MIEKO SHIOMI, Fluxus Balance, 1993
32,8 x 24 cm
blind stamped portfolio, envelope with 68 cards, envelope with string and weights, sticker, A4 card, colophon with list of participants on A4
signed, Roman numbered, here nr XXI/C
portfolio in splendid condition, content: mint
published by the artist
€ 265,- plus € 18,- Track & Trace registered EU mail
inv.MShi 25-pr
This multiple is part of a signed and numbered edition of 100.
CHRISTIAN BURNOSKI, Print Response, 2012
32 x 24 x 1,5 cm
folder contains the following items:
publication ‘print response’, 48 pp.
certificate and printed letter by the artist
edition 200, here numbered 80/200
signed, dated.
This special edition comes with a DVD, 2 strips of foam
limited edition 50, here Nr 23/50, also with certificate, signed and dated
Available at Motto Books, Berlin. Ref. http://www.mottodistribution.com/shop/print-response-special-edition.html
inv.CBur 10-pr
MARINA ABRAMOVIC / ULAY, Nightsea crossing, 1984
invitation card
10,5 x 15,5 cm
mint
published by Museum Fodor, Amsterdam
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.MAbr 813-814-pr
This invitation card was issued on behalf of the exhibition “Gemeenteaankopen 1981/82” at Museum Fodor in Amsterdam. The Municipality of Amsterdam bought the performance Nightsea crossing as a ‘dream’, meaning that the documentation of this piece was part of the purchase. Today this material is part of the collection of the Stedelijk Museum, Amsterdam.
Added:
4 newspaper snippets
3 photo copies newspaper snippets
1 report 13-04-1982 (private archive KvG) on ‘Films van Marina Abramovic/Ulay’
1 form (private archive KvG)
1 letter to committee members of a BKR-projectteam
MARINA ABRAMOVIC & ULAY, Nightsea crossing, 1983
15.5 x 10.6 cm,
booklet, SC, 8 pp., stapled
comes with 2 entrance tickets
rare
mint
produced by Museum Fodor, Amsterdam
€ 250,- plus € 15,- Track & Trace registered EU mail
inv.MAbr 812-pr
ULAY/MARINA ABRAMOVIC, You see what you feel / I see, 1984
10,5 x 15,1 cm
invitation card, stamp dated
mint
extremely rare
published by Time Based Arts, Amsterdam
€ 300,- plus € 15,- Track & Trace registered EU mail
inv.MAbr 803-pr
MARINA ABRAMOVIC & ULAY, China Ring, 1987
16,6 x 11,1 cm
exhibition card
mint
extremely rare
published by Michael Klein, Inc., Amsterdam
€ 300,- plus € 15,- Track & Trace registered EU mail
inv.MAbr 807-08-pr
This exhibition is neither listed on the Ulay Foundation’s biography website, nor mentioned in the CV’s of Marina Abramovic. For a very short period Michael Klein Inc. represented Abramovic / Ulay in 1987 in which year the artist’s couple had a one time exhibition at Michel Klein Gallery in New York.
ROBIN CROZIER, International Hole, 1973
10,5 x 7,5 cm
SC, 8 pp. incl. couver, white elastic
Art This Out, edition Nr. 4
published by IAC/International Artist’s Cooperation, fine copy
€ 30,- + € 12,- Track & Trace registered EU mail
inv.RCro 338-pr
KRISTJAN GUDMUNDSSON, Bien i Koldum Ofni, 1986
29,9 x 10,6 cm
SC, stapled, 12 pp. incl. couver
splendid, slightly aged
rare
published by Dieter Roth Verlag, Reykjavik, Iceland
€ 285,- + € 12,- Track & Trace registered EU mail
inv.KG 789-pr
“Bien i Koldum Ofni” (trans. ‘Bone in a Cold Oven’) is a series of oblong shaped catalogues published by Roth Verlag. Catalogues of various (Icelandic) artists have been issued with works by Jón Gunnar Arnason, Rúri, Björn Roth and others.
History of price:
Derringer Books, Avon, USA July 2024 US$ 394.-
JACQUELINE DE JONG, invitation – announcement, 1992
29,7 x 21 cm
brochure, offset, 4 pp.
very rare
published by Bellamy 19, Vlissingen, Netherlands
€ 180,- + Track & Trace registered EU mail
inv.JdJ 000
JEAN-MICHEL BASQUIAT, Samo, 1981
10,9 x 16,1 cm
invitation card
mint
extremely rare in this pristine condition
published by Galleria d’Arte Emilio Mazzali, Modena, Italy
inv.JMBa 000
p.o.r.
This card announces Jean-Michael Basquiat’s first exhibition at Galleria d’Arte in Modena. A few months earlier, Italian gallerist Emilio Mazzoli had noticed Basquiat’s work in a collective exhibition “New York / New Wave” curated by Diego Cortez at P.S.1 Contemporary Art Center. Mazzoli managed to find a studio and made materials available to Basquiat to paint, so that he could create new works. Later on at the beginning of the summer of 1982, Basquiat returned to Modena at the invitation of Mazzoli to mount his first European exhibition under his real name.
In the seventies, a graffiti tag coined by Basquiat and his collaborator Al Diaz, SAMO — pronounced ‘same-oh’ — started off as a private joke and went on to become an important symbol in Basquiat’s later work, seen in the streets of New York in the seventies. It stands for ‘Same Old Shit’.
