MARTIN CREED, Work No. 367
81 × 59 cm / 31 7/8 × 23 1/4 inches
offset poster crumpled
edition 100
published by Hauser & Wirth, Geneva, Switzerland
not available
History of prices:
Hauser & Wirth, Geneva, Switzerland € 410,- November 2012
Category Archives: prints
JONATHAN MONK, My Height in Yellow Highlighter Pen, 2010
© K. van Gelder, Amsterdam
– NB These pictures have been copied by https://arspublicata.com/listing/jonathan-monk-editions / website J. and P. Schellmann, Berlin
JONATHAN MONK, My Height in Yellow Highlighter Pen, 2010
10 x 15 cm
yellow marker, postcard
series of unique hand drawn cards
edition 59 + 10 AP
signed
published by Haubrok Edition, Berlin, Germany
€ 285,- plus € 20,- registered mail Track & Trace
inv.JMon 1114_1116
Jonathan Monk’s both ‘My Height in Blue Ballpoint Pen’ (2003) and ‘My Height in Yellow Highlighter Pen’ (2010) fused the portable character of a postcard with the practice of marking one’s changing height on a wall. The postcards should be installed on any wall with the pen line 178 cm above the floor.
Extra information:
Previously in 2003 Jonathan Monk made this multiple for the Lisson Gallery in London:
JONATHAN MONK, My Height in Blue Ballpoint Pen, 2003
10 x 15 cm
postcard, byro ink
series of unique hand drawn cards
edition 200
signed, dated
published by Lisson Gallery, London, England
This card reads: Install this card on any wall with the line six feet above the floor.
ISA GENZKEN, Mona Isa, 2010
ISA GENZKEN, Mona Isa, 2010
51,5 x 39,5 cm (print size 42 x 30 cm)
C-print
edition 120 + 20 AP
signed, numbered
published by Texte zur Kunst, Berlin, Germany
Isa Genzken is in her work definitively challenged by the notion of sculpture and its practice. Here Genzken engages herself with the artist’s self-representation in a tension between a found internet image and her identity showing herself horizontally hidden behind the head of Leonardo da Vinci’s “Mona Lisa“. Genzken says about ready mades: ‘I have always said that with any sculpture you have to be able to say, although this is not a ready-made, it could be one. That’s what a sculpture has to look like. It must have a certain relation to reality’.
RICHARD WRIGHT, Untitled, 2010
RICHARD WRIGHT, Untitled, 2010
35 x 35 cm
screen print, edition 30
published by Modern Institute, Glasgow, UK
not available
Richard Wright paints frescoes that transform interior spaces. Using mathematically calculated techniques that go back to Italian Renaissance architects, he maps out abstract patterns that create vertiginous spatial illusions.
The Rijksmuseum has chosen to celebrate its 21st-century renewal by commissioning the artist a permanent work with 47.000 stars.
MARLENE DUMAS, Frau und Hund, 2010 [print]
MARLENE DUMAS, Frau ind Hund, 2010
51 x 72 cm
piezografie
signed, dated, numbered
edition 40 + 10 AP
published by Haus der Kunst, Munich, Germany
out of stock
Marlene Dumas uses often aqueous techniques with paint on paper to express intangable notions like Love, Birth, Suffering and Death. In ‘Frau und Hund’ the notion loyalty seems to be the main theme, since this reproduced aquarelle in print alludes with a story about Hitler who after his defeat of Stalingrad would have said that only two friends still stayed with him: Eva Braun and his dog Blondi.
History of prices:
Haus der Kunst, Munich, Germany € 4.000,- September 2013
MALCOLM MORLEY, Tankerton Bay, 2009
MALCOLM MORLEY, Tankerton Bay, 2009
29.5 x 38.5 inches
screenprint
edition 72, signed, numbered
published by Lincoln Center, New York, USA € 1.800,- / $2,400 September 2011
Print is named for Tankerton Bay, a seaside village in Southeast England, based on a 2006–2007 collaged painting.
GUILLERMO KUITCA, Alice Tully Hall, 2009
GUILLERMO KUITCA, Alice Tully Hall, 2009
19.5 x 19.5 inches
edition 117
published by Lincoln Center for the Performing Arts, New York, USA
out of stock
Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreated the seating chart for Alice Tully Hall at Lincoln Center in this work. In a characteristic manner, he casts a shadow of red over the diagram, which turns the space into an abstract superposition of planes. One of the most prominent contemporary artists from Latin America, the Argentine Guillermo Kuitca makes haunting paintings of stadiums, airports, theaters, and other public spaces; borrowing imagery from maps, floor plans, and seating charts.
History of prices:
Lincoln Center for the Performing Arts, New York, USA $ 1,800.- September 2009
Galerie van Gelder, Amsterdam, Netherlands € 2.100,- October 2014
FALKE PISANO, Figure 1 (Context, Past, Present, Future), 2009 [print]
FALKE PISANO, Figure 1 (Context, Past, Present, Future), 2009
39,8 x 39,8 cm, screen print
edition 50
signed, dated, numbered
Published by ICA, London, England
Collection Kees van Gelder, Amsterdam
In 2012 the Falke Pisano produced a similar print on a sticker:
FALKE PISANO, Figure 1 (Context, Past, Present, Future), 2012
vinyl sticker
edition 3 + 1 AP
signed, dated, numbered
JOHN BALDESSARI, Raised Eybrows / Furrowed Foreheads : Man Viewing Valve, 2009
JOHN BALDESSARI, Raised Eybrows / Furrowed Foreheads : Man Viewing Valve, 2009
27,3 x 39,3 cm / 10.75 x 15.5 inches
offset print
signed on A4 certificate, incl. compliments card
edition of 150 + 20 AP
pristine
published by Provinciaal Museum voor Kunst / PMMK, Ostend, Belgium
€ 450,- excluding FedEx courier costs
inv.JBald 63
inv.JBald 295
History of price:
ArtLead, Brussels, Belgium December 2025 € 600,-
ArtLead, Brussels, Belgium October 2017 € 750,-
MATT MULLICAN, Coffee 1 – 7, 2009 [drawings]
MATT MULLICAN, Coffee 1-7, 2009
21 x 29,7 cm
ink on paper, frame
series of 7 unique drawings
signed, dated
published by Gesellschaft für Aktuelle Kunst, Bremen, Germany each € 1.200,- July, 2012
Matt Mullican’s alter ego Matt B – as he calls his inner self – made seven ink drawings about breakfast with coffee while he was under hypnosis. The figures 1 – 4 refer to the process of counting with which he is brought into a hypnotized trance and with which he is pulled back into consciousness.