MARINA ABRAMOVIC & ULAY, China Ring, 1987 [exhibition card]

MARINA ABRAMOVIC & ULAY, China Ring, 1987
16,6 x 11,1 cm
exhibition card
mint
extremely rare
published by Michael Klein, Inc., Amsterdam
€ 300,- plus € 15,- Track & Trace registered EU mail
inv.MAbr 807-08-pr

This exhibition is neither listed on the Ulay Foundation’s biography website, nor mentioned in the CV’s of Marina Abramovic. For a very short period Michael Klein Inc. represented Abramovic / Ulay in 1987 in which year the artist’s couple had a one time exhibition at Michel Klein Gallery in New York.

THICK AIR, 1983 [9 Icelandic artist’s books]

THICK AIR, 1983
cardboard box with 9 artist’s books
22 x 16 x 3 cm
edition 250 of which 100 are signed
each booklet signed, numbered, here Nr. 31/100
mint condition, apart from aged cardboard box
published by Museum Fodor, Amsterdam
€ 220,- plus € 15,- Track & Trace registered EU mail
inv.ThAir 02-pr

Participating artists:
Árni Ingolfsson
Da∂i Gubjornsson
Eggert Petursson
Helgi Fri∂jonsson
Ingolfur Árnasson
Ivar Valgardsson
Kristínn Har∂arson
Steingrímur Kristmundsson
Tumi Magnússon

KRISTJAN GUDMUNDSSON, Bien i Koldum Ofni, 1986 [catalogue Dieter Roth Verlag]

KRISTJAN GUDMUNDSSON, Bien i Koldum Ofni, 1986
29,9 x 10,6 cm
SC, stapled, 12 pp. incl. couver
splendid, slightly aged
rare
published by Dieter Roth Verlag, Reykjavik, Iceland
€ 285,- + € 12,- Track & Trace registered EU mail
inv.KG 789-pr

“Bien i Koldum Ofni” (trans. ‘Bone in a Cold Oven’) is a series of oblong shaped catalogues published by Roth Verlag. Catalogues of various (Icelandic) artists have been issued with works by Jón Gunnar Arnason, Rúri, Björn Roth and others.

History of price:
Derringer Books, Avon, USA July 2024 US$ 394.-

JEAN-MICHEL BASQUIAT, Samo, 1981 [invitation card]

JEAN-MICHEL BASQUIAT, Samo, 1981
10,9 x 16,1 cm
invitation card
mint
extremely rare in this pristine condition
published by Galleria d’Arte Emilio Mazzali, Modena, Italy
€ 650,- plus € 8,- Track & Trace registered EU mail
inv.JMBa 786-pr

This card announces Jean-Michael Basquiat’s first exhibition at Galleria d’Arte in Modena. A few months earlier, Italian gallerist Emilio Mazzoli had noticed Basquiat’s work in a collective exhibition “New York / New Wave” curated by Diego Cortez at P.S.1 Contemporary Art Center. Mazzoli managed to find a studio and made materials available to Basquiat to paint, so that he could create new works. Later on at the beginning of the summer of 1982, Basquiat returned to Modena at the invitation of Mazzoli to mount his first European exhibition under his real name.

In the seventies, a graffiti tag coined by Basquiat and his collaborator Al Diaz, SAMO — pronounced ‘same-oh’ — started off as a private joke and went on to become an important symbol in Basquiat’s later work, seen in the streets of New York in the seventies. It stands for ‘Same Old Shit’.

History of price:
Vince Fine Arts, Miami, USA July 2024 US$ 7,500.- (make an offer)