JOHN M ARMLEDER, Cercle et Carré, 1987
ca 130 x 30 x 20 cm
handmade pedestal; wood, paint, lamp, perforated metal plate, electricity wire
signed, numbered on certificate with instructions
edition 18, here 12/18
published by Galerie Anselm Dreher, Berlin, Germany
condition: excellent, although painted pedestal with original patine has minor paint chips
€ 4.600,- plus transport costs
inv.JMA 1046-47

Sometimes an edition is loaded with information about the artist’s mindset while its appearance suggests the opposite, for a part due to its self-evidence. Such a piece is ‘Cercle et Carré’ with its geometrical forms, the aesthetics of simplicity, the functionality of formal design, the ambition of the avant-garde and humour; it is all there.
John Armleder is renowned for re-introducing abstract art in a dominating one-way art market in the early eighties of the previous century, for referring to predecessors in art history (hence the title ‘Cercle et Carré’) and for ‘making art that is comparable to making a B-film’ as he describes it. In this sense this edition is as banal as that. ‘Cercle et Carré’ has the look of a modernist Italian design, yet all three parts have been composed and put together by the artist, as if it is an installation. He put together lamp, pedestal and a piece of metal, then switched on the light. KvG

 
In the eighties John M Armleder told me that the work he makes is similar to making B-movies. Here one could conclude that ‘Circle et Carré’ looks very much like the work of a designer. Indeed the lamp on itself is a design, but his installation with metal grid on the wall is a remarkable ephemeral addition by the artist.

inv.JMA 1045