Category Archives: prints



LUCY CLOUT, Hook, 2011

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LUCY CLOUT, Hook, 2011
59,4 x 42 cm
masking tape on paper
edition of 50 + 2AP
published by Limoncello Editions, London, England                    € 72,-  January 2012

RYAN GANDER, Still not even to be trusted with a paperclip, 2011

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RYAN GANDER, Still not even to be trusted with a paperclip, 2011
38.2 x 45.8 cm (image 25,4 x 33,9 cm)
archival inkjet print on paper
edition 50
published by Ingleby Gallery, Edinburgh, Scotland
not available

History of price:
Ingleby Gallery, Edinburgh, Scotland € 725,- / GBP 600.-  July 2013
Ingleby Gallery, Edinburgh, Scotland € 690,- / GBP 600.-  April 2018

 

Ryan Gander’s print is a close up image of a shirt with a small piece of paper poking out of the pocket displaying a description of a dream by a friend of the artist.

FRED TOMASELLI, Sept. 15, 2005, 2010

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FRED TOMASELLI, Sept. 15, 2005, 2010
15 x 17.4 inches
edition 80, signed, numbered
screenprint, inkjet print
published by James Cohan Gallery, New York  $ 1,200.- December 2012

On the September 15, 2005, Fred Tomaselli alters a more than disturbing front page image of bomb victims in Baghdad, drawing over a photograph with a colorful flower pattern. The swirling vines, reminiscent of traditional Islamic arabesques, distract from the horror of the subject, a suicide bombing that killed nearly 150 people in Iraq.

JONATHAN MONK, My Height in Yellow Highlighter Pen, 2010

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© K. van Gelder, Amsterdam
– NB These pictures have been copied by https://arspublicata.com/listing/jonathan-monk-editions / website J. and P. Schellmann, Berlin

JONATHAN MONK, My Height in Yellow Highlighter Pen, 2010
10 x 15 cm
yellow marker, postcard
series of unique hand drawn cards
edition 59 + 10 AP
signed
published by Haubrok Edition, Berlin, Germany
€ 285,- plus € 20,- registered mail Track & Trace
inv.JMon 1114_1116

Jonathan Monk’s both ‘My Height in Blue Ballpoint Pen’ (2003) and ‘My Height in Yellow Highlighter Pen’ (2010) fused the portable character of a postcard with the practice of marking one’s changing height on a wall. The postcards should be installed on any wall with the pen line 178 cm above the floor.

 

 

Extra information:
Previously in 2003 Jonathan Monk made this multiple for the Lisson Gallery in London:

JONATHAN MONK, My Height in Blue Ballpoint Pen, 2003
10 x 15 cm
postcard, byro ink
series of unique hand drawn cards 
edition 200 
signed, dated
published by Lisson Gallery, London, England

This card reads: Install this card on any wall with the line six feet above the floor.

ISA GENZKEN, Mona Isa, 2010

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ISA GENZKEN, Mona Isa, 2010
51,5 x 39,5 cm (print size 42 x 30 cm)
C-print
edition 120 + 20 AP
signed, numbered
published by Texte zur Kunst, Berlin, Germany

 

 

Isa Genzken is in her work definitively challenged by the notion of sculpture and its practice. Here Genzken engages herself with the artist’s self-representation in a tension between a found internet image and her identity showing herself horizontally hidden behind the head of Leonardo da Vinci’s “Mona Lisa“. Genzken says about ready mades: ‘I have always said that with any sculpture you have to be able to say, although this is not a ready-made, it could be one. That’s what a sculpture has to look like. It must have a certain relation to reality’.

RICHARD WRIGHT, Untitled, 2010

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RICHARD WRIGHT, Untitled, 2010
35 x 35 cm
screen print, edition 30
published by Modern Institute, Glasgow, UK
not available

Richard Wright paints frescoes that transform interior spaces. Using mathematically calculated techniques that go back to Italian Renaissance architects, he maps out abstract patterns that create vertiginous spatial illusions.
The Rijksmuseum has chosen to celebrate its 21st-century renewal by commissioning the artist a permanent work with 47.000 stars.

MARLENE DUMAS, Frau und Hund, 2010 [print]

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MARLENE DUMAS, Frau ind Hund, 2010
51 x 72 cm
piezografie
signed, dated, numbered
edition 40 + 10 AP
published by Haus der Kunst, Munich, Germany

out of stock

 

Marlene Dumas uses often aqueous techniques with paint on paper to express intangable notions like Love, Birth, Suffering and Death. In ‘Frau und Hund’ the notion loyalty seems to be the main theme, since this reproduced aquarelle in print alludes with a story about Hitler who after his defeat of Stalingrad would have said that only two friends still stayed with him: Eva Braun and his dog Blondi.

History of prices:
Haus der Kunst, Munich, Germany € 4.000,- September 2013