KRISTJAN GUDMUNDSSON, Ef/If, 1974
21 x 21 cm
SC, 4 pp., hand bound; screen print on various kinds of paper, glued, linen spine
edition 200, here 1/200
only 3-5 copies have been produced
published by Silver Press, Amsterdam / Reykjavík
condition: aged, with light bend in cover, minor foxing
€ 3.600,- plus Track & Trace registered mail
In the seventies Kristján Gudmundsson lived with his family in a large appartement in the Daniel Stalpaertstraat in Amsterdam. He produced more than a few books and “Ef/If” was one of his hand made artist’s books published by Silver Press, founded and owned by himself in Reykjavík, Iceland.
The complete book is in screen print, also the printed text on tracing paper that introduces the concept of the book:
Ef staer∂ þessarar si∂u táknar ibúafjölda jar∂arinnar, þá tákna hringarnir ibúi Kina, Tanzaníu of Íslands.
If the size of this page represents the number of people in the world, then the circles represent the people of China, Tanzania and Iceland.
The works of Kristjan Gudmundsson invite to contemplate on his method of working related to what his art encompasses. Usually texts on his works contain either personal memories or chronological summery. In fact, in many works he attempts time by time again to capture factual data into hand sized works, like here in this thin booklet that contains the amount of inhabitants of China, Tanzania and Iceland. In the middle of the last page a tiny bright white screen printed (sic) dot of 1 mm diameter may be detected, when exposed to strong daylight.
Right from the start the production of the book caused problems. In order to keep the costs low the text was prepared for the printer through adhesive letters, hence the dancing letters on the title page. The running direction of paper was not taken into account which caused waving binding. The very thin tracing paper of the first page stuck to the screen when printed. And the most problematic part of the book was the white circular dot of less than 1 millimeter on the last page; with a magnifying glass the print had to be checked every time, and more than quite often no dot at all could be detected; again a misprint. Not being well provided with capital Kristjan Gudmundsson soon stopped the production.
A very fragile and extremely difficult book to find; in Kristján Gudmundsson’s catalogues and monographs this book is always overlooked. Therefore, by now it may be considered almost as a unique work of art. KvG