MARTIN KIPPENBERGER, Pop In, 1987 [7 inch vinyl record, signed]

MARTIN KIPPENBERGER, Pop In, 1987
vinyl 7”, sleeve
edition 25, here 20/25
recto: signed, numbered
regular edition 500
published by Forum Stadtpark, Graz, Austria
pristine, never played
€ 1.850,- incl. registered mail with Track & Trace
inv.nr MKip 652

History of prices:
Sims Reed Ltd, London, € 2.357,- December 2024
Unoriginal Sins, Midlothian, UK GBP 1,950.- October 2023
eBay-jelisex, € 1.200,- 25 January 2021 (crumpled couver)
Sims Reed Ltd, London, US$ 2,319.- March 2020
Dreweatts & Bloomsbury, signed edition, GBP 1,364.- 5 December 2013
Discogs, last sold signed edition, € 230,- 13 July 2013

MIKE KELLEY, Love, Theft, Gifting and More Love, 2009 [tattoo patch print]

MIKE KELLEY, Love, Theft, Gifting and More Love, 2009
15,6 x 17,2 cm
iron on patch print; bent as issued, instruction in print
& LOUISE LAWLER, No Smoking, 2009 (match book)
booklet, 24 pp.
cardboard box (19 x 14 x 3 cm) with sticker on Mylar lid with silver coloured rubber band
including 12 cards by Mike Kelley / Louise Lawler, Sophie Calle, Trisha Donnelly, Felix Gonzalez-Torres, Sam Durant, Fabrice Gigi, Jamie Isenstein, Leigh Ledare, Mai-Thu Perret, Aura Rosenberg, Greg Parma Smith and Lawrence Weiner
published by Swiss Institute, New York, USA
mint condition
€ 190,- plus € 18,- Track & Trace EU registered mail
inv.MK 04-pr

History of prices:
eBay-artplus, New York, USA March 2024 US$ 300.-
D.R. Fine Arts, New York, USA May 2023 US$ 300.-
D.R. Fine Arts, New York, USA May 2022 € 250,-
AbeBooks September 2017 US$ 500.-

ROB PRUITT, untitled, 2011 [business card]

ROB PRUITT, untitled, 2011
5,4 x 8,5 cm
business card of Gavin Brown’s enterprise
published by Gavin Brown’s Enterprise, New York, USA
€ 35,- plus registered mail Track & Trace

During Art Basel 2011 this 2-colour card was handed out to interested visitors of the booth of Gavin Brown’s Enterprise.
RPrui 609

KLAAS KLOOSTERBOER. No title, 1992 [disk edition]

KLAAS KLOOSTERBOER. No title, 1992
diameter 24,7 cm
hand perforated pre-primed linen, linen bound cassette (27 x 26,5 x 1,2 cm)
series of 20 unique pieces, here number 5/20
signed, dated, numbered
published by Galerie van Gelder Editions, Amsterdam
pristine condition
each € 680,- plus € 13,-Track & Trace EU registered mail


NB
Your purchase order may result into the choice of another number shown above. The work is supposed to be mounted with tiny nails to a wall. So each disc has 4 to 5 prefabricated pin holes.

 

number 15/20

 

number 18/20

 

JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 [poster]

JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 (also known as “Openstelling”)
91,5 x 62 cm
double-sided poster designed by Joëlle Tuerlinckx
published by Provinciaal Museum, Hasselt, Belgium
inv.JTue 000-pr

Joëlle told me that after the opening of her exhibition ‘Dacht en Nacht Open’ she was informed by Stanley Brouwn that he does not appreciate to be mentioned in exhibitions he does not know about. Joëlle decided to meet his wish by crossing out his name on the posters. Recently she told me that this crossing is a drawing for her and that she would even be willing to sign it as such in case such a crossed poster would pop up somewhere.
Talk with Rudy Hodel in GvG, April 2025

“Openstelling” is an exhibition based on a concept of Joëlle Tuerlinckx who invited or integrated the following artists:
Orla Barry
Stanley Brouwn
James Coleman
Tacita Dean
Daniel Faust
Christoph Fink
Michel François
Thibaut Halbardier & Philippe van Van Cutsem
Douglas Huebler
Ann-Veronica Janssens
On Kawara
Suchan Kinoshita
David Lamelas
Guy Mees
Bernard Piffaretti
Michaelangelo Pistoletto
Joëlle Tuerlinckx
Marijke van Warmerdam
Richard Venlet

WJM KOK, Maxi-Color, 1992 [color book]

WJM KOK, Maxi-Color, 1992
33,9 x 25 cm
offset, stapled color book
signed, numbered, dated
edition 200
condition: scuffed front couver
published by the artist

 

This edition was never completed; circa 50 copies were made. Here a used copy with sticker residues is shown.

The prints and paintings (1991-present) with the name Maxi-Color are part of a large group of works in which an industrial product is appropriated by the artist. On the one hand, this group of works can be divided into ‘appropriation art’ and, on the other hand, into a product that is ‘already made’ as Marcel Duchamps put it. An ‘objet trouvé’ as the colour book featured above.