JEAN-MICHEL BASQUIAT, Samo, 1981 [invitation card]

JEAN-MICHEL BASQUIAT, Samo, 1981
10,9 x 16,1 cm
invitation card
mint
extremely rare in this pristine condition
published by Galleria d’Arte Emilio Mazzali, Modena, Italy
inv.JMBa 000
p.o.r.

This card announces Jean-Michael Basquiat’s first exhibition at Galleria d’Arte in Modena. A few months earlier, Italian gallerist Emilio Mazzoli had noticed Basquiat’s work in a collective exhibition “New York / New Wave” curated by Diego Cortez at the P.S.1 Contemporary Art Center. Mazzoli managed to find a studio and made materials available to Basquiat to paint, so that he could create new works. Later on at the beginning of the summer of 1982, Basquiat returned to Modena at the invitation of Mazzoli to mount his first European exhibition under his real name.

In the seventies, a graffiti tag coined by Basquiat and his collaborator Al Diaz, SAMO — pronounced ‘same-oh’ — started off as a private joke and went on to become an important symbol in Basquiat’s later work, seen in the streets of New York in the seventies. It stands for ‘Same Old Shit’.

HREINN FRIDFINNSSON, a.o. Galerie Balderich poster, 1971

HREINN FRIDFINNSSON, a.o.
Galerie Balderich poster, 1971
49 x 35 cm
offset, edition unknown
rare
very good condition
published by Galerie Balderich, München-Gladbach, Germany
€ 225,- plus € 18,- Track & Trace registered EU mail
inv.HF 000-pr

Hreinn Fridfinnsson showed works in Galerie Balderich together with close friends/colleagues Sigurdur Gudmundsson, Kristjan Gudmundsson, Douwe Jan Bakker, Pieter Holstein and Thordur Ben Sveinsson. This poster is proof of the first group exhibition he had, after he had a solo show in Galerie Fignal in Haarlem, a gallery he founded himself in his home. Later on he moved to Amsterdam, including his home gallery meant for his closest friends to show some art works mainly in a corridor of his living room. KvG

 

Added information:


Exhibition in Gallery Fignal of SIGURDUR GUDMUNDSSON, Poems, 1971.

SIGURDUR GUDMUNDSSON, ‘Ofrím – ljód eftir Sigurd Gudmundsson’, 1972 [artist’s book]

SG1972ofrim650

SIGURDUR GUDMUNDSSON, ‘Ofrím – ljód eftir Sigurd Gudmundsson’, 1972 
16 x 14,9 cm
offset, book block, stapled, 10 pp.
edition 300
numbered (here not numbered)
condition: aged, without cover
published by Silver Press, Reykjavik / Amsterdam
inv.SG 000-pr

In the nineties Sigurdur Gudmundsson gave this book to me. It was his last copy that missed its cover. It is the first edition of Ofrím’ (English translation: ‘Over-rhyme’) with subtitle ‘Ljód eftir Sigurd Gudmundsson’. This was skipped in the second edition.

SYLVIE FLEURY, portrait of a gallerist [wearing bow tie by John M Armleder], 1991

SYLVIE FLEURY, portrait of a gallerist (wearing bow tie by John M Armleder), 1991
2 unique black and white analogue photo prints
each 15,6 x 10,5 cm / 10,5 x 15,6 cm
signed note, envelope, date-stamped 6-11-1991, 4 parts
inv.SF 377-pr

These photos were taken during the instalment of John Armleder’s second solo exhibition at Galerie van Gelder in 1991, for which he made a.o. three large Pour paintings. He dipped two bow ties into a puddle of paint that was leaking from the paintings leaning against the wall. Sylvie immortalised that action by taking a picture of the gallerist wearing one of the ties.
Vaguely, I remember that Sylvie Fleury wanted to capture my more than average height by photographing from a frog’s point of view. i am not sure, I should ask her about this, I guess. KvG

Note
The letterhead on the notepad sheet reads: “Those SHOES! I must have Those SHOES!” – Confessions of a Crazed Shopper.