
MARIJKE VAN WARMERDAM, Passing, 2005
100 x 74 cm
screen print on plastic mirror, di-bond
edition 5
Private collection, Amsterdam

MARIJKE VAN WARMERDAM, Passing, 2005
100 x 74 cm
screen print on plastic mirror, di-bond
edition 5
Private collection, Amsterdam
LAWRENCE WEINER, À fripon fripon et demi, n.d. [ca 2004]
74 cm / 7 x 4,5 cm
aluminum dogtag, chain, printed envelope (5 x 3 cm)
edition 300
mint
rare
€ 285,- plus € 18,- Track & Trace registered EU mail
inv.LWei 000-pr
Collection Lambert opened its doors in June 2000 during the celebrations for ‘Avignon – European Cultural Capital’. With a view to making a future donation, gallerist and collector Yvon Lambert decided to place on loan 350 artworks. Housed in an 18th century mansion, these works are borrowed from his personal collection that at this stage comprises more than 1200 artworks dating from the 1960s to the present day.
The event ‘À fripon fripon et demi’ (English translation: ‘How to catch a thief with a thief’) focused on children and their art, with a new room in the museum specially devoted to their work. For the occasion, the Collection Lambert looked back over four years of educational initiatives with projects by On Kawara, Claude Lévêque and Joey Kötting.
OLAFUR ELIASSON, Eye, 2004
8 x 8 x 8 cm
glass, red ribbon with text, booklets, cardboard box
Glass blown eye ball as Christmas ball, in original silver coloured box with two small booklets in English and Icelandic
signed in print on object
limited edition
extremely rare due to mis-production
published by SLF / The Benefit Society for Children with Disabilities, Reykjadalur, Iceland
€ 780,- plus € 24,- Track & trace registered EU mail
inv.OEli 1172
An ephemeral image as a kind of mirage is seen when one looks straight into the balls eye. A black and white printed iris is reflected in the mirror at the rear of the glass ball. As a miniaturized image the spiral iris construction is ingeniously appearing with an illusionistic result! Due to a complicated production technique a large part of the limited edition was mis-produced and destroyed, hence more than rare.


KENDELL GEERS, Point Blank, 2004
21 x 15 x 0,8 cm
artist’s book. offset, bullet holes, gun powder sooth; comes in cellophane bag
edition 30
signed, numbered
published by Imschoot, Uitgevers, Ghent, Belgium
€ 1.400,- plus € 18,- Track & Trace registered mail
inv.KGee 000-pr
Seven bullet holes are randomly shot into the blank pages of this artist book. The cover has residue of gun powder. The publisher suggests that Kendell Geers’ exile from his homeland of South Africa and its violence during Apartheid inspired him to make this multiple with gun shots. The sooth of gunpowder is spread over the front of the cover and the cellophane bag has created several hardly visible hair thin scratches in the layer of sooth.

History of prices:
Saint Martin Bookshop, Brussels, Belgium November 2023 € 500,- unsigned
Saint Martin Bookshop, Brussels, Belgium November 2023 € 350,- unsigned

JILL MAGID, Particular Old Dutch Houses and some other Royal Things, 2003
7 x 10,5 cm, full size unfolded: 60,4 x 20,8 cm
publication with tipped in leporello
edition 55
rare
published by Galerie van Gelder Editions, Amsterdam
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.JMag 000



detail with tipped in tiny leporello:
Yann Sérandour, BHKW, 2003
diameter 32 mm
badge
photograph Seth Siegelaub 1969
1st edition 100
2nd edition 200, produced in 2005
published by Alice Travel Cie, Paris, France
Yann Sérandour made a badge from a photograph taken by Seth Siegelaub on the occasion of an exhibition in January 31 May, 1969. The image on the badge shows American conceptual artists Robert Barry, Douglas Huebler, Joseph Kosuth and Lawrence Weiner as the members of a rock band.
LILY VAN DER STOKKER, Good – Viktor & Rolf cap, 2003
11 x 27 x 17 cm
fabric, print on cap, Viktor & Rolf seal, Viktor & Rolf label, original code tag
ca 6 produced for retail presentation
p.o.r.
“Viktor & Rolf liked my work for years and asked me to design something sweet for men. In the end they came to my studio and took a design for a T-shirt from 1992 – an all-over flower pattern which had in it the word “good” with rays around it” said Lily van der Stokker in an interview with John Waters in 2010.
In 2003 Viktor & Rolf produced for preorders and image reasons a shirt, sweater, bumber jacket, trousers, hand bag, tie, cap with a design of Lily van der Stokker. After the introduction for retailers extremely small orders were taken and later on the line was never taken into production; hence very few items of these products can be found on the market.
Nowadays during a live streaming customers can click on any garment they want to order as soon as production is completed. Those orders (with payment) contain valuable ‘consumer feedback’ for fashion houses. Manufacturers know exactly how popular a particular garment may become. Moreover, a preorder with advance says much more than a “like” on Facebook, that not necessarily means a purchase intent.