canvas measuring 190 x 122 cm. It includes the exact ratio of the three colors of the painting. When you hold this book in your hands, you have the entire surface of the canvas in your hands.
ROB SCHOLTE, Untitled [zakdoek], ca 2006
41 x 41 cm
fabric, cardboard, aluminum frame
verso authenticated
out of a series of 20 unique works
published by the artist
p.o.r.
YANN SÉRANDOUR, How…, 2019
ca 25 x 10 x 5 cm
bleached cow bone, engraved text, white linen bag, chord
edition 4 + 2 AP
certificate, signed, numbered
published by More Publishers, Quenast, Belgium
According to the publisher (mail 08-02-2025), this work is related to an edition in which Yann Sérandour included a found book on dog training called “How to train your dog”.
Additional information
“L’Enseigne [How to Train Your Dog]” is an edition (8 + 4 AP) from 2015. It is unclear why this was added to a book cassette with a picture of French Rococo painter Antoine Watteau who is known for his hunting and love scenes.
ROSEMARIE TROCKEL, Ex Voto Platte, 2000
28 x 28 x 0,8 cm
screen print, cellular rubber, self-adhesive circular die-cut
incl. original wrapping with protection sheets
blue version: edition 50 + 5 AP
signed, numbered 33/50 mint
published by Texte zur Kunst, Berlin, Germany
€ 475,- plus € 12,- Track & Trace registered EU mail
inv.RTr 854-pr
Rosemarie Trockel photographed a hot plate and printed it on a thick layer of cellular rubber, as a small object. There is a self-adhesive sticker on the back so that the owner can determine the background himself. Instead of framing the work, it can be mounted on a wall or window and thus become part of an interior.
There are 3 colour versions: yellow, blue and white. Each colour version has an edition of 50 plus 5 AP.
verso:
History of prices:
AaG Auktionshaus am Grunewald, Berlin, Germany, 21 September 2024 € 550,- (hammer price)
Van Ham Kunstauktionen, Cologne, Germany, 14 March 2024 € 500 (hammer price)
Phillips, London, UK, 11 June 2015 GBP 313.- (hammer price)
FRANCK BRAGIGAND, Garbage in order to…, 1999
invitation cards in 6 different colours
each 10.1 x 15 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 35,- plus € 12 Track & Trace registered EU mail
inv.FBr 000-pr
Franck Bragigand has made two working methods he devised an essential part of his work. A visitor can approach him at any time with, for example, a chair or cupboard and ask to have it painted. The object taken can be painted monochrome or each surface is given a separate color using his method of ‘un plan, une couleur’, as he calls it. In the latter case, there is more work and the asking price is higher. After the painting method has been determined, a price is agreed. The 6-part invitation card from 1999 is printed in both monochrome and ‘each area, one color’. KvG
Additional information
FRANCK BRAGIGAND: PSS (Public Street Sculpture), 1999
The title of the exhibition “Garbage in order to…” refers to a recycling method. Franck Bragigand found all kinds of objects in the garbage on the street, which he cleaned, sanded, painted and exhibited as brand new in the gallery.
After the exhibition, the objects were thoughtfully placed back on the street – almost like an installation. The ‘consumer’ could take the originally discarded rubbish from the street back into his home, varnished and well. Bragigand brings street waste or second-hand goods back into circulation through various systems. KvG
ISA GENZKEN, Glanzwasser, 1994
26 x 7 x 6 cm, 2 parts
glass bottle, print on adhesive film, synthetic resin, funnel
edition 150, here number 13/150 signed, numbered
published by Texte zur Kunst, Berlin, Germany
condition: poor, i.e. cracks in glass as issued
€ 345,- + € 24,- Track & Trace registered EU mail
inv.IGen 000-pr
History of prices:
Booklooker.de, Germany November 2024 € 1.580,-
Marion Fricke, Berlin, Germany October 2024 € 1.200,-
PETER HALLEY. untitled [Exploding Cell], ca 1997
21,6 x 22,9 cm
computer print
signed in print extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 837-pr
Additional information
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Edition Schellmann. One of the prints is related to apparently a DIY computer print featured above.
Exploding Cell, 1994, each 36 x 47 inches, portfolio of nine prints, silkscreen on paper, edition of 32, published by Edition Schellmann, Munich, Germany
MIEKO SHIOMI, Fluxus Balance, 1993
32,8 x 24 cm
blind stamped portfolio, envelope with 68 cards, envelope with string and weights, sticker, A4 card, colophon with list of participants on A4 signed, Roman numbered, here nr XXI/C
portfolio in splendid condition, content: mint
published by the artist
€ 265,- plus € 18,- Track & Trace registered EU mail
inv.MShi 25-pr
This multiple is part of a signed and numbered edition of 100.
