ADITYIA MANDAYAM, The Ooze, 2018
12 x 17 cm
book, offset, SC, 144 pp.
interview and texts by Aditya Mandayam (ca 30%)
other texts by Chris Fitzpatrick, Andrea Liu, Michal Novotny and Kees van Gelder
here signed in red ink
edition 500
published by Roma Publications, Amsterdam, Netherlands / Kunstverein München, Germany
Usually so-called artist’s books with texts by others than the artist involved are expelled from The Archive is Limited. This book invites to make an exception. “The Ooze” contains 49 pages of 144 that have been written by Aditya Mandayam. The front and back of the cover show reproduced drawings by the artist. “The Ooze” gives an insight in the thinking of Brud through theories and statements.
PIETER LAURENS MOL, black and white photo, vintage, ca 1990
20,2 x 12,6 cm
black and white photo, vintage
studio view Planciusstraat 5 B, Amsterdam
Photo: K. van Gelder
inv.PLMol 138-pr
In March 1997 Galerie van Gelder took over this studio and moved from the second to the first floor of the building.
The negative of this analogue photo print is lost.
PIETER LAURENS MOL, black and white photo, vintage, ca 1990
12,6 x 20,2 cm
black and white photo, vintage
studio view Planciusstraat 5 B, Amsterdam
Photo: K. van Gelder
inv.PLMol 137-pr
In March 1997 Galerie van Gelder took over this studio and moved from the second to the first floor of the building.
The negative of this analogue photo print is lost.
PIETER LAURENS MOL, black and white photo, vintage, ca 1990
12,6 x 20,2 cm
black and white photo, vintage
studio view Planciusstraat 5 B, Amsterdam
Photo: K. van Gelder
inv.PLMol 136-pr
In March 1997 Galerie van Gelder took over this studio and moved from the second to the first floor of the building.
The negative of this analogue photo print is lost.
PIETER LAURENS MOL, black and white photo, vintage, ca 1990
12,6 x 20,2 cm
studio view Planciusstraat 5 B, Amsterdam
Photo: K. van Gelder
inv.PLMol 135-pr
In March 1997 Galerie van Gelder took over this studio and moved from the second to the first floor of the building.
The negative of this analogue photo print is lost.
TWAN JANSSEN, Still, stage property # 98013, 1998
VHS film, 10’5”
cassette (20 x 12 x 3 cm), digital couver print, video tape, sticker
signed, numbered
edition 5, here number 3/5
published by the artist
Collection K. van Gelder, Amsterdam
MIKE KELLEY, The Destroy All Monsters Assortment, 2002
19 x 19 cm
plastic bag, paper strip, stapled, 15 parts
including pin
with Jim Shaw, Cary Loren
edition 300, second series
inv.MKel 000
added Monster Masher Nickel Bag, n.d.
sealed cellophane envelope with 8 cards
10,5 x 8,7 cm
published by The End Is Here Productions, Detroit, USA
This edition comes with a purple coloured pin depicting a white panter with the text ‘music is revolution’. On the side of the pin in tiny letters the publisher is mentioned, namely www.thebookbeat.com that brings you to a website with punk, unusual books and publications.
YOKO ONO, 20 postcards – Drawing from Franklin Summer, 1995
16 x 23,3 cm
ink stamped envelope with 20 postcards, each 17,5 x 11,4 cm
signed in print ’94
vintage; 1st print
published by Carte d’Arte, Messina, Italy in 1995 rare in this condition: cards mint, envelope in excellent shape
€ 195,- plus € 18,- Track & Trace registered EU mail
inv.YOno 87-pr
History of price:
UnoriginalSins, UK February 2024 GBP 140.-
Idea Nowonline, September 2022 GBP 95.-
YAYOI KUSAMA, Pumpkin, 2019
61 x 43 cm
bath mat – small, print on polyester fabric
published by Redbubble, Docklands, Victoria, Australia
€ 295,- plus € 12,- Track & Trace registered EU mail
inv. YKusa 937-pr
In 2019 for a very short period a bath mat (both small and large) with printed pumpkin was offered for sale. The design was striking since only circa 5% of the surface was used for the image. In less than two months it was taken from the website of Redbubble.
Redbubble is a global online marketplace for print-on-demand products based on user-submitted artwork. The company was founded in 2006 in Melbourne, Australia, and also maintains offices in San Francisco and Berlin in 2017.
