NIKOLAUS URBAN, Sweet Card, ca 1973
10 x 14,9 cm
postcard, sugar
series of unique postcards
condition excellent, verso fine, slightly aged
edition unknown
rare
published by the artist, printed by the Jan van Eyck Academie, Maastricht
€ 185,- plus € 8,- Track & Trace registered EU mail
inv.NUrb 895
MARTHA ROSLER, Untitled (Postcard), 1973-2017
15 x 10,5 cm
Postal Service Series #4
edition 100
mailed, condition: excellent
published by More Publishers, Brussels, Belgium
inv.MRos 000-pr
Postcards were sent to people from a mailing list of the artist. An enlarged version of the same postcard was released as a poster in an edition of 25 + 5 AP.
‘In her performances, videos, textual works, photographs, and installations, Rosler confronts her audiences with political subjects and the role of the media, analyzing quotidian, domestic, and urban life from a feminist viewpoint not altogether devoid of humor. In her series, “Beauty Knows No Pain,” or “Body Beautiful” (1965-74), she used techniques of collage to create a sense of unease with the ways in which women are portrayed. She has used this technique continuously, as in her well-known series of photomontages, “Bringing the War Home: House Beautiful,” and “Bringing the War Home: In Vietnam” (1967-72). Here, as in her installation “B-52 in Baby’s Tears” (1974), Rosler scrutinizes the role of the mass media in wartime.’ Generali Foundation 1974, Salzburg, Austria.
GERHARD ERWALD WALTHER, Fläche Weinrot, 1997
23 x 16,5 cm
heavy fabric, sewn, envelope with sticker
edition 100 + 20 AP, here number 50/100
signed, numbered, dated
published by Edition Texte zur Kunst, Berlin, Germany.
€ 300,- plus € 12,- Track & Trace registered EU mail
inv.FEW-pr
Textiles were an instrument for the viewer and prompted a specific action, such as lying on or leaning against them. According to Walthers, the textile objects he sewed became works of art when a person or a group of people did something with them, he stated. In this case a hand may be resting on the surface of the neatly sewn canvas.
Here Franz Erhard Walther’s hand is put on a copy of the edition.
KATHARINA FRITSCH, Spaziergänger mit Hund, 1986
14,8 x 10,5 cm
offset, postcard
published by Sonsbeek 86, Arnhem, Netherlands
recto: mint – verso: aged paper
limited edition
photo: Thomas Ruff, Düsseldorf, Germany
€ 50,- plus € 12,- Track & Trace registered EU mail
inv.KFrit 886_89-pr
This artist’s postcard was especially printed for sculpture exhibition Sonsbeek ’86 and distributed free to the public attending the show. As with other Fritsch items there was only one printing of the card. In the catalogue raisonné this card is archived as a multiple. Image is by Thomas Ruff, Düsseldorf, Germany.
NAVIN RAWANCHAIKUL, Com…, 1999
29,7 x 21,2 x 2,7 cm
artist’s book, introductory text by Helen Michaelsen
tipped in postcard, airmail envelope, Post-it paper, piece of fabric, comic strip booklet
published by Verlag der Buchhandlung Walher Koenig, Cologne, Germany
€ 185,- plus € 18,- Track & Trace registered EU mail
inv.RWan 000-pr
‘Born in 1971 in Chiang Mai, Navin Rawanchaikul is a Thai artist whose ancestral roots are from the Hindu-Punjabi communities of present day Pakistan. Questioning modern systems of artistic creation and presentation, Rawanchaikul has developed a unique and vast body of work that relies heavily on team spirit and collaboration, and is often produced under the banner of Navin Production, a studio he founded in 1994.’
NAVIN RAWANCHAIKUL, Untitled [Taxi], 2000
27 x 64 x 17 cm
cushion, embroidered red text recto and black text verso
limited edition
published by the artist
mint
extremely rare
€ 650,- plus € 24,- Track & Trace registered EU mail
inv.NRaw 000-pr
verso:
The Thing Quarterly, 2023
newspaper format, 6 tomes
each 58 x 36 cm, ink stamped envelope, inserted card
published by The Thing Quarterly, San Francisco, USA
comes in customized light weight box
€ 95,- plus € 18,- Track & Trace registered EU mail
inv.TTQ 47
“Moment to Moment” is a project that consists of commissioned online videos, text works, paintings, animated .gifs, photographs and essays. Some appeared on billboards, bus shelters and other outdoor advertising spaces in cities. In these 6 free printed newspapers the entire project is documented.
THE THING Quarterly is an object based publication produced by visual artists Jonn Herschend and Will Rogan.
Ref. https://www.kqed.org/arts/126027/good_things_require_money_the_thing_quarterlys_moment_to_moment
LILY VAN DER STOKKER, Toeval 50% – Gestructureerd 40%, 1991-2025
33,8 x 49 cm
digital colour print, piezography
signed, dated, numbered
edition 4 + 2 AP
GALERIE VAN GELDER EDITIONS 2025
€ 900,- plus € 24,- Track & Trace registered EU mail
inv.LvdS 000
MARIJKE VAN WARMERDAM, pin, 2025
17 x 15 x 5 cm
16 mm celluloid, film ‘Skytypers’, wood, paint, metal
series of ca 30 unique pins, hand-made by the artist
On behalf of Eye on Art – Artists Talk at Eye in Amsterdam on 11 March 2025, 30 speakers were invited to throw a light on each of the presented film loops. In gratitude for the personal lectures – one and a half minute each – of technicians, experts and friends, Marijke presented them with a pin. The used 16 mm celluloid clipping is taken from her film “Skytypers”. A tiny orange ball at the end of the gold spray painted pin refers to a series of film loops on oranges she is working on now.
Film still “Skytypers”, 1997
ROB SCHOLTE, Untitled [zakdoek], ca 2006
41 x 41 cm
fabric, cardboard, aluminum frame
verso authenticated
out of a series of 20 unique works
published by the artist
p.o.r.
