Photo: Th. K. Johansen
JACQUELINE DE JONG
analogue Kodak photo print, 1988
A6 size
visit at booth Galerie van Gelder, KunstRai art fair 1988
unique print
inv.JdeJ 1081
Category: A-I
KOENRAAD DEDOBBELEER, 2011, Munari
119,5 x 89 cm
screen print, verso printed text
edition 100
published by Christophe Daviet-Thery, Paris, France
verso text:
Artists’ books from Iceland, 1983
29,7 x 21 cm
plastic strip binder, SC, 9 pp.
ill. and listing of exhibited books
stencil print
2nd edition
published by Galerie A, Amsterdam
€ 95,- plus € 12,- Track & Trace EU registered mail
inv.Cat-1086-pr
This catalogue accompanied an exhibition on tour in Amsterdam and Reykjavik, Iceland.
page 1:
page 2:
inner cover, backside:
FELIX GONZALEZ-TORRES, Untitled (Passport II), 1993
15 x 10 cm
SC, stapled, 12 pp incl. cover
unlimited edition
condition: excellent, although cover very slightly yellowed
€ 50,- plus € 8,- Track & Trace registered mail
inv.FGonz-T 1075
History of prices:
Catawiki-arnaudf, Assen, Netherlands, 25 May 2020 € 86,-
Catawiki-arnaudf, Assen, Netherlands, 24 December 2018 € 40,-
SYLVIE FLEURY, Vital perfection, 1991
15,5 x 13 cm
SC, stapled, 12 pp., inlay with text
published by Galerie Philomene Magers, Bonn, Germany
extremely rare
condition: very good, although slightly daylight bleached alongside spine at the front of cover
inv.SF 1074-pr
This is the first catalogue of works by Sylvie Fleury. Shopping bag installation “It’s Clinique Bonus Time’ (1991) has been installed by her for a second time at Galerie van Gelder in Amsterdam in 1992. She added some bags to it, including the shoppings from where she got the paper bags from in Beverly Hills, Los Angeles, USA.
For some reason it is never mentioned that the paper bag installations contain the original shoppings Sylvie Fleury did. At least here in this case. At the time she installed the piece she doubted to take her shoppings with her back home, since all these cloths were personal belongings that fitted her.
Below a list of the shoppings done in LA.
HARRY HOOGSTRATEN, Rock & Roll, 1993
29,7 x 21 cm
personal hand-out: 2 sheets, irregularly folded
published by Harry Hoogstraten
inv.HHoo 1062
This sloppy folded hand-out was quickly handed over to me by Harry Hoogstraten a few days before the above announced event took place at Galerie Het Getal 0 in Amsterdam. The photo has been taken by Daan van Golden in 1965. KvG
ULISES CARRIÓN, De Diefstal Van Het Jaar, 1982
29,6 x 21 cm
offset on paper, twice folded as mailed
condition: splendid
€ 245,- plus € 12,- Track & Trace EU registered mail
inv.UCar 1060
ULISES CARRIÓN, Anonymous Quotations, 1979
29,7 x 21 cm
offset on paper, twice folded as mailed
condition: splendid
€ 185,- plus € 12,- Track & Trace EU registered mail
inv.UCar 1059
Void Distributors was a publishing house founded by Hetty Huisman. On an irregular basis events took place for a small incrowd of people who were invited to attend a presentation or performance in her studio at Anjeliersstraat 153 in Amsterdam.
JOHN M ARMLEDER, Cercle et Carré, 1987
ca 130 x 30 x 20 cm
handmade pedestal; wood, paint, lamp, perforated metal plate, electricity wire
signed, numbered on certificate with instructions
edition 18, here 12/18
published by Galerie Anselm Dreher, Berlin, Germany
condition: excellent, although painted pedestal with original patine has minor paint chips.
€ 4.600,- plus transport costs
inv.JMA 1046-47
Sometimes an edition is loaded with information about the artist’s mindset while its appearance suggests the opposite, for a part due to its self-evidence. Such a piece is ‘Cercle et Carré’ with its geometrical forms, the aesthetics of simplicity, the functionality of formal design, the ambition of the avant-garde and humour; it is all there.
John Armleder is renowned for re-introducing abstract art in a dominating one-way art market in the early eighties of the previous century, for referring to predecessors in art history (hence the title ‘Cercle et Carré’) and for ‘making art that is comparable to making a B-film’ as he describes it. In this sense this edition is as banal as that. ‘Cercle et Carré’ has the look of a modernist Italian design, yet all three parts have been composed and put together by the artist, as if it is an installation. He put together lamp, pedestal and a piece of metal, then switched on the light. KvG
inv.JMA 1045
Furniture Sculpture 193, Caprice, 1988
Ø 25,4 cm
engraving on bowling ball Caprice by Columbia, vinyl bag
edition 24
not signed, unnumbered
comes with vintage label used in booth Art Publishers at Art Basel Edition 1992
€ 3.500,- plus € 32,- Track & Trace registered mail
inv.JMA 994-label
