FRANCK BRAGIGAND, Garbage in order to…, 1999
invitation cards in 6 different colours
each 10.1 x 15 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 35,- plus € 12 Track & Trace registered EU mail
inv.FBr 000-pr
Franck Bragigand has made two working methods he devised an essential part of his work. A visitor can approach him at any time with, for example, a chair or cupboard and ask to have it painted. The object taken can be painted monochrome or each surface is given a separate color using his method of ‘un plan, une couleur’, as he calls it. In the latter case, there is more work and the asking price is higher. After the painting method has been determined, a price is agreed. The 6-part invitation card from 1999 is printed in both monochrome and ‘each area, one color’. KvG
Additional information
FRANCK BRAGIGAND: PSS (Public Street Sculpture), 1999
The title of the exhibition “Garbage in order to…” refers to a recycling method. Franck Bragigand found all kinds of objects in the garbage on the street, which he cleaned, sanded, painted and exhibited as brand new in the gallery.
After the exhibition, the objects were thoughtfully placed back on the street – almost like an installation. The ‘consumer’ could take the originally discarded rubbish from the street back into his home, varnished and well. Bragigand brings street waste or second-hand goods back into circulation through various systems. KvG
ISA GENZKEN, Glanzwasser, 1994
26 x 7 x 6 cm, 2 parts
glass bottle, print on adhesive film, synthetic resin, funnel
edition 150, here number 13/150 signed, numbered
published by Texte zur Kunst, Berlin, Germany
condition: poor, i.e. cracks in glass as issued
€ 345,- + € 24,- Track & Trace registered EU mail
inv.IGen 000-pr
History of prices:
Booklooker.de, Germany November 2024 € 1.580,-
Marion Fricke, Berlin, Germany October 2024 € 1.200,-
PETER HALLEY. untitled [Exploding Cell], ca 1997
21,6 x 22,9 cm
computer print
signed in print extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 837-pr
Additional information
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Edition Schellmann. One of the prints is related to apparently a DIY computer print featured above.
Exploding Cell, 1994, each 36 x 47 inches, portfolio of nine prints, silkscreen on paper, edition of 32, published by Edition Schellmann, Munich, Germany
MIEKO SHIOMI, Fluxus Balance, 1993
32,8 x 24 cm
blind stamped portfolio, envelope with 68 cards, envelope with string and weights, sticker, A4 card, colophon with list of participants on A4 signed, Roman numbered, here nr XXI/C
portfolio in splendid condition, content: mint
published by the artist
€ 265,- plus € 18,- Track & Trace registered EU mail
inv.MShi 25-pr
This multiple is part of a signed and numbered edition of 100.
CHRISTIAN BURNOSKI, Print Response, 2012
32 x 24 x 1,5 cm
folder contains the following items:
publication ‘print response’, 48 pp.
certificate and printed letter by the artist
edition 200, here numbered 80/200
signed, dated.
This special edition comes with a DVD, 2 strips of foam
limited edition 50, here Nr 23/50, also with certificate, signed and dated
Available at Motto Books, Berlin. Ref. http://www.mottodistribution.com/shop/print-response-special-edition.html
inv.CBur 10-pr
ULAY/MARINA ABRAMOVIC, You see what you feel / I see, 1984
10,5 x 15,1 cm
invitation card, stamp dated
mint extremely rare
published by Time Based Arts, Amsterdam
€ 300,- plus € 15,- Track & Trace registered EU mail
inv.MAbr 803-pr
TWAN JANSSEN, Stage Property #97118 “Untitled goodwill multiple”, 1997
30 x 24 x 1 cm
water colour block, enamel, canvas, cardboard
signed, numbered, dated
edition 5, here 2/5
published by the artist
inv.TJ 799-pr
RICHARD LONG, A Walk Past Standing Stones, 1980
9,9 x 6,6 cm
leporello, 10 pp.
edition 1000
published by Anthony d’Offay, London, UK
splendid condition
€ 170,- plus € 12,- Track & Trace registered EU mail
inv.RLon 282-pr
This is an accordion booklet with photographs of standing stones taken during a walk in Cornwall in 1978 and includes a summary list of places crossed.
MARIJKE VAN WARMERDAM, Uitnodiging!, 1993
19,5 x 16 cm
linen handkerchief, woven, embroidery, plastic bag, printed matter
edition 26 + 1 AP
unique embroidered numbering
mint
published by Associated Publishers, Amsterdam
€ 50,- plus € 12,- Track & Trace registered EU mail
inv.MvW 000-pr
Marijke van Warmerdam made her first multiple in collaboration with curator Moritz Küng and graphic designers Mevis & Van Deursen when she exhibited for the first time in Galerie van Gelder & AP / Associated Publishers. Moritz Küng designed a wooden wall embracing a gallery wall, Mevis & Van Deursen came with an announcement poster ‘Uitnodiging!’ showing a crying black girl that could be understood as one that is either crying or laughing, or both perhaps. For the exhibition itself another poster was designed depicting a girl wearing sun glasses. Marijke van Warmerdam showed a moving (with computer sensor steered) mannequin and dressed in a robe showing an Arcadia landscape. The latter is in the collection of the Stedelijk Museum Amsterdam.
MARIJKE VAN WARMERDAM, Untitled, 1993
Additional information
Mevis&VanDeursen1993uitnodiging-poster700
MEVIS & VAN DEURSEN, poster ‘Uitnodiging! 1993, used for announcement outdoors
JONATHAN MONK, Picture Post Card from Post Box Pictured, 2021
14,8 x 10,5 cm
post card, signed, stamp dated
published by Paul and Wendy Projects, Toronto, Canada
inv.JMA 769-pr
