CUT magazine about art, issue #10, 2014
29,7 x 21 cm, 12 pp.
digital printed magazine, tipped in invitation card Nicolas Chardon + sticker glued on back cover
edition 75
for Special Cut Subscribers: photo by Carlos Irijalba
signed, numbered, dated
edition of 35
‘CUT magazine about art appears irregularly however often’ and is published by Galerie van Gelder. Issue #10 opens with an image of a performance by Diego Bianchi (Argentina) together with a contribution of Carlos Irijalba.
JASON DODGE, Electricity, 2014
text on yellow paper, black feather, cardboard box
ca 32 x 21 cm / ca 4 x 25 x 8 cm
two versions: 20 copies come with a black feather, 10 with a white feather, 10 AP
signed, numbered,
hors série # 32 published by More Publishers, Brussels, Belgium
p.o.r.
JASON DODGE, Electricity, 2014
text on yellow paper, white feather, cardboard box
Typically for the work of Jason Dodge is his drive to make use of found objects with small subtle alterations. These may be called materially minimalistic, but its simplicity often belies a more complex artistic process or instruction. In ‘Electricity’ the feather is to be stuck in an electric socket in function resulting in a questioning surrealistic installation.
SIGURDUR GUDMUNDSSON, A is Anna – Geobserveerde gedichten, 2014
18,3 x 12,3 cm
offset, 36 pp., text in Dutch
signed, numbered
edition 150
published by Silver Press, Xiamen – 2nd print
MAURIZIO CATTELAN, Sausage Mirror, n.d. [2014]
41 x 30 cm
digital print on glass mirror, plastic frame, tabletop stand
edition unknown
Lipstick Mirror comes in two sizes (small and large), both of which can be hung or used as a tabletop mirror when using the attached stand. Lipstick Mirror is designed by Maurizio Cattelan and Pierpaolo Ferrari for Toiletpaper, the duos provocative, image-only magazine turned product purveyor. It features multiple hands with lipstick ready to beautify whomever’s head appears in the center. Published for Toiletpaper magazine, distributed by Artware Editions, New York, USA
MAURIZIO CATTELAN, Lipstick Mirror, n.d. [2014]
41 x 30 cm
digital print on glass mirror, plastic frame, tabletop stand
edition unknown
mint
published for Toiletpaper magazine, distributed by Artware Editions, New York, USA
inv.MCat 000-pr
Lipstick Mirror comes in two sizes (small and large), both of which can be hung or used as a tabletop mirror when using the attached stand. The mirror is designed by Maurizio Cattelan and Pierpaolo Ferrari for Toiletpaper, an image-only magazine.
History of prices:
Art Space, New York, USA July 2024 € 44,-
Perrotin Shop, New York, USA July 2024 € 35,64
MESCHAC GABA, mug, 2013
7 x 8 cm
print on ceramic
limited edition
Published by Tate Modern, London, England
Collection Kees van Gelder, Amsterdam
JEREMY DELLER, Voodoo Ray / Ooh-oo-hoo ah-ha ha yeah, 2013
12 inch vinyl
screen printed sleeve,
limited signed edition 50
published by The Vinyl Factory, London, UK
not available
In the summer of 2013 The Vinyl Factory collaborated with Deller on the soundtrack to ‘English Magic’, his film work exhibited in Venice in the same year; for which the music is composed of three cover versions of classic British songs: ‘Voodoo Ray’, ‘The Man Who Sold The World’ (by David Bowie) and ‘Symphony in D Minor’ (by Ralph Vaughan Williams) and played by the Melodians Steel Orchestra, an English/Trinidadian steel band, and produced by Deller at Abbey Road Studios.
The Melodians Steel Orchestra performed at both the Pavilion’s official inauguration on the 29th May 2013 and later that evening at The Vinyl Factory & British Council party on the Isla Vignole, Venice, alongside with Scottish DJ/duo Optimo, long-time friends and collaborators with Deller. A remix of three track 12″ features with vocal, instrumental and bonus beats by Scottish DJ/duo Optimo.
Inspired by this party, here JD Twitch from Optimo has remixed ‘Voodoo Ray’ into a joyous piano-house stomper in a vein similar to the now hard-to-find Frankie Knuckles re-work from back in the day, with vocals from the Melodians.
In 2001 The Vinyl Factory began as a pressing company after purchasing the manufacturing equipment from EMI. For two years, they completed orders left over from EMI’s company, which helped to keep and maintain a loyal customer base. In 2008, it expanded into a record label. The Vinyl Factory has presented solo exhibitions by Ragnar Kjartansson, Ryoji Ikeda, Carsten Nicolai, a.o.
History of price:
Price in year of issue € 180,- / GBP 150.-
ANTHONY GORMLEY, Domain, 2013
38 x 30,3 cm
etching
edition 100
numbered, signed
published by Baltic, Gateshead, England
p.o.r.
The installation ‘Domain Field’ (2003) at Baltic in Gateshead comprises 287 sculptures made of measurements from volunteers living in Newcastle and Gateshead resulting in a myriad of stainless steel trajectories, giving the impression of a field of human figures in steel representing the particular presence of a living inhabitant of Gateshead and Newcastle.
The etching ‘Domain’ (2013) represents an abstract human body with a Gormley-spiky background.
MARC BIJL, Burnt by the sun (after Malevich), 2013
33 x 33 cm
screen print, airbrush, glitters
signed, numbered
edition 40
published by Plaats Maken, Arnhem, Netherlands
€ 285,- + € 15,- Track & Trace regisitered EU mail
inv.MBij 000-pr
MARC BIJL, Queen, 2013
50 x 50 cm
screenprint, airbrush, glitters
signed, numbered
edition 40
published by Plaats Maken, Arnhem, Netherlands
order at Plaats Maken: https://www.plaatsmaken.nl/nl/galerie/webshop/burnt-by-the-sun-after-malevich-zwartwit-kunst-online-kopen-maxima-marc-bijl-marcbijl