JUTTA KOETHER & STEVEN PARRINO, invitation, 2002
29,7 x 21 cm
print out on paper
mail from E-flux for Black Bonds in Swiss Institute, New York, USA
Black Bonds was an exhibition which reinvented anti-art’s collaborative spirit.
‘Our solution was to save them by blacking them out, canceling the image/object. A positive/negative, deconstruct to reconstruct, chaos to order to chaos… We decided to show these reclaimed paintings and dedicate the show to George Grosz’s Deathdada, caught in the flux between dissonance and consonance.’ Steven Parrino 2001