TAKAKO SAITO, performance at Galerie van Gelder, 2015
29,7 x 21 cm
digital announcement in print
inv.TSait 470
Category Archives: A-I
JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 [poster]
JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 (also known as “Openstelling”)
91,5 x 62 cm
double-sided poster designed by Joëlle Tuerlinckx
published by Provinciaal Museum, Hasselt, Belgium
inv.JTue 000-pr
Joëlle told me that after the opening of her exhibition ‘Dacht en Nacht Open’ she was informed by Stanley Brouwn that he does not appreciate to be mentioned in exhibitions he does not know about. Joëlle decided to meet his wish by crossing out his name on the posters. Recently she told me that this crossing is a drawing for her and that she would even be willing to sign it as such in case such a crossed poster would pop up somewhere.
Talk with Rudy Hodel in GvG, April 2025
“Openstelling” is an exhibition based on a concept of Joëlle Tuerlinckx who invited or integrated the following artists:
Orla Barry
Stanley Brouwn
James Coleman
Tacita Dean
Daniel Faust
Christoph Fink
Michel François
Thibaut Halbardier & Philippe van Van Cutsem
Douglas Huebler
Ann-Veronica Janssens
On Kawara
Suchan Kinoshita
David Lamelas
Guy Mees
Bernard Piffaretti
Michaelangelo Pistoletto
Joëlle Tuerlinckx
Marijke van Warmerdam
Richard Venlet
FELIX GONZALEZ-TORRES, Nowhere better than this place. / Somewhere better than this place, n.d. [2008]
FELIX GONZALEZ-TORRES, Nowhere better than this place. / Somewhere better than this place, 1989-1990, 2008
2 parts, each 58,4 x 74 cm
offset on thin paper, vintage prints from pair of stacks
unlimited edition
€ 245,- + € 24,- Track & Trace registered EU mail
inv.FGT 000-pr
Ref. Two Works by Felix Gonzalez-Torres Colby Museum of Art, Waterville, Maine, USA
JOHN M ARMLEDER, untitled, n.d. [1992], invisible print
JOHN M ARMLEDER, untitled, n.d. [1992], invisible print
60 x 60 cm
print on heavy paper, pigment powder, invisible ink
signed, numbered
edition 30, here nr. 6/30
very fine condition
published by Vous Êtes Ici Editions / The Blind Faith Series, Amsterdam
€ 750,- plus € 28,- track & Trace registered mail
During a period of five years various artists have been invited by Vous Êtes Ici Editions to make an invisible ink print. The buyer was supposed to scratch the surface of the paper by means of a lead pencil through which 25 dots are created on the invisible ink printed.
<--History of price: The Archive is Limited, Amsterdam € 400,- August 2021-->
FELIX GONZALEZ-TORRES, Untitled (Double Portrait), 1991 [print from stack]
FELIX GONZALEZ-TORRES, Untitled (Double Portrait), 1991
69 x 98 cm
stack with offset posters, gold ink on paper
unlimited edition
condition: excellent
published by the artist
€ 260,- plus € 24,- Track & Trace registered EU mail
inv.FGT 000-pr
See Tate Modern: Untitled “Double Portrait”
History of price:
Baldwin, London, UK December 2024 GBP 850.-
Archives, Paris, France January 2024 US$ 504.-
Roseberys, London, UK 30 November 2022 € 370,- (hammer price)
Piasa, paris, France 22 February 2017 € 1.400,- (hammer price)
GENERAL IDEA, General Idea Magi© Bullet, 1992 [signed balloon]
GENERAL IDEA, General Idea Magi© Bullet, 1992
65 × 25 × 25 cm
aluminum foil
signed, numbered
edition 100
published by General Idea, Toronto, Canada
pristine as published, no sharp and frequently folds as is usually the case
mint, extremely rare in this condition
€ 420,- plus € 32,- Track & Trace registered mail
inv.JK 000-pr
General Idea was a collective of three Canadian artists Ronald Gabe (1945–1994), Slobodan Saia-Levy (1944–1994), and Michael Tims (b. 1946). They met in Toronto in 1969, and later took the names Felix Partz, Jorge Zontal and AA Bronson. They started to name themselves as General Idea after they were addressed as such when they proposed an exhibition plan.
This item is extremely well preserved without line folds as is usually the case, due to flat storage in cardboard box and the fact that it was directly purchased from the publisher. See website of MoMA Collection in New York, USA. Felt pen signature is in splendid condition.
History of prices:
Waddington’s Auctioneers, Toronto, Canada 1 may 2025 € 319,- (hammer price)
Zwiggelaar Auctions, Amsterdam 23 June 2023 € 260,- (hammer price)
Grisebach, Berlin, Germany 26 February 2021 € 550,- (hammer price)
Grisebach, Berlin, Germany 14 March 2021 € 687,- (hammer price)
Waddington’s Auctioneers, Toronto, Canada 17 March 2016 € 155,- (hammer price)
Art Metropole, Toronto, Canada June 1993 SFr 150,-
VOEBE DE GRUYTER, Mist Walks 1996-1999, 1999 [artist’s book]
VOEBE DE GRUYTER, Mist Walks 1996-1999, 1999
21 x 15 cm,
artist’s book, stapled, 16 pp., SC
light weight and semi transparent plastic bag, ink stamped card, dustcover comes in three colours
signed, dated
edition ca 50
published by Galerie van Gelder, Amsterdam
inv.VdG 451
This book contains stories about mist seen by the artist in various situations and places. In a plastic sleeve envelope at the back of this artist’s book one finds a very thin bag to be pulled over one’s head, as an added card reads: “Suggestion for a mist walk”.
FRANCIS ALŸS, Lada Kopeika Project, 2014 [postcard]
FRANCIS ALŸS, Lada Kopeika Project, April 16 – 21, 2014
10,5 x 14,8 cm
postcard, with texts in Russian and English
edition unknown
published by Manifesta 10
€ 45,- + € 8,- Track & Trace registered EU mail
inv.FAly 471-pr
The text on this card reads: ‘When we were young, my brother and I shared a 1981 Lada Riva. One day we decided to escape our bourgeois Belgian society and drive to Leningrad. But the car broke down and soon after our lives parted. 30 years later I invite my brother to drive from Belgium to St.Petersburg, now in a 1977 Lada Kopeika. Upon arrival we’ll crash the car into a tree in the courtyard of the Winter Palace, together with the illusions of our youth.
Without an ending there is no beginning.’
Francis Alÿs is well-known for a walk called The Green Line through Jerusalem, along the 1948 partition lines, through armed checkpoints, holding a leaking can of paint: ‘Sometimes doing something poetic can become political and sometimes doing something political can become poetic’.
Additional information
DAVID HORVITZ, Studio Rent Editions, 2017 [rent for March]
Photo: K. van Gelder
DAVID HORVITZ, Studio Rent Editions [March], 2017
30,4 x 22,8 cm
ink drawing on tracing paper, envelope
signed, numbered, dated
edition 10
published by the artist
inv.DHor 000-pr
mail d.d. 15 March 2017 from David Horvitz:
Hi Everyone,
Here is info for March’s studio rent edition.
It is tracing paper.
I have traced with pen 35 scratches on a board that my cat has scratched.
It is March, and this month I turn 35.
So this is using cat scratches to count the years!
This is actually part of the process of making another work, which should be done in some months… Where I needed to get a trace of a cat scratch to make a gold foil stamp of it…
Space 251 Nord – Investigations, 1985 [catalogue]
Space 251 Nord – Investigations, 1985 [Place Saint Lambert, Liège, Belgium]
40,4 x 28 cm
oversized catalogue, ca 50 black & white ill.,
good condition with slightly discoloring on cover, book block separated from spine due to aged Lümbeck binding
€ 165,- plus € 18,- Track & Trace registered EU mail
inv.Spa 000-pr
This catalogue is featuring 38 artists participating in Investigations at Space 251 Nord in Liège: Jacques Charlier, Leo Copers, Michel François, Anne Veronica Janssens, Bernd Lohaus, Luigi Ontani, Sigurdur Gudmundsson, Guillaume Bijl, Klaus Jung, Michel Moffarts, Panamarenko, Dan Van Severen, a.o.
Also poster available.
