ZERO, catalogue, 1979 [signed by Günther Uecker, Otto Piene, Heinz Mack]

ZERO, catalogue, 1979
21 x 19,3 cm
SC, 156 pp.
near mint
signed by artists Günther Uecker, Otto Piene, Heinz Mack
published by Kunsthaus Zürich, Switzerland
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.Uec 000-pr

 

History of prices:
Marion Fricke, Berlin, Germany March 2026 € 120,- (poor condition) signed by Uecker, Piene, Mack
Planet der Buecher, Hamburg, Germany March 2026 € 39,-

GUY SCHRAENEN, A show from the Small Press Archive, 1977 [announcement]

GUY SCHRAENEN, A show from the Small Press Archive, 1977
29,7 x 21 cm
stencil, biro ink
invite, twice folded as mailed
condition: excellent
published by Other Books and So, Amsterdam
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.UCar 000-pr

History of price:
Jonathan Hill Bookseller, New York, USA March 2026 US$ 150.-
Jonathan Hill Bookseller, New York, USA June 2023 US$ 300.-

C.PRUDENTE / S.p.A. 12.5.1972-15.5.1975, 1975

S.p.A. 12.5.1972-15.5.1975, 1975
29,5 x 20 x 2,2 cm
letterpress, SC, 6 fold-outs, 202 pp.
published by S.p.A., c/o C.Prudente, Rome, Italy
uncommon in this condition: hardly visible wrinkling on couver, brown stain on pages edge
€ 445,- plus € 12,- Track & Trace registered EU mail
inv.CPru 000-pr

Participating artist:
C.M. Benveduti
T. Catalano
P. Mangogna
F. Falasca
G. Croce
M. Diacono
J. Ruddy
F. Mauri
L. Triunfo
Robert Barry
Robert Filliou
V. Agnetti
C. Romeo
L. Pascucci
C. Prudente
V. Zini
R. Albanese
Frencesco Clemente
C. Costa
F. Loriot
C.Cintoli
L.Piffero
M.V. Carelli
D. Esposito
Jochen Gerz
D. Palamara
A. Fiorentino
J. Calabrò
T. Johnson
M. Schaffer
I. Scanga
Bruno Ceccobelli
L. Trina
Giuseppe Chiari
Wolf Vostell
B. Bocchini
Maurizio Nannucci
Mas. Nannucci
I. Soskic
S. Lombardo
Peter Hutchinson
Arcelli e Comini
A. Davis
T. Smith
Alighiero Boetti
A. Fajetti
W. Guidobaldi
G. Matti
C. Fayer
Nicola De Maria
A, Altamira
A. Guatti
Diodato
F. Valentini
F. Caldura
Th. Woodruff
L. Luppino
T. Binga
L. Marzot
D. Cortez
David Rabinowitch
M.sa Merz
A. Caronna
A. Spinelli
G. Attalai
Tony Shafrazy
Ben Vautier
De.Ca
Peter Downsborough
D.Verni
Christo
Lawrence Weiner
S. Hoppferwisier
M. Stuprò
G. [sic]
A. Faggiano
Ufficio Immaginazione Preventiva

Page by Robert Barry:

History of prices:
Libreria Alberto Govi di F.Govi Sas, Modena, Italy March 2026 € 400,-
Dividing Line Books, Ridgewood, NY, USA March 2026 US$ 350.- (poor condition)

BALTIC No.15 – ALEC FINLAY, 2002 [Baltic Newsletter – ALEC FINLAY]

BALTIC No.15 – ALEC FINLAY, 2002
48 x 34 cm
newspaper, 8 pp., offset, folded
condition: stained
published by, Baltic, Gateshead, UK
inv. AFi 000-pr

This copy is added to a stack of 11 Baltic Newsletters published between 1998 – 2002.
No.1 announces reconstruction of Gatehead’s flower mill into Art Centre Baltic.
No.2 comes with announcement of “Flash”, a DVD project of the Bifrons Foundation (director Thora Johansen).
No.3 comes with announcement of Anish Kapoor’s exhibition and more elaborated announcement of “Flash”.
No.4 comes with announcement of Kurt Schwitters exhibition / Per Kirkeby.
No.5 comes with announcement of a more elaborated announcement of Anish Kapoor’s exhibition.
No.6 lacking
No.7 comes with announcement of Jaume Plensa, photo spread with Anthony Gormley, reconstruction Baltic.
No.8 announces further development of Baltic’s reconstruction and commission for 35 mm film loop by Marijke van Warmerdam.
No.9 lacking
No.10 comes with complete contribution of Jenny Holzer
No.11 comes with announcement of presentation film loop “Weather Forecast” of Marijke van Warmerdam, interview Jenny Holzer by Sune Nordgren, director Baltic.
No.12 comes with announcement of exhibition “Contemporary Artists from Stockholm”, and opening of baltic on 9 March 2002
No.13 lacking
No.14 comes with more elaborated announcement on “Weather Forecast” of Marijke van Warmerdam and new commissions.
No.15 comes with 8 pages with questions by Alex Finlay.

KAY ROSEN, “O”, (Open, Orb, Orifice, Donut, Globe, Hole, Whole, Halo, Zero), 1999 [multiple, DIY]

KAY ROSEN, “O”, (Open, Orb, Orifice, Donut, Globe, Hole, Whole, Halo, Zero), 1999
diameter 30,5 cm
vinyl stencil, type face Futura Bold
edition 10 + 2 AP + 2 HC + 2 PP
to be installed with florescent Plaka colour nr. 81 (orange), signed on certificate
inv. KRo 000-pr

Kay Rosen works are text based. She finds words, letters for minimal use. In her paintings, drawings, wall works, collages and editions she has used various visual/typographical strategies revealing the unexpected, partly by challenging the way people see and understand words and letters they read. Here, she proposed herself possible references to notions as Open, Orb, Orifice, Donut, Globe, Hole, Whole, Halo and Zero. The work ‘O’ is applied to chipboard with a white background as base. It was shown in ‘Een goed in de weg staande tafel’ at Galerie van Gelder in 1999, curated by Jack Jaeger.

History of prices:
Klosterfelde Edition, Berlin, Germany February 2026 € 1.210,-
Galerie van Gelder, Amsterdam 2001 September 2001 Dfl. 1.500,-

JACK JAEGER a.o., 2001 [booklet “A table standing perfectly in the way”]

JACK JAEGER a.o., 2001
21 x 15,4 cm
SC, stapled, 20 pp.
edition 500
published by Galerie van Gelder, Amsterdam
inv. JJa 000

A small part of the edition came with a photo or print insert.

Jack Jaeger was an artist/curator who, very early on, recognized the qualities of artists like Henry Bond, Liam Gillick, Richard Hawkins, Wolfgang Tillmans, and ensured their first exhibitions in the Netherlands at Galerie van Gelder with a group exhibition “Mechanical Reproduction” in AP in 1994. He also curated a group exhibition “A table standing perfectly in the way” at GvG in 2001. Here, work by Phyllis Baldino, Lisa Beck, Ellen Cantor, Tom Friedman, Jeremy Deller and Alan Kane, Johan Grimonprez, Elke Krystufek, Kay Rosen, Steel Stillman, B. Wurtz, and many others were introduced for the first time in the Netherlands.

HANNES VAN ES, Liberty, Vanes Paint, 1987 [3 paint cans with label]

HANNES VAN ES, Liberty, Vanes Paint, 1987
00 x 00 x 00 cm
paint, 3 cans, label
limited edition
extremely rare
published by XX, Spain
inv. HvE 000-pr

In the 1980s, Hannes van Es began creating abstract paintings. The paint was applied to the canvas with a smoothing squeegee. This had to be so pasty that the grooves remained in the paint. For this, he had found a manufacturer in Spain who produced a tough paint specifically for him. Van Es designed a wrapper for the paint cans and they were marketed under the name ‘Vanes Paint’.

HANNES VAN ES, “Clear view on several black stains”, 1987
Galerie van Gelder, exhibition view with blobs of “Vanes Paint’ on rolled out paper strips.