ANNETTE MESSAGER, Point d’Ironie, 1998
43,2 x 30,6 cm
8 pp., offset on thin paper, text in English and French
edition 100.000
published by Agnes B., Paris, France
mint condition
rare in this only once folded condition
€ 100,- plus € 18,- Track & Trace EU registered mail
Available issues:
Nr 05 – Annette Messager 1998
Nr 12 – Harmony Korine 1999
Hors série Point d’Ironie 2007 (“Société Anonyme”: Louwrien Wijers, o.a.)
Nr 27 – Hanne Darboven 2002
Nr 31 – Yoko Ono 2003
Nr 34 – Michel Foucault 2004
Hors série interview Agnès B. 2004 (interview by Hans Ulrich Obrist)
Nr 36 – Tacita Dean 2005
Nr 37 – Ed Ruscha 2005
Nr 40 – Damien Hirst 2006
Nr 45 – Robert Crumb 2008
Nr 46 – Carlos Cruz-Diez 2008
Nr 47 – Koo Jeong-a 2009
Nr 48 – Walid Raad 2009
Nr 49 – Ryan McGinley 2009
Nr 50 – Christian Boltanski 2010
Nr 51 – Dayanita Singh 2010
Numéro spécial – Pierre Reimer 2011
Nr 54 – Pierre Henry 2013
Nr 56 – Robert Barry 2014
KIMBALL GUNNAR HOLTH, Trying to look for the right words, 2020
5,4 x 8,5 cm
hand-out card
edition 100 of which ca 10 signed
published by the artist
inv.KGH 924
KIMBALL GUNNAR HOLTH, Still not painting??, 2020
2,5 x 17,5 x 5 cm
Parker pen, cardboard box
signed, dated, numbered
edition 8
condition: mint
€ 100,- plus € 13,- Track & Trace EU registered mail
inv.KGH 923
JOHN M ARMLEDER, White Plate, 2020
2 x 27 x 27 cm
porcelain
signed and dated in glaze
limited amount of solely saucer-and-cup out of an edition of 500
condition: mint
p.o.r.
John M Armleder is one of the most well known Swiss artists of today. In the eighties he was called the Neo-Geo Pope after he initiated a group exhibition “Art Abstrait” that created a rouse for being reactionary. Armleder is known for leaving paintings and objects as they come. He makes these works without hardly any interaction. With “White Plate” he leaves the porcelain design of a plate undecorated asking attention for the void and its power of nothingness. The work is ‘already made’ as Marcel Duchamp originally called his first readymades.
JOHN M ARMLEDER, White Cup, 2020
7,5 x 12 x 12 cm
porcelain, 2 parts
signed and dated in glaze
limited amount of solely saucer and cup out of an edition of 500
condition: mint
p.o.r.
SALIM BAYRI, IAN PAGE and ÖZGÜR ATLAGAN, Wet rent wrong, 2020
21 x 29,7 cm
print op paper, 90 g/m2 (version A)
signed by all artists
edition 6
published by Galerie van Gelder Editions, Amsterdam
€ 45,-
verso:
Version B available on 180 g/m2
DAVID HORVITZ, Mood disorder, 2015
35 x 25 cm
SC, 72 pp., stapled
edition 2000
condition: very good
published by Chert, Berlin/Motto Books, Berlin-Lausanne/New Documents, Los Angeles-Vancouver
David Horvitz’s self-portrait with his head in his hands, ocean waves crashing in the background, was initially uploaded by him to the Wikimedia Commons, and placed on various Wikipedia pages. Mood Disorder documents the appropriation of David Horvitz’s photograph across the internet. The image began to circulate more intensely, appearing on over a hundred websites as a “stock” photo to illustrate articles on a wide range of mental health and wellness issues.
This artist’s book is still available at various selling venues.
DAVID HORVITZ, Everything that can happen in a day, n.d. [2008]
57,8 x 41,8 cm
offset on newsprint, twice folded as published
published by the artist
condition: splendid
inv.DHor 907
JOHN M ARMLEDER, White Plate, 2020
dinner plates, cup and saucers
set of 24 parts
all signed and dated in glaze; in 4 original cardboard boxes
limited edition 500
John M Armleder is known for leaving things as they come. While they come the objects of his choice seem to help him out of what to do with them. Paintings are poured over, debris come together and form obviously a natural sculpture.
For this edition the form, presence and sparkling whiteness helped the artist to decide to leave it all alone as it is and to add merely a title to the set of objects: “White Plate”. KvG
CHRISTOPH BUECHEL, Free Manifesta, 2002
A4, DIY print from the TAIL/The Archive is Limited
published by eBay / freemanifesta
After being invited to Manifesta 4, Christoph Büchel offered his participation rights to the highest bidder on eBay who purchased this eventually for $15,099.
On 20th of March 2002 I contacted Christoph Buechel to have a solo exhibition in my gallery in Amsterdam. He proposed to become the highest bidder of his eBay offer. Being the highest bidder Galerie van Gelder would have had a solo exhibition of Christoph Buechel at Manifesta 4 in Frankfurt, Germany. Unfortunately the highest bid was a bit too high for the gallery’s financial standards.
inv.CBüc 918