JOHAN VAN DER KEUKEN, Paris Mortel, 2013
26 x 18,5 cm
SC, dust jacket, colour duo-tone printing, pp. 188
French / English text by Willem van Zoetendaal
mint
inv.JvdK 851-pr
‘”Paris Mortel retouché”, which has just been published and will be presented next week in Paris, is a beautiful book by Willem van Zoetendaal, in which he has [re]touched on all kinds of layers the photo book Paris Mortel by Johan van der Keuken: the history of the book from 1963, the original design in its final version, the final printed design, the unused footage and the character of his photography in relation to its time.”
Source: PhotoQ.nl, Leo Divendal, 7 november 2013
History of prices:
Beachwood Books, Rancho Sante Fe, USA December 2024 US$ 100.-
Catawiki, France 31 August 2024 € 225,- (hammer price)
PETER HALLEY, exhibition card, 1998 (Mario Diacono)
20,4 x 15,3 cm
triptych, 6 pp., unfolded: 20,4 x 45,5 cm
5 pages text “History’s Prisoner?” written by Mario Diacono
published by Mario Diacono, Boston, USA
€ 95,- + € 15,- Track & Trace registered EU mail
inv.PHal 850-pr
PETER HALLEY, Painting as Sociogram 1981-1997, 1998
37 x 26 cm
SC, 92 pp., with XL fold out pages signed
dedicated to collectors Ank and Adrie Reinders
condition: excellent
comes in customised handmade light weight box
published by Kitakyushu Municipal Museum, Kitakyushu, Japan
Here, comes with handmade customised light weight box.
€ 245,- + € 24,- Track & Trace registered EU mail
inv.PHal 000-pr
XL fold out page 19:
History of price:
Amazon, Spain December 2024 € 125,- (unsigned)
ROB SCHOLTE, Cut-out, 1987
57,8 x 42.5 cm
newspaper page
here signed, dated, hand numbered 293 added: krantenartikel ‘Ik vind het heerlijk als er in ‘n schilderij geen geheimen zijn’
Jan Donia over Rob Scholte
published by Het Vrije Volk, 7 November 1987
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RSch 1023-pr
History of price:
Kunstveiling.nl-Galerie Rotor, Gorcum, Netherlands 13 May 2020 € 149,50
ISA GENZKEN, Glanzwasser, 1994
26 x 7 x 6 cm, 2 parts
glass bottle, print on adhesive film, synthetic resin, funnel
edition 150, here number 13/150 signed, numbered
published by Texte zur Kunst, Berlin, Germany
condition: poor, i.e. cracks in glass as issued
€ 345,- + € 24,- Track & Trace registered EU mail
inv.IGen 000-pr
History of prices:
Booklooker.de, Germany November 2024 € 1.580,-
Marion Fricke, Berlin, Germany October 2024 € 1.200,-
MAARTEN PLOEG, invitation card, 1987
15,3 x 10,6 cm
offset
published by Galerie Jurka, Amsterdam
splendid condition
€ 45,- + € 8,- Track & Trace registered EU mail
inv.MPlo 000-pr
PETER HALLEY, untitled [Exploding Cell], ca 1997
14 x 21,6 cm
computer print
signed in print – here, hand signed by visitor and collector A. Reinders extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 838-pr
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Schellmann Editions. The above shown print is related and apparently meant as a DIY print.
PETER HALLEY. untitled [Exploding Cell], ca 1997
21,6 x 22,9 cm
computer print
signed in print extremely rare
probably published by University at Buffalo Art Gallery, Buffalo NY, USA
inv.PHal 837-pr
Additional information
In 1994 a portfolio with nine prints of Peter Halley called “Exploding Cell” was published by Edition Schellmann. One of the prints is related to apparently a DIY computer print featured above.
Exploding Cell, 1994, each 36 x 47 inches, portfolio of nine prints, silkscreen on paper, edition of 32, published by Edition Schellmann, Munich, Germany
PETER HALLEY, invite, 1999
22,1 x 14,5 cm
folding card
published by Waddington Galleries, London, UK
condition splendid
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.PHal 839-pr
ISA GENZKEN, Weltempfänger, 1987
10 x 21 cm
exhibition card rare
published by Daniel Buchholz, Cologne, Germany
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.IGen 000-pr
Isa Genzken in an interview with Wolfgang Tillmans: ‘When I was photographing the hi-fi adverts I thought to myself, everyone has one of these towers at home. It’s the latest thing, the most modern equipment available. So a sculpture must be at least as modern and must stand up to it.’ Berlin, 2005
Nowadays Isa Genzken’s “Weltempfänger” count among her most sought-after works on the international art market.
