SIGURDUR GUDMUNDSSON, Fjörvit, 1996
ca 41 x 29 x 4 cm
plastic bag, 7 publications, 11 photo copies (stapled)
signed
published by Nýlistasafnið, Reykjavik, Iceland
inv.SG 949-pr
Each newspaper and magazine in this bag contains an article about a group exhibition called Fjörvit (trans. Clear white) organised/curated by Sigurdur Gudmundsson at Nýlistasafnið / The Living Art Museum. Participating artists were Dan Wolgers, Carsten Höller, Christene Hohenbüchler and Irene Hohenbüchler. A stack of 11 black and white photo copies is depicting apparently an exhibition about plants and butterflies. The name of an artist is not mentioned.
The backside of the translucent museum bag shows an introductory text in Icelandic by Sigurdur Gudmundsson.
NAN GOLDEN, Nan Golden backstage, 2002
41,4 x 29,3 cm
including photo shoot of David Bowie by Mario Testino
mint, sealed
published by V magazine, July-August 2002
€ 95,- plus € 18,- Track & Trace EU registred mail
inv.NGol 947
HETTY HUISMAN, Letters to friends, 1977
29,7 x 21 cm
stencil print
published by Other Books and So, Amsterdam
condition: good, although obviously aged wood-containing paper
extremely rare
€ 280,- plus Track & Trace EU registered mail
inv.HHui 945-pr
MICHAEL CARDENA, invitation card Mazzo, Amsterdam, 1981
17,4 x 10,8 cm
date postal stamp: ’24-6-81′ (verso)
added: SMA newsletter in Dutch, 1984 + a newspaper clipping
good condition
€ 65,- plus € 9,- Track & Trace EU registred mail
inv.MCar 944-pr
This card reads: “A tough evening Cardena” dedicated to Paulina Lagrande and other art critics from Purmerend and surroundings. Live-performance Michael Cardena
This item comes with a SMA newsletter and a newspaper clipping De Volkskrant d.d.22 mei 1981
JOHN M ARMLEDER, Sphinx d’Or Awards, 1973
8,3 x 11 cm
6 different cards with embossed blind plate, 6 printed envelopes
published by Ecart, Geneva, Switzerland
excellent condition
extremely rare
The cards read the following texts:
The Sphinx D’Or Award 1973, Count Fanzini
Best Glossy Zine for 1973, File/Ifel General Idea, Toronto”
Best Camouflage for 1973, Dr.Brute, “Spots in Front of Your Eyes”
Best Major Work, Flakey Rose Hip, “Great Wall of 1984”
Best New Talent for 1973, Gilbert and George
Best Contribution to Art Deco in 1984, ms. Rhonda
JOHN M ARMLEDER / PATRICK LUCCHINI, Leathern Wing Scribble Press, 1978
7 x 10,4 cm
text in letterpress, envelope, 4 tiny cards
edition 300
published by Ecart, Geneva. Switzerland
very good condition
rare
€ 480,- plus € 18,- Track & Trace EU registered mail
inv.JMA 276
ANNETTE MESSAGER, Point d’Ironie, 1998
43,2 x 30,6 cm
8 pp., offset on thin paper, text in English and French
edition 100.000
published by Agnes B., Paris, France
mint condition
rare in this newspaper format
€ 100,- plus € 18,- Track & Trace EU registered mail
Available issues in mint condition:
Nr 05 – Annette Messager 1998
Nr 12 – Harmony Korine 1999
Hors série Point d’Ironie 2007 (“Société Anonyme”: Louwrien Wijers, o.a.)
Nr 27 – Hanne Darboven 2002
Nr 31 – Yoko Ono 2003
Nr 34 – Michel Foucault 2004
Hors série interview Agnès B. 2004 (interview by Hans Ulrich Obrist)
Nr 36 – Tacita Dean 2005
Nr 37 – Ed Ruscha 2005
Nr 40 – Damien Hirst 2006
Nr 45 – Robert Crumb 2008
Nr 46 – Carlos Cruz-Diez 2008
Nr 47 – Koo Jeong-a 2009
Nr 48 – Walid Raad 2009
Nr 49 – Ryan McGinley 2009
Nr 50 – Christian Boltanski 2010
Nr 51 – Dayanita Singh 2010
Numéro spécial – Pierre Reimer 2011
Nr 54 – Pierre Henry 2013
Nr 56 – Robert Barry 2014
KIMBALL GUNNAR HOLTH, Trying to look for the right words, 2020
5,4 x 8,5 cm
hand-out card
edition 100 of which ca 10 signed
published by the artist
inv.KGH 924
KIMBALL GUNNAR HOLTH, Still not painting??, 2020
2,5 x 17,5 x 5 cm
Parker pen, cardboard box
signed, dated, numbered
edition 8
condition: mint
€ 100,- plus € 13,- Track & Trace EU registered mail
inv.KGH 923
JOHN M ARMLEDER, White Plate, 2020
2 x 27 x 27 cm
porcelain
signed and dated in glaze
limited amount of solely saucer-and-cup out of an edition of 500
condition: mint
p.o.r.
John M Armleder is one of the most well known Swiss artists of today. In the eighties he was called the Neo-Geo Pope after he initiated a group exhibition “Art Abstrait” that created a rouse for being reactionary. Armleder is known for leaving paintings and objects as they come. He makes these works without hardly any interaction. With “White Plate” he leaves the porcelain design of a plate undecorated asking attention for the void and its power of nothingness. The work is ‘already made’ as Marcel Duchamp originally called his first readymades.