Categories
multiples VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Switch, 2020 [light box]

MARIJKE VAN WARMERDAM, Switch, 2020
46 x 46 x 6 cm
light box, metal frame, electric power chord, plug
edition 10 + 5 AP
signed, numbered
published by More Publishers, Brussels, Belgium
p.o.r. at info@morepublishers.be

 

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printed matter VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Weather Forecast, 2019 [poster Kunsthal KADE]

MARIJKE VAN WARMERDAM, Weather Forecast, 2019
41.9 x 29.8 cm
offset poster
published by Kunsthal KADE, Amersfoort, Netherlands
inv.MvW 716

Categories
printed matter VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, “Weather forecast”, 2019 [film still on coaster]

MARIJKE VAN WARMERDAM, “Weather forecast”, film still on coaster, 2019
9.4 x 9.4 cm
edition unknown
issued on behalf of group exhibition “Videoland” at Kunsthal Kade, Amersfoort, Netherlands

Kunsthal KADE in Amersfoort is celebrating a 10 years anniversary with “Videoland”, a group exhibition with videos of Matt Calderwood, IsaacJulien, Ragnar Kjartansson, Christian Marclay, Hans Op de Beeck, Nira Pereg, Tom Pnini, Martin & Inge Riebeek, Guido van de Werve and Marijke van Warmerdam.

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artist's books photographs prints VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Underwater I, 2008 [2 tipped in photo prints]

MARIJKE VAN WARMERDAM, Underwater I, 2008
each 19,9 x 13,6 cm
2 digital prints in book by Dutch poet Rozalie Hirs, 16 pp.
signed and numbered on last page
edition 100
published by Uitgeverij 69, Hiversum, Netherlands

 

 

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prints VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Morning glory, 2014

MARIJKE VAN WARMERDAM, Morning glory, 2014
30,5 x 25 cm
inkjet print
edition 3 + 1 AP
p.o.r.

 

Marijke van Warmerdam often uses image and title as two dissimilar entities living in symbiosis. Such a combination emphasizes elements of what is already literally shown in the image itself. In this work it is a combination of time and the light of a photographed running iPad apparently switched on in the morning when one gets up. KvG

Categories
multiples VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, In de verte, 2012

MARIJKE VAN WARMERDAM, In de verte, 2012
18,7 x 25 cm
colour photo on dibond; recto and verso, wooden ledge
signed, numbered, dated, edition 40  
published by Museum Boijmans van Beuningen, Rotterdam, Netherlands  € 600,-  October 2011  

In this double sided film still Marijke van Warmerdam’s hands are shown sliding across the slats of Venetian blinds. At the other side of the photo another moment is depicted taken from her film ‘Light’ from 2010. Here two moments in one are literally put on display, but cannot be seen simultaneously. The latter being both a strategy of fetching reality and a trademark of the artist.

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prints VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011

MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011
59,4 x 84,1 cm; folded to 29,7 x 21 cm
offset print, 120 g/m2
signed and numbered on certificate, edition 100 + 7 A.P.
published by More Publishers, Brussels, Belgium   

Repetition is one of the favorite strategies Marijke van Warmerdam applies in her films, photo works and objects. Here a work depicts an ironed and folded handkerchief on poster, which in turn is folded as a poster.

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prints VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Another day, 2011

 

MARIJKE VAN WARMERDAM, Another day, 2011
each 110 x 80 cm
series of 50 unique screen prints, aluminum, framed

With a typically light touch, the work of Marijke van Warmerdam combines a deceptively naïve approach to the act of seeing with straightforward strategies, such as dramatic shifts of scale, doubling, reflection, rhythmic repetition or surprising juxtapositions to urge us to look with our eyes wide open.

In her film loops she depicts perfectly ordinary situations and actions, although factually always staged, with the deliberate use of compositional elements that create an open and unanticipated perspective. In her sculptures, photographic works and paintings, Van Warmerdam is not afraid of using cinematic and visual methods based on animated strategies. In the course of more than two decades she has made a refreshing contribution to the phenomenon of looking.


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photographs VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, Upside down, 2008

MARIJKE VAN WARMERDAM
Upside down, 2008
27 x 40 cm
recto and verso: photo on di-bond, wooden shelf
edition 10
published by the artist
Coll. K. van Gelder, Amsterdam

‘Capturing part of a landscape in a mirror I’m holding is very close to photography. In this case I got a swan inverted in my mirror,’ Marijke van Warmerdam says. An identical photo is pasted upside down on the reverse side. When the panel is turned around, the image initially seems virtually unchanged.

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artist's books VAN WARMERDAM, MARIJKE

MARIJKE VAN WARMERDAM, On and on, 2006

MvW2006onandon-cover600

MARIJKE VAN WARMERDAM, On and on, 2006
15,5 x 21,5 x 1,4 cm
offset, 50 pages on stiff paper
edition 300
30 are signed and numbered
published by CCA Kitakyushu, Japan

After the funeral of her mother in 2006, Marijke van Warmerdam made photos of the flowers on her grave. In the following weeks she recorded the stages of withering, while the winter weather also brought some snow. In On and on the sequence of the photos is reversed, the intention being to turn back time.