ROSEMARIE TROCKEL, Ex Voto Platte, 2000
28 x 28 x 0,8 cm
screen print, cellular rubber, self-adhesive circular die-cut
incl. original wrapping with protection sheets
blue version: edition 50 + 5 AP
signed, numbered 33/50 mint
published by Texte zur Kunst, Berlin, Germany
€ 475,- plus € 12,- Track & Trace registered EU mail
inv.RTr 854-pr
Rosemarie Trockel photographed a hot plate and printed it on a thick layer of cellular rubber, as a small object. There is a self-adhesive sticker on the back so that the owner can determine the background himself. Instead of framing the work, it can be mounted on a wall or window and thus become part of an interior.
There are 3 colour versions: yellow, blue and white. Each colour version has an edition of 50 plus 5 AP.
verso:
History of prices:
AaG Auktionshaus am Grunewald, Berlin, Germany, 21 September 2024 € 550,- (hammer price)
Van Ham Kunstauktionen, Cologne, Germany, 14 March 2024 € 500 (hammer price)
Phillips, London, UK, 11 June 2015 GBP 313.- (hammer price)
FRANCK BRAGIGAND, Garbage in order to…, 1999
invitation cards in 6 different colours
each 10.1 x 15 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 35,- plus € 12 Track & Trace registered EU mail
inv.FBr 000-pr
Franck Bragigand has made two working methods he devised an essential part of his work. A visitor can approach him at any time with, for example, a chair or cupboard and ask to have it painted. The object taken can be painted monochrome or each surface is given a separate color using his method of ‘un plan, une couleur’, as he calls it. In the latter case, there is more work and the asking price is higher. After the painting method has been determined, a price is agreed. The 6-part invitation card from 1999 is printed in both monochrome and ‘each area, one color’. KvG
Additional information
FRANCK BRAGIGAND: PSS (Public Street Sculpture), 1999
The title of the exhibition “Garbage in order to…” refers to a recycling method. Franck Bragigand found all kinds of objects in the garbage on the street, which he cleaned, sanded, painted and exhibited as brand new in the gallery.
After the exhibition, the objects were thoughtfully placed back on the street – almost like an installation. The ‘consumer’ could take the originally discarded rubbish from the street back into his home, varnished and well. Bragigand brings street waste or second-hand goods back into circulation through various systems. KvG
BART CHABOT, Popcorn, 1981
21 x 13,5 cm
SC, 60 pp., 4 zwart-wit afbeeldingen
1e druk
Uitgeverij De Bezige Bij, Amsterdam
pristine, as mint
€ 30,- plus € 12 track & Trace EU mail
inv.BCh 000-pr
ERIK VAN LIESHOUT, Selbstentzünderer, n.d. [1999]
29 x 41 cm
exhibition poster, with stamp dated envelope
condition as mint
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.EvL 863-pr
PETER HALLEY, Maintain Speed, 2000
26 x 21,8 x 2,5 cm
HC, 226 pp.
published by D.A.P./Distributed Art Publishers Inc., Baltimore MD, USA
mint
inv.PHal 000-pr
History of prices:
Bol., Netherlands January 2024 € 69,59
Paper Cavalier, London, UK January 2024 € 307,79
RIRKRIT TIRAVANIJA, Community Cinema for a quiet intersection (against Oldenburg), 1999
14,8 x 21 cm
invitation card on thin paper
condition: some tiny folds in corners
published by The Modern Institute, Glasgow, UK
€ 30,- plus € 12,- Track & Trace registered EU mail
inv.RTir 878-pr
“The Thai artist Rikrit Tiravanja created the installation Community Cinema For a Quiet Intersection (Against Oldenburg) as part of the City of Architecture Festival in Glasgow, Scotland, in September 1999. He created a temporary outdoor cinema composed by four screens and accompanied by a Thai café right on the traffic intersection in a residential neighbourhood in Glasgow and after dusk showed films that had been chosen by the local community.”
JOHAN VAN DER KEUKEN, Paris Mortel, 2013
26 x 18,5 cm
SC, dust jacket, colour duo-tone printing, pp. 188
French / English text by Willem van Zoetendaal
mint
inv.JvdK 851-pr
‘”Paris Mortel retouché”, which has just been published and will be presented next week in Paris, is a beautiful book by Willem van Zoetendaal, in which he has [re]touched on all kinds of layers the photo book Paris Mortel by Johan van der Keuken: the history of the book from 1963, the original design in its final version, the final printed design, the unused footage and the character of his photography in relation to its time.”
Source: PhotoQ.nl, Leo Divendal, 7 november 2013
History of prices:
Beachwood Books, Rancho Sante Fe, USA December 2024 US$ 100.-
Catawiki, France 31 August 2024 € 225,- (hammer price)
PETER HALLEY, exhibition card, 1998 (Mario Diacono)
20,4 x 15,3 cm
triptych, 6 pp., unfolded: 20,4 x 45,5 cm
5 pages text “History’s Prisoner?” written by Mario Diacono
published by Mario Diacono, Boston, USA
€ 95,- + € 15,- Track & Trace registered EU mail
inv.PHal 850-pr
PETER HALLEY, Painting as Sociogram 1981-1997, 1998
37 x 26 cm
SC, 92 pp., with XL fold out pages signed
dedicated to collectors Ank and Adrie Reinders
condition: excellent
comes in customised handmade light weight box
published by Kitakyushu Municipal Museum, Kitakyushu, Japan
Here, comes with handmade customised light weight box.
€ 245,- + € 24,- Track & Trace registered EU mail
inv.PHal 000-pr
XL fold out page 19:
History of price:
Amazon, Spain December 2024 € 125,- (unsigned)
ROB SCHOLTE, Cut-out, 1987
57,8 x 42.5 cm
newspaper page
here signed, dated, hand numbered 293 added: krantenartikel ‘Ik vind het heerlijk als er in ‘n schilderij geen geheimen zijn’
Jan Donia over Rob Scholte
published by Het Vrije Volk, 7 November 1987
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RSch 000-pr
History of price:
Kunstveiling.nl-Galerie Rotor, Gorcum, Netherlands 13 May 2020 € 149,50
