LILY VAN DER STOKKER, Good Old Abstract Art, 2025 [embroidered and woven patch]

LILY VAN DER STOKKER, Good Old Abstract Art, 2025
8,3 x 5,4 cm
iron-on patch, woven with embroidered edge
published by Apply Stickers, New York, Brooklyn, USA
For more details contact Applystickers.com
inv. LvdS 000-pr

This patch was taken from drawing ‘Good Old Abstract Art’ that LvdS made in 1992. The piece may be glue ironed on fabric or anything comparable.

Additional information
Apply Stickers is founded in 2019 by Spencer Lazar, Chris Fischer and Blake Hinckley. It operates as an Internet company offering stickers.

LILY VAN DER STOKKER, How I Went to New York 1983 – 1992, 2022 [book, autobiography]

LILY VAN DER STOKKER, How I Went to New York 1983 – 1992, 2022
22,2 x 17,2 cm
HC, 184 pp.
mint, sealed as published
published by Les Presses du Réel, Dijon, France
p.o.r.
inv.LvdS 000

The story in this biographical book start as follows:
‘The story I am going to tell is a story that Jack had said several times we should make a film of. In those days I was never interested in writing down everything, but here it is.

With a girlfriend I decided to travel to New York. It was meant to not be a short holiday. We thought it was the coolest place to go to. If we could survive in New York, that would be the ultimate challenge.
I told more than Jack intended me to tell, but I did it the way he said it: “Write it down, the Six Street Gallery story and all the things that happened with you, because it sounds like a movie.’

LILY VAN DER STOKKER, Poor museum has no money, 2018 [sticker]

LILY VAN DER STOKKER, Poor museum has no money, 2018
14 x 14 cm
sticker, comes with Cut magazine issue #19
edition 80
published by CUT magazine about art / Galerie van Gelder, Amsterdam
inv.LvdS 000

In 2018, Lily van der Stokker was invited to create a solo exhibition at the Stedelijk Museum in Amsterdam. In such a case it is not unusual to agree that the museum will purchase a work, as an expression of gratitude or support towards the artist. It soon turned out that there was no budget to purchase a work of art by this Dutch artist.

Lily was allowed to come up with proposals for the teaser campaign. She suggested making a sticker with the text ‘Poor museum has no money’. That plan was rejected because there could be a public fuss about money spent by the museum. Van der Stokker then suggested having wrapping paper printed with the text ‘Blockbuster or avantgarde?’. That was also seen as overly critical commentary on the museum.

This sticker comes together with a piece of wrapping paper called “Blockbuster or Avant garde?” as an insert in Cut magazine about art issue #19 – November 2018. Published by Galerie van Gelder, Amsterdam, Netherlands. These items accompany an open letter to Dutch journalist Lucette Terborg by Lily that starts as follows: ‘I’m writing to you in response to your review that was published on 13/14 November in the NRC about my retrospective exhibition at the Stedelijk Museum. It was the second time I’d done something like it (the first being in ‘97)….’

LILY VAN DER STOKKER, Edition Griffelkunst, 2001 [offset, signed in print]

LvdS2001-griffelkunstD700

LILY VAN DER STOKKER, (design wallpainting 7m high with flu yellow couch, in light blue, 2000), 2001
33,6 x 39,3 cm
lithographic offset
verso: signed in print
edition 1000
published by Edition Griffelkunst, Hamburg, Germany
very good condition

This print comes from a set of 5 prints published by Griffelkunst. Verso with text: ‘Lily van der Stokker, Edition griffelkunst 2001, einmalige Auflage (design wallpainting 7m high with fluo yellow couch, in light blue, 2000)’

 

Hardly detectable stock aging at right back side:
LvdS2001-griffelkunstverso-detail700
inv. LvdS314