Schema Informazione 2, 1974
30 x 21,5 cm
number 2, 68 pp.
published by Galleria Schema, Firenze, Italy
condition: very good, although cover carefully used
€ 180,- plus € 20,- Track & Trace registered mail
Schema Informazione is a catalogue published in magazine format on behalf of a group exhibition “Retuned to Sender” at Galleria Schema in Firenze, Italy. The exhibition was announced as ” Texts, musics, diagrams, scores, books, slides, notes, photographs, revues, video tapes, multiples, projects, statements, films, ideas………”.
List of participating artists:
Art & Language
Bernhard & Hilla Becher
Werner F. Bonin
Pier Paolo Calzolari
Maria Teresa Corvino
Feruccio De Filippi
Anne Darboven [sic]
Giuliano Della Casa
Gino de Dominicis
Nusa & Sreco Dragan
Herman de Vries
Paolo de Manincor
Michele de Lucchi
G. Fonio & P.L. Paolillo
Paul Armand Gette
Gilbert & George
Groupe 70: Martin Miguel / Max Charuolen / Serge Maccaferri
Allan V. Harrison
Joseph Iglesias del Marquet
Sasa Katamanova & J.H. Kocman
Hans W. Kalkmann
Ugo La Pietra
Jean le Gac
Maier AichenElio Marchegiani
Jean Claude Marquette
Stelio Maria Martini
Monique Nahas & Hervé Huitric
Tomas Nillg [sic]
Sue & Clive Robertson
Jacqueline Urban Nicaud
Edgardo Antonio Vigo
Dorothee Von Windheim
RAÚL MARROQUIN, Fandangos – extra, 1980
21 x 14,3 cm
stencil print, stapled, 12 pp. incl. cover
published by Fandangos magazine, Maastricht, Netherlands
This extra issue of Fandangos is ‘on the World’s First T.V. Convention’.
‘Why a World’s T.V. Convention? This has been the most asked question of the week in business and diplomatic circles, especially after the convention’s unexpected developments during the past two days.
Neither ex-president Nixon, nor any of the Mad Enterprises Inc., Videoheads or Fanfangos officials expected these results from what was originally conceived as a profit making projectas well as attracting tourists to Amsterdam and giving Mr. Nixon front page exposure.’ p.6
The first appearance of the rock and roll band ‘The Sets’ on the strike day at the convention, was their most successful gig in their two-and-a-half years of working together. The group is made up of four P.V.M. 200’s and is between punk and new wave. Their record released on the strike day reached the sales record of one million dollars in less than 24 hours. ‘The Sets’ presence was kept secret until the last moment, although they had been heard rehearsing on the third day of the convention during a coffee break. No explanation was offered. The group will be touring in Europe for the next 3 months and are expected to release their new L.P. in a few weeks.
While discussions, arguments, demonstrations, suicide and a kidnapping took place at the convention, a group that began smaal but eventually grew into one of the strongest groups of the event, was the one led by ‘thelight from India’, as 3820 was called by his disciples from the very first day. p.8
ALBERTO COLLA – Aprite il Fuoco [trans. open fire] / for Edition Gaffa, 2019
21 x 13,9 cm
magazine, stapled, 12 pp.
risograph print, felt pen ink, photo copy on very thin paper
published by Gaffa, Tenerife / Zurich
Gaffa Magazin, 2017-2019
risograph copies, stapled
Gaffa Nr. 6 – Dinosaurior, (March 2017)
Gaffa – Heimspiel, edition 800 (December 2018)
Ismail Abdallah, für Edition Gaffa, 11/50 (2019)
Gaffa – El Neoray nr 21/50 (2019)
published by Gaffa Magazin, Tenerife/Zurich
Gaffa Magazin, #20, 2018 – August
29,7 x 21,3 cm
photo copies, stapled, 44 pp.
published by Freddie Gaffa, Tenerife
SOPHIE NYS, Wanted Librarian, 2017
21 x 14.7 cm
offset, inlay in Posture Editions: Not to be fed, but to be famous – Sophie Nys, nr. 26, p. 64-65
In 2016 Posture Editions invited 75 students of the HKU in Ghent to make a drawing that presents an imagination of a book of their own choosing. A full-scale drawing of each of the participating students is included and is mirrored opposite the original cover of the book chosen with the name of the speaker who originally introduced that book during a project called “Curating the Library” in Art Centre De Singel, Antwerp in Belgium.
This inlay and artist’s edition comes with a copy of Posture Editions number 26, 2017.
Posture Editions Nr 26:
Rubber, 1979, Brazilian issue
Vol. 2, no.2
23,4 x 16,2 cm
bulletin, 16 pp. incl. cover, unbound as issued
introductory text by Ulises Carrión
very good condition
published by Stempelplaats, Amsterdam
Rubber, 1978, ‘Ulises Carrión’
Vol. 1, no. 6
23,4 x 16,2 cm
bulletin, 8 pp. incl. cover, 10 original ink stamps by Ulises Carrion
published by Stempelplaats, Amsterdam
€ 345,- plus € 18,- registered mail Track & Trace
This issue of Rubber bulletin is entirely made on and by Ulises Carrión. It is one of the most important publications that reveal specifically his theories and practical thoughts about ink stamping in the visual arts. With short statements he comes to innovative points of view:
‘Every print of a rubber-stamp implies a choice by the artist. He creates not only when he designs his rubber-stamp, but also everytime he makes a print.’
‘In contrast with other means of reproduction – photography, for instance – rubber-stamps are associated with power.
Artists’ rubber-stamps reminds us of those other rubber-stamps that actually control and direct our lives.’ (p.7)
On the inner side of the cover a date stamp ’39 JAN 1988’ is depicted. This ink stamp refers to his concept of “Artists Work for the Future”. Through his choices of appropriation like homages, references, quotations, parodies and allusions he touches the notion of the worn out past and overestimated trends. Ink stamping is one of the media that can generate an interesting impetus to overcome clichés and open up unexplored territories today and in the future. In this sense ‘Artists work for the future’.
Ulises Carrión (1941-1989) was an artist, editor, curator, gallerist, archivist and theorist of the post-1970s avant-garde.
Rubber, 1979, ‘Diter Rot’, Vol. 2, no. 5
23,4 x 16,2 cm
12 pp. + cover, loose folded sheets, 5 original ink stamps by Dieter Roth
condition: splendid, apart from bump at lower part of magazine
This bulletin is completely dedicated to Dieter Roth. The magazine with ink stamps was designed in cooperation with Dieter Roth.
Below: inner couver and first seven pages with original stamps
Photo: K. van Gelder
JAN HENDERIKSE / ALEXANDRA PHILLIPS, Pure Propaganda Magazine, 2015
each ca 11 x 14 cm, unfolded 27.7 x 21.5 cm, 2 parts
pop-up card mounted on cardboard, blind and ink stamped envelope with gold seal, colour illustration, text
signed, numbered, here number 3/10
published by Antoon Melissen, Amsterdam
Photos: K. van Gelder