YAYOI KUSAMA, Pumpkin stickers Yellow/Black, glossy, 2019
each 8,3 x 20,4 cm
3 sticker sheets
edition print-on-demand
published by Redbubble, Melbourne, Australia
inv.YKus 775
Redbubble is a global online marketplace for print-on-demand products based on user-submitted artwork. The company was founded in 2006 in Melbourne, Australia, and also maintains offices in San Francisco and Berlin.
YAYOI KUSAMA, Pumpkin stickers Yellow/Black, glossy, 2019
8.3 x 20.4 cm
sheet with 2 stickers
edition print-on-demand
published by Redbubble, Melbourne, Australia
inv.YKus 775
Redbubble is a global online marketplace for print-on-demand products based on user-submitted artwork. The company was founded in 2006 in Melbourne, Australia, and also maintains offices in San Francisco and Berlin.
YAYOI KUSAMA, Purse – black dots on yellow, 2019
11 x 14 x 4,5 cm
embroidered signature on inside label, leather purse, colophon on card in Japanese, protection bag
published by Lammfromm / Workaholics Inc., Tokyo, Japan
pristine
For purchase see: Yayoi Kusama Yayoi Kusama Shop
inv.YKus-pr
History of prices:
eBay-JDMotorgear, Japan January 2026 US$ 328.-
eBay-JPN_Art, Nara, Japan January 2026 US$ 299,-
Tate Modern, London, UK January 2026 GBP 170.-
Serralves Museum, Porto, Portugal January 2026 € 195,-
Yayoi Kusam Store, January 2026 € 108,-
Tate Modern, London, UK January 2023 GBP 170.-
MoMA, New York, USA February 2022 US$ 150.-
Tate Modern, London, UK February 2022 GBP 170.-
Lammfromm, Tokyo, Japan, February 2022 JP¥ 9,800 / € 75,-
YAYOI KUSAMA, Untitled, 2004
21 x 14.8 cm
offset, 10 stickers on sticker sheet, cellophane envelope
signed in print
published by Workaholics Inc.
inv.YKusa 771
ERIC ANDERSEN, For Your Comfort, 1980
21 x 4 cm
booklet, 34 pp., spiral binding, loose label as issued
edition 40
signed
published by Edition Hundertmark, Düsseldorf, Germany
condition: top page very lightly yellowed
€ 340,- plus € 13,- Track & Trace EU registered mail
inv.EAnd 925
This edition is part of a special Hundertmark Edition Box with works of 23 artists Armin Hundertmark worked with. The artists contributed to this box on behalf of the 10th anniversary of the publisher and gallerist Hundertmark.
Eric Andersen thought it appropriate to give the owner of the box to tear a page out of his booklet for having it glued to another contribution. The tab reads: ‘FOR YOUR COMFORT. Glue on this art-collection-tab any art-work from the also enclosed 10th anniversary Hundertmark Edition box.’
Participating artists:
ERIC ANDERSEN, “For your comfort” , a small spiral booklet with texts and a note enclosed: “signature for the 10th anniversary hundertmark edition, eric andersen.”
JOSEPH BEUYS, “Aufruf zur Alternative”, Frankfurter Rundschau from 23.12.1978 with text of Beuys, stamped: “Wählt DIE GRÜNEN”, signed and numbered, a bronze sculpture, signed, 8.3 x 2.7 cm, a sawed tree trunk and the sawed place is sealed with wax again, signed, 18 x 1,6 cm.
BERNH. JOH. BLUME, a drawing, felt pen, signed and dated.
CLAUS BÖHMLER, “Aufzeichnungen, das Bild zum Ton vom Saxophon, Fixierung & Wiederholung von Zeit“, a photocopy and a tape cassette, titled, signed, dated and numbered.
GÜNTER BRUS, “JUBILÄUMSBLATT”, a pencil and colored drawing, signed and dated.
ROBERT FILLIOU, “The Eternal Network Presents: /MULTIPLE A EXEMPLAIRE UNIQUE…”, a green DIN-A5 index card, written and stamped, signed, dated and numbered.
JOCHEN GERZ, “Kein Wort mehr über Pyramiden & Maßstäbe / die Pyramiden standen noch was rum, als wollen sie was fragen” , brown color and text on cardboard, signed, dated and numbered.
TAKA IIMURA, “SELF IDENTIY 1 (1974)”, a video score, color photo on a photocopy, signed, dated and numbered.
DIETMAR KIRVES, “Ansichten” , a photo collage, signed and dated.
MILAN KNIZAK A, spray picture, collage, signed.
ALISON KNOWLES, “BEANS PROMOTE DREAMING”, a biscuit with a baked strips of text, signed.
BORIS LURIE, “NEIN”, aA stenciled picture, signed and numbered.
HERMANN NITSCH , plaster, collage, signed and dated.
ARNULF RAINER, “Als Toter im Atelierschmutz”, photo, signed and dated.
GERHARD RÜHM , Letter collage, signed, dated and numbered.
TAKAKO SAITO, “Fortune”, a plastic bag with salt and a crystal ball, signed.
KONRAD BALDER SCHÄUFFELEN, “L´usage des Cailloux” An Isa-stone with the word cloud on it, into a wooden box, signed, dated and numbered.
TOMAS SCHMIT, “drei striche”, dDrawings, signed, dated and numbered.
DOMINIK STEIGER,”Hi – fi, Low nose”, a tape cassette, signed, dated and numbered.
FRITZ SCHWEGLER, “für FÜNF MÄHENDE WEHEN am Pfaffenwald”, a drawing, signed and dated.
JIRI VALOCH, “eye piece”, Abraisons letters on cardboard, signed, dated and numbered.
BEN VAUTIER, “Ink Stamp 1958“ , ink spots on blotting paper, signed, dated and numbered.
STEFAN WEWERKA A Lithograph, signed, dated and numbered.
JAAP KRONEMAN, Writing my memories at seventeen, 2006
DVD, 6 dried clay heads of lettuce, water colour paint, handmade cover
signed on DVD cover, verso on one of the heads of lettuce, signed + dated on disc
numbered
edition 4
published by Galerie van Gelder, Amsterdam
€ 380,-
inv.JK 755-756
JOHN M ARMLEDER, Concert piece project, 1975
10,2 x 14,8 cm
postal card with ink stamps
signed, numbered, postal stamp dated: ’26 IX 75′
here numbered 2/10
edition 10
rare
John M Armleder contributed to the Art Information Festival in Middelburg, Netherlands in 1975. This Festival was initiated and organised by Peter van Beveren.
inv.JMA 748
‘The idea of John and his Ecart Performance Group consisted of a performance based on a composition for three musicians and a conductor. In preparation for the concert, they spent a few days with me in Middelburg, as you can read in the sender’s details, id est “Ecart Publications” at the Art Information Center.
Through this edition, the concert was announced to, among others, around 20 people and institutions as a “Concert Piece Project” with the title “Chant Piano, Seul Chant”. The small stamps were part of my stamps with which I decorated correspondences and are here symbolic of the number of objects that were part of the concert.’
‘The piece of music set up by John Armleder consisted of three gentlemen sitting behind a table, namely John Armleder, Patrick Lucchini and Carlos Garcia. There were dozens of small items on the table, from toys to shredded paper. I was the conductor and with my baton, standing behind a lectern, I indicated who had to make as much noise as possible with the object of my choice for a few seconds. A score of John’s concept was handed out to the public.’
Peter van Beveren in a mail d.d. 9 August 2019
inv.PvBe 749
Further information:
PETER VAN BEVEREN, catalogue page “The Art Information Festival”, 1975; the concert took place on 26 September 1975.
Close up of the ink stamp in a book of stamps by Peter van Beveren.
JUTTA KOETHER & STEVEN PARRINO, invitation, 2002
29,7 x 21 cm
print out on paper
mail from E-flux for Black Bonds in Swiss Institute, New York, USA
Black Bonds was an exhibition which reinvented anti-art’s collaborative spirit. ‘Our solution was to save them by blacking them out, canceling the image/object. A positive/negative, deconstruct to reconstruct, chaos to order to chaos… We decided to show these reclaimed paintings and dedicate the show to George Grosz’s Deathdada, caught in the flux between dissonance and consonance.’ Steven Parrino 2001
inv.SP 746
OLIVIER MOSSET, Untitled, 1991
ca 50 x 80 cm
screen print
signed, dated, numbered
edition 100
mint
€ 2.200,- plus € 15,- Track & Trace registered mail
Olivier Mosset is known for his circle paintings he made in the sixties. Basically he is interested in not only hard edge and monochrome paintings, but also in geometric signs like the letter A, dollar signs, crosses, squares, etc. Here he makes a small square balancing on one of its corners by using two arrows.
History of prices:
Catherine Issert, Saint Paul de Vence, France January 2026 € 3,000.-
Galerie Eva Vautier, Nice, France € 3.000,- March 2020
Galerie Eva Vautier, Nice, France € 2.500,- June 2019