REBECCA PURDUM, exhibition card, 1998
15,9 x 15,9 cm
cream coloured card
letterpress, verso slight scuffing due to postal handling
condition: used
published by Jack Tilton Gallery New York, USA
€ 45,- plus € 8,50 Track & Trace registered EU mail
inv.RPu 1010-pr
YOKO ONO, We’re All Water, 2005
4,5 x 17,2 x 10,4 cm
wrapper, 6 cards, English and Japanese language, lunch box
edition 400
mint, wrapper slightly dodged
published by Gallery 360 grades, Tokyo, Japan
€ 425,- plus € 18,- Track & Trace registered EU mail
inv.YOno 000-pr
“We’re all water from
different rivers,
that’s why it’s
so easy to meet.
We’re all water in this
vast, vast ocean.
Someday we’ll
evaporate together”
Yoko Ono / John Lennon, 1980
History of price:
DR Fine Arts, New Yok, USA May 2026 € 398,76
SYLVIE FLEURY, Flexible 3 Close to the Body, 2000
ca 26 x 18 x 2 cm
exhibition catalogues with print on fabric folder, 2 parts
mint
published by Nederlands Textielmuseum, Tilburg, Netherlands
€ 150,- plus € 18,- Track & Trace registered EU mail
inv.SF000-pr
MIKE KELLEY, Destroy All Monsters Magazine, 2011
together with CARY LOREN, NIAGARA and JIM SHAW
27 x 21 cm
artist’s book, SC, 270 pp.
signed
special edition 100, here numbered 2/100 includes a unique monotype-spray painted page, signed by 4 artists
black and white photograph (signed photo edition number 46/75) by Cary Loren, sealed bag with sand, original mylar envelope mint
published by Destroy All Monsters magazine, Detroit, USA
€ 980,- plus € 24, – Track & Trace registered EU mail
inv.MKel 000-pr
‘Formed in 1973, the Detroit band Destroy All Monsters was a wild and reckless synthesis of psychedelia, proto-punk, heavy metal, noise and performance art. The collective hailed from Ann Arbor, Michigan, and consisted of Cary Loren, Mike Kelley, Niagara and Jim Shaw (with later members including Ron Asheton of the Stooges and Michael Davis of the MC5). Later emerging as extremely distinctive individual artists, collectively the group forged new terrain in art, music, performance, theater and video. Destroy All Monsters released very little recorded music until Thurston Moore issued a three-CD compilation in 1994, but they published six issues of a now legendary and much sought-after zine, also titled Destroy All Monsters. This publication collects those six zines, released between 1976 and 1979, and also includes parts of a lost seventh issue that never saw publication. The Destroy All Monsters zines comprise a vibrant array of collage, writing, photography and other miscellanea by Kelley, Loren, Niagara and Shaw, and together provide insight into the collective’s kaleidoscopic vision of the dystopian values of their time.
“The new reprint volume lacks any introductory or explanatory text; true to Destroy All Monsters’ anarchic spirit, it plunges the reader straight into a frenzied dystopic world. Détourned comic strips, images pulled from pulp magazines, film stills, and tabloid news clippings clash with saccharine greeting cards, family Polaroids, and children’s coloring-book pages, while Op-art backgrounds, scrawled doodles, stickers, and rubber stamps compound the visual pandemonium. All of this is faithfully reproduced in the new facsimile, which is hand-bound and printed on paper of different weights, colors, and finishes—from coated stock to copy paper in elementary-school pastels. Each copy also includes a unique original spray painting by Loren, giving this lavish reproduction an authentically DIY accent.” Gwen Allen, Bookforum review
Ref. https://www.thebookbeat.com/bookshop/catalog/destroy-all-monsters-magazine/
In 1974, while attending the University of Michigan, he co-founded the proto-punk, experimental noise band Destroy All Monsters (DAM). The member of the band were: Mike Kelley on drums and vocals, Jim Shaw on vocals and squeeze toys, Niagara (Lynn Rovner) on vocals, and Cary Loren on guitar and vocals. Having met each other at the university, DAM convened in the basement of Kelley’s student accommodation, also known as ‘God’s Oasis Drive-In Church’, which soon became a communal space for the band to collaborate. Image below shows dirt in a tiny bag from ‘God’s Oasis Drive-In Church’, being part to this edition.
ZERO, catalogue, 1979
21 x 19,3 cm
SC, 156 pp. near mint
signed by artists Günther Uecker, Otto Piene, Heinz Mack
published by Kunsthaus Zürich, Switzerland
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.Uec 000-pr
History of prices:
Marion Fricke, Berlin, Germany March 2026 € 120,- (poor condition) signed by Uecker, Piene, Mack
Planet der Buecher, Hamburg, Germany March 2026 € 39,-
S.p.A. 12.5.1972-15.5.1975, 1975
29,5 x 20 x 2,2 cm
letterpress, SC, 6 fold-outs, 202 pp.
published by S.p.A., c/o C.Prudente, Rome, Italy
uncommon in this condition: hardly visible wrinkling on couver, brown stain on pages edge
€ 445,- plus € 12,- Track & Trace registered EU mail
inv.CPru 000-pr
Participating artist:
C.M. Benveduti
T. Catalano
P. Mangogna
F. Falasca
G. Croce
M. Diacono
J. Ruddy
F. Mauri
L. Triunfo
Robert Barry
Robert Filliou
V. Agnetti
C. Romeo
L. Pascucci
C. Prudente
V. Zini
R. Albanese
Frencesco Clemente
C. Costa
F. Loriot
C.Cintoli
L.Piffero
M.V. Carelli
D. Esposito
Jochen Gerz
D. Palamara
A. Fiorentino
J. Calabrò
T. Johnson
M. Schaffer
I. Scanga
Bruno Ceccobelli
L. Trina
Giuseppe Chiari
Wolf Vostell
B. Bocchini
Maurizio Nannucci
Mas. Nannucci
I. Soskic
S. Lombardo
Peter Hutchinson
Arcelli e Comini
A. Davis
T. Smith
Alighiero Boetti
A. Fajetti
W. Guidobaldi
G. Matti
C. Fayer
Nicola De Maria
A, Altamira
A. Guatti
Diodato
F. Valentini
F. Caldura
Th. Woodruff
L. Luppino
T. Binga
L. Marzot
D. Cortez
David Rabinowitch
M.sa Merz
A. Caronna
A. Spinelli
G. Attalai
Tony Shafrazy
Ben Vautier
De.Ca
Peter Downsborough
D.Verni
Christo
Lawrence Weiner
S. Hoppferwisier
M. Stuprò
G. [sic]
A. Faggiano
Ufficio Immaginazione Preventiva
Page by Robert Barry:
History of prices:
Libreria Alberto Govi di F.Govi Sas, Modena, Italy March 2026 € 400,-
Dividing Line Books, Ridgewood, NY, USA March 2026 US$ 350.- (poor condition)
JILL MAGID, Particular Old Dutch Houses and some other Royal Things, 2003
6,9 x 10,4 cm
leporello, incl. tipped in tiny 2nd leporello
edition 50
mint, rare
published by Galerie van Gelder Editions, Amsterdam
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.JM 000
This leporello was published by Galerie van Gelder Editions om behalf of Jill Magid’s first solo exhibition in The Netherlands. ‘A colossus of porcelain towers four meters towards the ceiling: the Empire State Building of New York. The work, entitled House 83.5, exists out of hundreds of relief tiles which Jill Magid made at De Porseleyne Fles in Delft. Displayed on a shelf alongside the Delft Blue tower is the complete collection of KLM miniature houses, numbered 1 – 83. The miniatures are modelled after characteristic “Old Dutch Houses”, filled with the Bols Royal Jenever alcohol, and given away as “drinks” to First Class passengers—avoiding a law that disallows airline companies from giving gifts to its passengers.’
FUTURA aka Leonard Hilton McGurr, 2023
Point d’Ironie
41,8 x 30,2 cm
8 pp., offset on thin paper, Number 67
text in English
published by Agnes B., Paris, France
mint condition, once folded as issued
inv.Pointd 954-pr
FUTURA 2000 (born Leonard Hilton McGurr; New York, NY, 1955) is a graffiti artist who began painting subways in New York in the late 1970s.
JIM JARMUSH, 2022, Point d’Ironie
42,8 x 29,9 cm,
offset on thin paper, Number 66, 8 pp.
published by Agnes B., Paris, France,
mint condition, center folded as issued
inv.Pointd 954-pr
“For my collages I use only newsprint for their sources, and most involve only the removal and/or replacement of heads or faces. I remember as a kid, I received a microscope for my birthday. The first thing I examined through its lenses was a tiny scrap of torn newspaper. I was astounded. Instead of a single, solid sheet-like material, it was in fact a tangled mass of threadlike fibers, a chaotic jungle of microscopic pulp. Ever since, the fragility and inherently temporary nature of this particular (and now nearly obsolete) material has attracted me.” J. Jarmush