The Situationist Times, nr. 6, 1967
27,4 x 21,5 cm
edition 2000 + 500 HC
litho prints from 33 artists
inlay as colophon pristine
published by Jacqueline de Jong, Paris, France
€ 395,- plus € 12,- Track & Trace registered EU mail
inv.TST 000-pr
The Situationist Times, no 6 is a compilation of 32 original lithographies printed in four colours. Participating Jan Voss, Jack Vanarsky, Topor, René Bertholo, Guido Blasi, Samuel Buri, Lourdes Castro, Maurice Henry, Martin Engelman, José Gamarra, Klaus Geissler, Theo Gerber, Reinhoud d’Haese, Hannelore, Peter Klasen, Jacqueline de Jong, Mariano Hernandez, Wifredo Lam, Yasse Tabuchi, Paul de Lussanet, Milvia Maglione, Christina Martinez, Roberto Matta, Lucio del Pezzo, Hannes Postma, Lea Lublin, Alejandro Marcos, Antonio Segui, Antonio Saura, Pierre Alechinsky, Asger Jorn, Arne Haugen-Soerensen and couver on the back is the 33rd lithograph at the back is of Ulf Trotzig.
History of prices:
Concept Books, Veldhoven, Netherlands June 2026 US$ 478.-
Antiquariat CoBrA, Oberrohrbach, Germany June 2026 US$ 735.-
p015, Rotterdam, Netherlands June 2026 US$ 358.- (poor)
The Situationist Times, nr. 4 (1963), nr. 5 (1964) and nr. 6 (1967)
many signatures in print, dated
edition successively 2000, 1600 and 2000 + 500 HC
condition: excellent, aged, nr. 6 (incl. inlay as colophon) is pristine
including numurous lithographs by Corneille, Karel Appel, Constant Jan Nieuwenhuys, a.o.
inv.Refl 000-pr
On 16 July 1948 the Experimentele Groep was founded by Karel Appel, Corneille, Theo Wolvecamp, Constant, Jan Nieuwehuys, Anton Rooskens and Eugene Brands. Later on this group became known as the Dutch hard core of the international Cobra movement. The artists closely co-operated with experimental groups a.o. from Paris, Copenhagen, Brussels.
Asger Jorn introduced Jacqueline de Jong to Gruppe Spur, the German branch of the radical left-wing movement Situationist International. After Guy Debord expelled her from the movement in 1962, she founded her own magazine: The Situationist Times. The publication followed the critical principles that formed the basis of the Situationist International.
In The Situationist Times nr 1 Constant wrote a manifest explaining the goals of the Experimentele Groep in The Netherlands.
BEN PATTERSON, Sneak Preview – Special edition, one of five “surprises”, 2014
5,3 x 31,6 x 22,3 cm
3 photo prints, 2 DVD’s, catalogue, list of content, confetti streamers and various items, cardboard box
signed, dated
with dedication special edition 5 rare
published by Down With Art! Verlag, Berlin, Germany
(in stead of € 500) € 250,- plus € 15,- Track & Trace registered EU mail
inv.BPa 000-pr
Publisher (ed. Petra Stegmann) Down With Art! Verlag asked to financially support the production of a catalogue to be named ‘Sneak Preview’. For this, a cardboard box with surprises was sent to a very limited amount of supporters. This is one of the five boxes made for the occasion.
MIKE KELLEY, Destroy All Monsters Magazine, 2011
together with CARY LOREN, NIAGARA and JIM SHAW
27 x 21 cm
artist’s book, SC, 270 pp.
signed
special edition 100, here numbered 2/100 includes a unique monotype-spray painted page, signed by 4 artists
black and white photograph (signed photo edition number 46/75) by Cary Loren, sealed bag with sand, original mylar envelope mint
published by Destroy All Monsters magazine, Detroit, USA
€ 980,- plus € 24, – Track & Trace registered EU mail
inv.MKel 000-pr
‘Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges and Michael Davis of the MC5). Later emerging as extremely distinctive individual artists, collectively the group forged new terrain in art, music, performance, theater and video. Destroy All Monsters released very little recorded music until Thurston Moore issued a three-CD compilation in 1994, but they published six issues of a now legendary and much sought-after zine, also titled Destroy All Monsters. This publication collects those six zines, released between 1976 and 1979, and also includes parts of a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by Kelley, Loren, Niagara and Shaw, and together provide insight into the collective’s kaleidoscopic vision of the dystopian values of their time.
“The new reprint volume lacks any introductory or explanatory text; true to Destroy All Monsters’ anarchic spirit, it plunges the reader straight into a frenzied dystopic world. Détourned comic strips, images pulled from pulp magazines, film stills, and tabloid news clippings clash with saccharine greeting cards, family Polaroids, and children’s coloring-book pages, while Op-art backgrounds, scrawled doodles, stickers, and rubber stamps compound the visual pandemonium. All of this is faithfully reproduced in the new facsimile, which is hand-bound and printed on paper of different weights, colors, and finishes—from coated stock to copy paper in elementary-school pastels. Each copy also includes a unique original spray painting by Loren, giving this lavish reproduction an authentically DIY accent.” Gwen Allen, Bookforum review
Ref. https://www.thebookbeat.com/bookshop/catalog/destroy-all-monsters-magazine/
In 1974, while attending the University of Michigan, he co-founded the proto-punk, experimental noise band Destroy All Monsters (DAM). The member of the band were: Mike Kelley on drums and vocals, Jim Shaw on vocals and squeeze toys, Niagara (Lynn Rovner) on vocals, and Cary Loren on guitar and vocals. Having met each other at the university, DAM convened in the basement of Kelley’s student accommodation, also known as ‘God’s Oasis Drive-In Church’, which soon became a communal space for the band to collaborate. Image below shows dirt in a tiny bag from ‘God’s Oasis Drive-In Church’, being part to this edition.
DAVID HORVITZ, Public Access, 2011
23,1 x 19,3 cm
artist’s book, SC
mint
published by Publication Studio
€ 60,- plus € 12,- Track & Trace registered EU mail
inv.DHor 000-pr
This edition was printed in 2011. A later edition from 2012 was published with a different book couver.
‘Publication Studio (founded in 2009 in Portland, Oregon) prints and binds books one at a time on-demand, creating original work with artists and writers we admire. We use any means possible to help writers and artists reach a public: physical books, an online library, eBooks and unique social events with our writers and artists in many cities.’ From website Publication Studio.
CHRISTINE ALBERTS, Zonder titel, 2001
27,5 x 21 cm
Vogue magazine No.609, die-cut, certificate
signed, dated, numbered
edition 3
privécollectie K. van Gelder
inv.CAlb 967-pr
Added information
Jaap Kroneman’s solo exhibition ‘Chainless Liaison’ in 2001 (in GvG/AP) was on his instigation extended with a table showing various necklaces of graphic and necklace designer Christine Alberts:
S.p.A. 12.5.1972-15.5.1975, 1975
29,5 x 20 x 2,2 cm
letterpress, SC, 6 fold-outs, 202 pp.
published by S.p.A., c/o C.Prudente, Rome, Italy
uncommon in this condition: hardly visible wrinkling on couver, brown stain on pages edge
€ 445,- plus € 12,- Track & Trace registered EU mail
inv.CPru 000-pr
Participating artist:
C.M. Benveduti
T. Catalano
P. Mangogna
F. Falasca
G. Croce
M. Diacono
J. Ruddy
F. Mauri
L. Triunfo
Robert Barry
Robert Filliou
V. Agnetti
C. Romeo
L. Pascucci
C. Prudente
V. Zini
R. Albanese
Frencesco Clemente
C. Costa
F. Loriot
C.Cintoli
L.Piffero
M.V. Carelli
D. Esposito
Jochen Gerz
D. Palamara
A. Fiorentino
J. Calabrò
T. Johnson
M. Schaffer
I. Scanga
Bruno Ceccobelli
L. Trina
Giuseppe Chiari
Wolf Vostell
B. Bocchini
Maurizio Nannucci
Mas. Nannucci
I. Soskic
S. Lombardo
Peter Hutchinson
Arcelli e Comini
A. Davis
T. Smith
Alighiero Boetti
A. Fajetti
W. Guidobaldi
G. Matti
C. Fayer
Nicola De Maria
A, Altamira
A. Guatti
Diodato
F. Valentini
F. Caldura
Th. Woodruff
L. Luppino
T. Binga
L. Marzot
D. Cortez
David Rabinowitch
M.sa Merz
A. Caronna
A. Spinelli
G. Attalai
Tony Shafrazy
Ben Vautier
De.Ca
Peter Downsborough
D.Verni
Christo
Lawrence Weiner
S. Hoppferwisier
M. Stuprò
G. [sic]
A. Faggiano
Ufficio Immaginazione Preventiva
Page by Robert Barry:
History of prices:
Libreria Alberto Govi di F.Govi Sas, Modena, Italy March 2026 € 400,-
Dividing Line Books, Ridgewood, NY, USA March 2026 US$ 350.- (poor condition)
JILL MAGID, Particular Old Dutch Houses and some other Royal Things, 2003
6,9 x 10,4 cm
leporello, incl. tipped in tiny 2nd leporello
edition 50
mint, rare
published by Galerie van Gelder Editions, Amsterdam
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.JM 000
This leporello was published by Galerie van Gelder Editions om behalf of Jill Magid’s first solo exhibition in The Netherlands. ‘A colossus of porcelain towers four meters towards the ceiling: the Empire State Building of New York. The work, entitled House 83.5, exists out of hundreds of relief tiles which Jill Magid made at De Porseleyne Fles in Delft. Displayed on a shelf alongside the Delft Blue tower is the complete collection of KLM miniature houses, numbered 1 – 83. The miniatures are modelled after characteristic “Old Dutch Houses”, filled with the Bols Royal Jenever alcohol, and given away as “drinks” to First Class passengers—avoiding a law that disallows airline companies from giving gifts to its passengers.’
DAVID POWELL, Come Together, 1999
6,7 x 9,6 cm
artist’s booklet, photo print on firm paper, SC, sewn, 12 pp.
signed, numbered, dated
edition 5 mint
published by Galerie van Gelder Editions, Amsterdam
€ 60,- plus € 12,- Track & Trace registered EU mail
inv.DPo 955
The couver of this artist’s book is in pristine condition. In other words, the ‘wear and scuffung’ shown is part of the photo print.
JAAP KRONEMAN, untitled, 2013
21 x 15,5 cm
notebook, SC, 16 pp. + 4 pp. tracing paper, sticker
edition 50
signed, dated, numbered
published by the artist
€ 50,- plus € 12,- Track & Trace registered EU mail
inv. JK 000
In this edited notebook, parts of the checkered pattern have been removed and changed into various appearances. Each page shows a different pattern.
