ELIZABETH PEYTON, Tony sleeping, 2000
16 x 12,2 cm
offset, SC, 28 pp.
published by Westfählisher Kunstveren, Münster, Germany
cover condition: used
€ 60,- + € 15,- Track & Trace registered EU mail
inv.EPey 356-pr
History of price:
Amazon, USA US$ 662.23 June 2022
DAVID MAYOR, Fourteen pages, n.d. [1973]
10,3 x 7,3 cm
stencil print, SC, 16 pp., stapled
signed in print
edition: very small
published by International Artist’s Cooperation, Oldenburg, Germany
condition: finely aged, although tiny smudges on front of couver
inv.DMay 000-pr
KRISTJAN GUDMUNDSSON, Punktar / Periods, 1972
offset, SC
signed, numbered
edition 300
published by Silver Press, Reykjavik – Amsterdam
condition: page 1 retouched with black ink by the artist, light smudges on couver at lower left
rare
€ 345,- plus € 15,- Track & Trace EU registered mail
inv.KG 178-pr
STANLEY BROUWN, 1000 mm 879 mm, 1978
15 x 14,9 cm
offset, SC, 20 pp., stapled
edition 1000
published by Art & Project, Amsterdam
condition: excellent, although spine of couver toned due to aging
€ 175,- plus € 12,- Track & Trace EU registered mail
inv.SBrou 177-pr
This book is about one step, one meter. It states on a single page: 1000 mm. On the next page it says: 879 mm. In the following pages this is shown again, although the next page says 877 mm.
LILY VAN DER STOKKER, How I Went to New York 1983 – 1992
22,2 x 17,2 cm
HC, 184 pp.
published by Les Presses du Réel, Dijon, France
The story in this biographical book start as follows:
‘The story I am going to tell is a story that Jack had said several times we should make a film of. In those days I was never interested in writing down everything, but here it is.
With a girlfriend I decided to travel to New York. It was meant to not be a short holiday. We thought it was the coolest place to go to. If we could survive in New York, that would be the ultimate challenge.
I told more than Jack intended me to tell, but I did it the way he said it: “Write it down, the Six Street Gallery story and all the things that happened with you, because it sounds like a movie.’
BEN VAUTIER, Stencils de Ben 1963-1969, 1969
31 x 21,5 cm
stencils on paper, 58 loose sheets in folder with printed title
edition of 180
artist’s publication
The text in French reads:
‘This collection contains old stencils dating from 1963 to 1969. I removed these stencils because lately people often asked me for old issues of TOUT from 1 to 6 which are sold out.
This collection is far from complete; most of the stencils of magazine ‘BEN DIEU’ those of the chapter poetry and ‘Moi Ben je Signe’, have not been preserved’
BEN VAUTIER, Je doute, donc je suis, n.d. [ca 2017]
29,7 x 23 x 3 cm
notebook, spiral binding
with pencil drawing: ‘Don’t fill it up’
signed
published by Quo Vadis, France
This note book comes with a pencil drawing.
FELIX GONZALEZ-TORRES, Untitled, 1991
25,4 x 21,5 cm
SC, 48 pp. + 4 pp.
artist’s book, text by Steven Evens
published by Galleria Massimo De Carlo, Milano, Italy
mint condition
very rare, Margin scheme
The pages of this book are printed with a light blue rectangle against a blue paper background. The work is based on one of the artist’s stack works, recreated on pages. Apart from the two middle pages of the book having an essay by Steven Evans on white paper this work is a crystal clear conceptual allusion of Felix Gonzalez-Torres’s stack in print sculptures.
RICHARD LONG, A Straight Hundred Mile Walk in Australia, 1977
21 x 29,9 cm
SC, 8 pp., stapled
published by John Kaldor Project 6, Australia
splendid condition, although tiny brown spot on title page
rare
ANITA DI BIANCO, The Error is Regretted, 2021
32,2 x 24,3 cm
print on newspaper
HC, 96 pp., text by Francesco Gagliardi, 8 pp.
here signed, dated
published by The Green Box Kunst Editionen, Berlin, Germany
Collection K. van Gelder, Amsterdam