OLAFUR ELIASSON, Little Sun, 2012

OLAFUR ELIASSON, Little Sun, 2012
ca 8 x 8 x 2 cm
torch with verso 6 x 6 cm mono-crystalline solar module
published by Tate Modern, London, England  € 21,- / GBP 17.- December 2012

On 31st of December 2018 more than 838.000 solar torches had been distributed worldwide.
Olafur Eliasson: ‘Light is for everyone – it determines what we do and how we do it. This is why Frederik Ottesen and I have developed the solar-powered lamp Little Sun. Little Sun is a small work of art with a large reach. One part of the artwork is the lamp and the activities it enables. The other is the successful distribution of Little Sun in off-grid communities, its journey from production to usage.’

According to Tate Modern (2012): ‘By purchasing a Little Sun solar-powered lamp here, you help make it available for a lower price to people who do not have consistent access to electricity’.

 

MARIJKE VAN WARMERDAM, In de verte, 2012

MARIJKE VAN WARMERDAM, In de verte, 2012
18,7 x 25 cm
colour photo on dibond; recto and verso, wooden ledge
signed, numbered, dated, edition 40  
published by Museum Boijmans van Beuningen, Rotterdam, Netherlands  € 600,-  October 2011  

In this double sided film still Marijke van Warmerdam’s hands are shown sliding across the slats of Venetian blinds. At the other side of the photo another moment is depicted taken from her film ‘Light’ from 2010. Here two moments in one are literally put on display, but cannot be seen simultaneously. The latter being both a strategy of fetching reality and a trademark of the artist.

DAN GRAHAM, Fish Pond / Swimming Pool, 2012

DAN GRAHAM, Fish Pond / Swimming Pool, 2012
22″ x 40″
digital print
signed, numbered, edition 108, of which 30 in portfolio with six prints
part of Vera List Anniversary Print Portfolio
published by Lincoln Center, MIT and Vera List Center
not available

Dan Graham’s Fish Pond/Swimming Pool reveals his fascination with reflection and perception. His plans for a partitioned fish pond-cum-swimming pool illustrate a bi-species participatory art experience, as both fish and humans move within the same environment. Guided by an interest in perspective, Dan Graham creates works that explore the activities of voyeurism and spectatorship through the artistic medium of architecture.

History of price:
Lincoln Center, MIT and Vera List Center US$ 750.- December 2012 (year of issue)

SOPHIE NYS, Catalogue Version VI, 2012

SOPHIE NYS, Catalogue Version VI, 2012
21 x 14,9 cm
offset book, 392 pp.
signed, numbered
edition 20
published by Circuit, Lausanne, Switzerland
€ 385,- + € 12,- Track & Trace registered EU mailregistered mail
inv.SNys 247-pr

Here Sophie Nys is interested in art history, history of philosophy and in figures of historical importance. This eclecticism in a more broad sense is found in her work in the form of thematic declinations and variations. Her approach is based on research and free associations as soon as she bumps up to a subject of her interest. There is no steady theme and in that sense she could be characterised as an artist that, I would say, makes ‘Stumble-over art’, i.e. art based on something that struck the artist’s eye and is elaborated into an artistic form. Most of the time putting the emphasis on the idea, avoiding too much colour or other esthetic seduction. An attitude that is comparable to works of Jonathan Monk, David Horvitz, Yann Sérandour and others. KvG

The volume ‘Catalogue Version VI’ is the complete version of a work in VI parts initiated in August 2001 and depicts hundreds of pages of photographed art works in museums and galleries, together with their name plates and descriptions.

JOHN BOCK, Ohne Titel (Untitled), 2012

JOHN BOCK, Ohne Titel, 2012
ca 235 × 43 x 65 cm
various bike parts assembled
unique series of 4
signed, numbered
published by NBK / Neuer Berliner Kunstverein, Berlin, Germany   

History of price:
NBK / Neuer Berliner Kunstverein, Berlin, Germany – December 2012 € 6.200,-  

BEN VAUTIER, Attention travaux en cours / Big Box Ben, 2012

BEN VAUTIER, Attention travaux en cours, 2012
27 x 27,5 x 34,5 cm
printed texts on plastic file box, 4 drawers
published by Quo Vadis, Paris, France

History of price:
Quo Vadis, Paris, France € 50,- December 2012 (year of issue)

For a very short period a similar and more fancy version was offered for sale as featured below. It had white brims on the front side of each drawer. The inner part of the drawers were also white.

 

 

BEN VAUTIER Attention travaux en cours / Big Box Ben, 2012
27 x 27,5 x 34,5 cm
printed texts on plastic file box, 4 drawers
published by Quo Vadis, Paris, France

History of price:
Quo Vadis, Paris, France € 53,- November 2012 (year of issue)

THOMAS HIRSCHHORN, Preparatory Drawings for Crystal of Resistance, 2012

THOMAS HIRSCHHORN, Preparatory Drawings for Crystal of Resistance, 2012
35 x 51 cm
eighty-eight facsimiles in offset, three original drawings in variable sizes,
cardboard box, label, numbered by the artist, edition 29
published by Three Star Books, Paris, France
inv.ThHir?

 
This edition with unique preparatory drawings – not signed, though – is a follow-up to Crystal of Resistance, the artist’s large-scale work for the Swiss Pavilion at the 2011 Venice Biennial and one of the few artist’s notes which remained after the exhibition.