Fluxus – In the spirit of Fluxus, 1993
31,5 x 44,5 x 9 cm
briefcase with catalogues, posters, pencil, buttons and other objects
1st edition 100
published by Walker Art Center, Minneapolis, USA
not available
– Exhibition catalogue “In the Spirit of Fluxus”
– J. Berner, “Cosmic inventory kit”
– G. Brecht, “Drip music”
– “Solo for violin”
– G. Chiari, “Art is easy”
– Orange brooch and blue card
– H. Flynt, “Demolish serius culture”, Green brooch and orange card
– “Art you can lick”, Yellow brooch and yellow card
– G. Hendricks,”Picnic garbage placemat”
– L. Miller, “Flux Box. Do-it-yourself. Excellent 92”
– B. Moore, “Flux Tellus” No. FXCM0076
– G. Maciunas,”Fluxus Chairman”, 1976
– Y. Ono, “Y. O. (1964-1965). Frame enlargement”
– M. Shiomi, “Water Music”
– B. Vautier, “T-shirt printed”
– R. Watts, “Stamp”
– “Fluxus concerned white insignificances”, rubber stamp, 7 x 32 x 4 cm
Fluxus – In the spirit of Fluxus, 1993-1995
31,5 x 44,5 x 9 cm
briefcase with catalogues, posters, pencil, buttons and other objects
2nd edition 50
GERHARD RICHTER, Tassen, Untertassen und Teller, 1992
various diameters between 26 – 14,5 cm
porcelain, 42 parts
6 large plates, 6 dinner plates, 6 soup cups with saucers, 6 coffee cups and 6 tea cups with saucers, 6 cake plates
verso: each part signed and dated burnt in the glazing
published by Edition Obelisco, Cologne, Germany
MARIJKE VAN WARMERDAM, zonder titel, 1992
40 x 30 x 12 cm, various sizes and shapes
hand blown glass, mirrored, metal base
unique series of 12
signed, numbered, dated on metal base
p.o.r.
Looking into a mirror is looking in a reversed perspective. Being in a space while looking ahead in a mirror. It is a characteristic technique of Marijke van Warmerdam of watching a space while staying in that very space.
‘U 40 drop cloth’, 1992
ca 30 x 30 cm
each piece is unique, edition of 106
dripping paint on cloth, pizza box, label on lid
signed, dated
€ 450,- plus € 18,- Track & Trace registered EU mail
produced by Galerie van Gelder Editions, Amsterdam
This is a series of unique ‘Drop cloths’ John Armleder has made on cotton. While preparing his solo exhibition in the Centraal Museum Utrecht in 1992 creating a large three panel ‘Pour Painting’ of 3 x 6 meters. After having finished the huge painting the poured over piece of cotton was one big left-over, which was eventually cut into 105 pieces, still wet and very smelly. The 106th piece appeared to be a real left-over as it is shaped in the form of a very long stretched out triangle. The artist folded this one zigzagging into the last pizza box. The code ‘U 40′ refers to the forty paintings he showed in the museum. On the pizza box is a large red sticker ‘U 40 Drop Cloth’ with artist’ name and date. All are signed on the inside of the box. Some of the works are signed on the cloth itself as well as on the box. The edition has not been numbered.
Note: in 1993 the Wiener Secession in Vienna produced a second drop cloth edition, smaller in size and on coloured fabric with a label on the inside of each pizza box.
JOHN M ARMLEDER, Ardor, 1992
height 6 cm, Ø 19,5 cm
electric heater, plug-in electricity cable, cardboard box, label
signed, numbered
edition 12
published by Massimo de Carlo, Milan, Italy
Foto: K. van Gelder, Amsterdam
sold
EVELYNE JANSSEN, Metaphor Magnet, 1992
11 x 6,3 cm (unfolded ca 32 x 6,3 cm)
offset, leporello, plastic, magnet, metal, cellophane bag
edition 100
published by The Archives, Rotterdam, Netherlands
For decades Dutch artist Evelyne Janssen collects toys that often become part of her works and installations combined with other objects. Commenting on this practise she says: “… a spectacle for young and old, and a huge autobiographical report on my days.”
LILY VAN DER STOKKER, Prints, 1992
36 x 46 cm
as issued portfolio with 5 screen prints
edition 25, each print recto signed, numbered
published by Peninsula, Eindhoven, Netherlands
€ 6.800,-
inv.LvdS 320
SIGURDUR GUDMUNDSSON, Untitled [horizon/zon], 1991
51 x 55 x 1 cm
edition 10
metal, steel stamped initials, year and number 9/10
published by the artist
p.o.r.
SIGURDUR GUDMUNDSSON, sketch for Untitled [horizon/sun], 1990
14 x 21 cm
ball point ink on back of invite
Originally Sigurdur Gudmundsson planned to have four horizontal lines and five vertical lines within the iron frame. He brought this idea back to two lines in both ways. In the left top corner a detail is drawn of the 1 x 1 cm bars.
