SYLVIE FLEURY, Flexible 3 Close to the Body, 2000
14,8 x 21 x 2 cm
exhibition card, fake fur
condition: splendid, not discoulored
published by Nederlands Textielmuseum, Tilburg, Netherlands
inv.SF 000-pr
Additional information
Although the Nederlands Textielmuseum decided not to list the participating artists on their exhibition card, it did mention the names in a accompanying 2-parts catalogue in fabric folder:
SYLVIE FLEURY, The Art of Survival, 1993
21 x 14,8 cm
exhibition card, offset
mint
published by Neue Galerie am Landesmuseum Joanneum, Graz, Austria
€ 140,- plus € 8,- Track & Trace registered EU mail
inv.SF 1007-pr
GENERAL IDEA, fax Aug. 10.93, 1993
29,7 x 21 cm
photo copy of thermo fax,
signed in print by Felix Partz / General Idea
condition: slightly folded at right top corner
inv.GIdea 000-pr
PIETER ENGELS, announcement, 1966
42.2 x 19 cm
shaped and incised card, letterpress
condition: slightly aged
published by Galerie 20d, Amsterdam
€ 80,- plus € 8,- Track & Trace registered EU mail
inv.PEn 000-pr
In 1964, Engels founded the company EPO: Engels Products Organization for which he made EPO products that he also called EPO-art. Simon Es was a pseudonym and his (fictional) sales promoter.
History of price:
FTN Books, Oegstgeest, Netherlands January 2026 € 90,-
DAVID HORVITZ, Studio Rent Edition – November, 2017
print on tracing paper, 5 parts, incl. envelope
signed, dated, numbered
edition 10, here 5/10
inv.DHor 000-pr
Each month David Horvitz makes 10 editioned pieces, each of which costs 1/10th of his studio rent. Subscriber receive the edition through mail.
‘In 2010, I was living in Brooklyn. I had just received my MFA from Bard College and I was trying to figure out a studio situation. I don’t necessarily need a studio to make my work, but I’ve always felt it is important to have a designated place outside my home to go to. A silent place where I could sit and think. A place to drink green tea and daydream, to develop thoughts and leave those thoughts there for the next day.
Since I didn’t have a full time job, I couldn’t see myself paying rent for a New York studio over a long period of time. And so I came up with an idea. I would make an edition-of-ten artwork each month. Maybe it was a photograph turned into a postcard, or some photocopies, or a text-work, or a LaserJet print, a watercolor of a flower I stole while walking down the street, or an envelope of sand from a California beach.’ David Horvitz, April 2016
ERRO, Mao, 2017
30,5 x 24,5 cm
SC, 168 pp., 1.2 kgs, plastic couver
language bilingual
mint
published by Cercle d”Art, Paris, France
€ 35,- plus € 18,- Track & Trace registered EU mail
inv.Err 000-pr
OTTO EGBERTS, tentoonstelling- en uitnodigingskaarten, 1986 – 2006
32 x 26 x 4,5 cm
ring binder with 50 exhibition invites in plastic sleeves
condition: splendid
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.OE 000-pr
DAVID HORVITZ, Public Access, 2011
23,1 x 19,3 cm
artist’s book, SC
mint
published by Publication Studio
€ 60,- plus € 12,- Track & Trace registered EU mail
inv.DHor 000-pr
This edition was printed in 2011. A later edition from 2012 was published with a different book couver.
‘Publication Studio (founded in 2009 in Portland, Oregon) prints and binds books one at a time on-demand, creating original work with artists and writers we admire. We use any means possible to help writers and artists reach a public: physical books, an online library, eBooks and unique social events with our writers and artists in many cities.’ From website Publication Studio.
Ref. https://publicationstudio.biz/about/
GUY SCHRAENEN, A show from the Small Press Archive, 1977
29,7 x 21 cm
stencil, biro ink
invite, twice folded as mailed
condition: excellent
published by Other Books and So, Amsterdam
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.UCar 000-pr
History of price:
Jonathan Hill Bookseller, New York, USA March 2026 US$ 150.-
Jonathan Hill Bookseller, New York, USA June 2023 US$ 300.-
CHRISTINE ALBERTS, Zonder titel, 2001
27,5 x 21 cm
Vogue magazine No.609, die-cut, certificate
signed, dated, numbered
edition 3
privécollectie K. van Gelder
inv.CAlb 967-pr
Added information
Jaap Kroneman’s solo exhibition ‘Chainless Liaison’ in 2001 (in GvG/AP) was on his instigation extended with a table showing various necklaces of graphic and necklace designer Christine Alberts:
