KRISTJÁN GUDMUNDSSON, Drawing, 1989
38 x 18 x 4 cm
solid graphite, paper
signed, numbered, dated
edition of 12
very rare
Galerie van Gelder Editions, Amsterdam, Netherlands
€ 4.800,-
Category Archives: multiples
JOHN M ARMLEDER, 24, 1989

’24’, 1989
Ø 10 cm, edition of 24
chrome metal, black cardboard box
engraved J.A. 19/24
published by ECART Edition, Geneva, Switzerland
€ 1.950,- plus € 13,- Track & Trace registered EU mail
inv.JMA 000-pr
B. WURTZ, Survival, 1989 [exhibition card]

B. WURTZ, Survival, 1989
10,2 x 14 x 0,6 cm
invitation card, hand stamped on cardboard
hand signed and numbered
edition 1045, here nr 13/1045
published by Feature, New York, USA
splendid condition
rare
€ 220,-
inv.BWur 851

CARSTEN HÖLLER, Zukunft ist wichtiger als Freizeit., 1989
CARSTEN HÖLLER, Zukunft ist wichtiger als Freizeit., 1989
5,4 x 4,9 x 0,6 cm
2 match books, vintage colour photo (8,8 x 13,1 cm)
edition 5000
hand out, published by the artist
mint condition
each € 130,- plus € 15,- Track & Trace EU registered mail
inv.CHoe 249
Carsten Höller was flabbergasted by Helmut Kohl’s speech at the Deutschen Ingenieurtag on 26th of May 1987 given in Munich, Germany: “…Wer über die Zukunft unserer Gesellschaft mitentscheiden will, tut gut daran, dies nicht nur in der unbeständigen Aufgeregtheit des Zeitgeistes zu tun, sondern mit Nachdenklichkeit und Besonnenheit.”
“…Einer Gesellschaft, in der für viele die Freizeit immer mehr zum wichtigsten Wert wird, ist schwer verständlich zu machen, dass Zukunft wichtiger ist als Freizeit und dass Zukunft ohne Anstrengungen nicht gesichert werden kann.”
The idea that a future with efforts or even hard labour, i.e. ‘Anstrengungen’, is more important than leasure time made the artist decide to appropriate the slogan of German politician Helmut Kohl.
JOHN M ARMLEDER, Untitled [flag], 1988

untitled, 1988
200 x 300 cm
polyester flag
edition of 10
Published by Gran Pavese, The Hague (?), Netherlands
John M Armleder has worked for more than thirty years, starting off in the 1960s as a performance artist in the Fluxus inspired Geneva group Ecart (trans. French for ‘diversion’). Rather than work out of a studio, he travels, using galleries as studio spaces, working up shows in response to particular spaces, opportunities, possibilities. Here a flag of dots was made for a flag project in The Netherlands in 1988.
JOHN M ARMLEDER, Furniture Sculpture 193, Caprice, 1988

‘Furniture Sculpture 193, Caprice’, 1988
Ø 25,4 cm
engraving on bowling ball Caprice by Columbia, vinyl bag
edition 24
not signed, unnumbered
comes with vintage label hand written by JMA and used at Art Basel Edition 1992
€ 3.000,- plus € 32,- Track & Trace registered mail
inv.JMA 994-label

ROB SCHOLTE, Mens erger je niet! / Ne l’en fais pas!, 1988
ROB SCHOLTE, Mens erger je niet! / Ne l’en fais pas!, 1988
300 x 200 cm
hand knotted carpet with white tassels
signed, numbered and dated on linen cloth
edition 15
mint
published by Equador Production, Brussels, Belgium
€ 9.500,-
inv.RSchol 394-pr


history
Installation of this carpet (version with black tassels) at Ranbir Singh/Petra Grunert’s home in Brussels, Belgium, in 1990
DAVID ROBILLIARD, Old Flames are Dead Matches, 1987
DAVID ROBILLIARD, Old Flames are Dead Matches, 1987
4 x 5,6 x 0,6 cm
matchbox, matches with coloured heads
signed and dated in print
edition unknown
published by Friedman-Guinness Gallery, Frankfurt, Germany
mint condition
rare
each € 195,- plus € 15,- registered mail Trace & Track
inv.DRob 1160_1161-pr
David Robilliard (1952-1988) was a self-taught painter and poet. He shared a studio with Andrew Heard and met Gilbert & George in 1979 who called him their favourite poet. Later on he became one of their models and appeared as the angry young man in the film “The World of Gilbert & George” made in 1981. His poetical one-liners were super fluently present in his paintings and his poetry was performed frequently by the group The Robilliards, Stephen Chamberlain, and Mental Mary who put Robilliard’ s texts into songs.
LAWRENCE WEINER, Ab ovo usque ad mala, 1987
LAWRENCE WEINER, Ab ovo usque ad mala, 1987
diameter dinner plate: 26,5 cm
porcelain dinnerware, 4 parts
hand signed on certificate, numbered and also signature baked in porcelain
edition 250 + 10 AP + 5 HC
pristine
published by Fodor Museum, Amsterdam
€ 680,-plus € 32 Track & Trace registered EU mail
inv.LW 000-pr
‘Ab ovo’ (Latin: “from the origin, the egg”) is a reference to one of the twin eggs from which Helen of Troy was born. The eggs were laid by Leda after mating with Zeus disguised as a swan. As a metaphor the words refer to the beginning of something ominous; had Leda not lain the egg, Helen would not have been born, so Paris could not have eloped with her, so there would have been no Trojan War. This expression is distinct from the longer phrase ‘ab ovo usque ad mala’ (Latin: “from the egg to the apples”) which appears in Horace’s Satire 1.3. It refers to the course of a Roman meal, which often began with eggs and ended with fruit. Here obviously Lawrence Weiner understood the Latin phrase as the similar American English phrase ‘from soup to nuts’.
CESARE DA SESTO, Leda and the Swan, ca 1506-1510
In ‘Leda and the Swan’ Helen’s birth is depicted, painted after a lost painting by Leonardo da Vinci. Helen and Clytemnestra are shown emerging from one egg, Castor and Pollux from another.
KEITH HARING, untitled, ca 1986 [multiple; puzzle]
KEITH HARING, Untitled, n.d. [ca 1986]
10,3 x 10,3 x 4 cm
offset on 100 jig saw pieces, cardboard box
edition unknown
condition: splendid, not signed
published by Pop Shop, New York, USA
provenance Pop Shop, New York in 1986
rare
inv.KHar 000-pr
Added information
Item shown below was sold at Roseberys London Fine Art Auctioneers 7 July 2020:






