Rubber Vol. 2, nr 9, 1979 [issue on Ken Friedman]
23,4 x 16 cm
SC, 16 pp.
Fluxus X West stamp, ink stamps, frottage of Flavio Pons’ lips
published by Rubberbooks/Stempelplaats, Amsterdam
splendid condition, cover very slightly aged
Vereniging van Videokunstenaars, 1981 and 1983
total of 24 pp. including covers
4 VvE bulletins, of which one is hand coloured
published by VvV, Amsterdam
€ 120,- plus € 12,- Track & Trace registered mail
In these four bulletins video presentations of the following VvV members are announced:
– Yvonne Oerlemans, Peter Baren (May 1981)
– Nan Hoover, Hooykaas/Stansfield, Christiaan Bastiaans, Lous America, Paul Müller, Lydia Schouten, Raúl Marroquin, Daniel Brun, Ian Nichols, Christine Chiffrun (February 1983)
– Ásta Olafsdóttir, Diek Kubbe, Christiaan Bastiaans, Arno Arts (April 1983)
– Paula Vanes, Albert van Westing, Hooykaas/Stansfield, Christine Chiffrun, Roos Theuws, Paul Müller, Henk Wijnen (June 1983)
ULISES CARRIÓN, Vereniging van Videokunstenaars bulletin, maart – april 1983
21,1 x 15 cm
16 pp., incl. couver
published by VvV, Amsterdam
excellent condition, although very slightly aged paper
€ 280,- plus € 8,- Track & Trace registered mail
On page 10 of the VvV bulletin March – April 1983 the première of Ulises Carrión’s video work The Death of the Art Dealer is announced.
Schema Informazione 2, 1974
30 x 21,5 cm
number 2, 68 pp.
published by Galleria Schema, Firenze, Italy
condition: very good, although cover carefully used
€ 220,- plus € 20,- Track & Trace registered mail
Schema Informazione is a catalogue published in magazine format on behalf of a group exhibition “Retuned to Sender” at Galleria Schema in Firenze, Italy. The exhibition was announced as ” Texts, musics, diagrams, scores, books, slides, notes, photographs, revues, video tapes, multiples, projects, statements, films, ideas………”.
List of participating artists:
Art & Language
Bernhard & Hilla Becher
Werner F. Bonin
Pier Paolo Calzolari
Maria Teresa Corvino
Feruccio De Filippi
Anne Darboven [sic]
Giuliano Della Casa
Gino de Dominicis
Nusa & Sreco Dragan
Herman de Vries
Paolo de Manincor
Michele de Lucchi
G. Fonio & P.L. Paolillo
Paul Armand Gette
Gilbert & George
Groupe 70: Martin Miguel / Max Charuolen / Serge Maccaferri
Allan V. Harrison
Joseph Iglesias del Marquet
Sasa Katamanova & J.H. Kocman
Hans W. Kalkmann
Ugo La Pietra
Jean le Gac
Maier AichenElio Marchegiani
Jean Claude Marquette
Stelio Maria Martini
Monique Nahas & Hervé Huitric
Tomas Nillg [sic]
Sue & Clive Robertson
Jacqueline Urban Nicaud
Edgardo Antonio Vigo
Dorothee Von Windheim
RAÚL MARROQUIN, Fandangos – extra, 1980
21 x 14,3 cm
stencil print, stapled, 12 pp. incl. cover
published by Fandangos magazine, Maastricht, Netherlands
This extra issue of Fandangos is on the ‘World’s First T.V. Convention’.
A copy is in the collection of Stedelijk Museum, Amsterdam.
‘Why a World’s T.V. Convention? This has been the most asked question of the week in business and diplomatic circles, especially after the convention’s unexpected developments during the past two days.
Neither ex-president Nixon, nor any of the Mad Enterprises Inc., Videoheads or Fanfangos officials expected these results from what was originally conceived as a profit making projectas well as attracting tourists to Amsterdam and giving Mr. Nixon front page exposure.’ p.6
The first appearance of the rock and roll band ‘The Sets’ on the strike day at the convention, was their most successful gig in their two-and-a-half years of working together. The group is made up of four P.V.M. 200’s and is between punk and new wave. Their record released on the strike day reached the sales record of one million dollars in less than 24 hours. ‘The Sets’ presence was kept secret until the last moment, although they had been heard rehearsing on the third day of the convention during a coffee break. No explanation was offered. The group will be touring in Europe for the next 3 months and are expected to release their new L.P. in a few weeks.
While discussions, arguments, demonstrations, suicide and a kidnapping took place at the convention, a group that began smaal but eventually grew into one of the strongest groups of the event, was the one led by ‘thelight from India’, as 3820 was called by his disciples from the very first day. p.8
ALBERTO COLLA – Aprite il Fuoco [trans. open fire] / for Edition Gaffa, 2019
21 x 13,9 cm
magazine, stapled, 12 pp.
risograph print, felt pen ink, photo copy on very thin paper
published by Gaffa, Tenerife / Zurich
Gaffa Magazin, 2017-2019
risograph copies, stapled
Gaffa Nr. 6 – Dinosaurior, (March 2017)
Gaffa – Heimspiel, edition 800 (December 2018)
Ismail Abdallah, für Edition Gaffa, 11/50 (2019)
Gaffa – El Neoray nr 21/50 (2019)
published by Gaffa Magazin, Tenerife/Zurich
Gaffa Magazin, #20, 2018 – August
29,7 x 21,3 cm
photo copies, stapled, 44 pp.
published by Freddie Gaffa, Tenerife
SOPHIE NYS, Wanted Librarian, 2017
21 x 14.7 cm
offset, inlay in Posture Editions: Not to be fed, but to be famous – Sophie Nys, nr. 26, p. 64-65
In 2016 Posture Editions invited 75 students of the HKU in Ghent to make a drawing that presents an imagination of a book of their own choosing. A full-scale drawing of each of the participating students is included and is mirrored opposite the original cover of the book chosen with the name of the speaker who originally introduced that book during a project called “Curating the Library” in Art Centre De Singel, Antwerp in Belgium.
This inlay and artist’s edition comes with a copy of Posture Editions number 26, 2017.
Posture Editions Nr 26: