MICHELANGELO PISTOLETTO, Le Ultime Parole Famose, 1967

MICHELANGELO PISTOLETTO, Le Ultime Parole Famose, 1967
7,6 x 12,6 cm
artist’s book, letterpress, stapled
text in Italian and English
edition 60
published by the artist
naturally discoloured due to its wood-containing paper, light bump top right
good, uncommon in this condition
€ 395,- plus € 18,- registered mail
inv.MPis 155

 

This booklet is the first artist’s book by Michelangelo Pistoletto in a limited edition of 60 copies as is stated by him in a publication of Musée d’Art Contemporain in Lyon in France: “Michelangelo Pistoletto Continenti del Tempo”, 2001.
The text is both in Italian and English, the latter being very uncommon at the time! The first line in the book may be considered as the kernel of the whole manifesto and states what it means to be an artist:

“When a man realizes that he has two lives – an abstract one for his mind and a concrete one which is also for his mind – he ends up either like a mad-man, who, out of fear, hides one of his lives and plays the other as a role, or like the artist, who has no fear and who is willing to risk both of them.”

History of prices:
Bruno Tonini/Tonini Editore, Rome, Italy December 2025 € 350,- (poor condition with rusted staples)
Bruno Tonini/Tonini Editore, Rome, Italy February 2025 € 1.000,- (rusted staples)
Tim Byers Art Books, Richmond, UK GBP 650.- April 2023 (discoloured)
eBay-vetiver62, Firenze, Italy US$ 1,800.- April 2023 (poor and discoloured)
Ellis Bierbar, Milano, Italy € 700,- April 2022 (condition unknown)
Tim Byers Art Books, Richmond, UK GBP 650.- October 2021 (discoloured)
eBay-vetiver62, Firenze, Italy US$ 1,800.- October 2021 (poor and discoloured)
eBay-many-giochi, Rome US$ 550.- October 2008 (tear and discoloured)
Barneby’s US$ 850.- January 2018 (discoloured)

GLENN LIGON, Untitled (Barber shop), 2009 [illegal street poster, signed]

GLENN LIGON, Untitled (Barber shop), 2009
48 x 33 cm
offset, printed on MC paper
splendid condition
€ 950,- plus € 32,- Track & Trace registered EU mail
inv.GLig 97

Originally this poster was clandestinely distributed on the streets in Toronto.

Glenn Ligon is at the forefront of a generation of artists who came to prominence in the late 1980s with conceptually based work that investigates the social, linguistic, and political constructions of race, gender, and sexuality.

verso

HENK PEETERS, Mooi!, 2000 [fax print]

HENK PEETERS, Mooi!, 2000
21 x 29.7 cm
unique fax print

In 2000 Galerie van Gelder invited Henk Peeters for a solo exhibition for which he proposed to cover the gallery space with artificial grass and cow hides on the walls. For that an invitation card was made that he apparently liked and commented with ‘Mooi!’, meaning ‘Beautiful!.

BRUCE NAUMAN, Soundtrack from First Violin Film, 2016 [signed vinyl LP]


Photo: K. van Gelder, Amsterdam

BRUCE NAUMAN, Soundtrack from First Violin Film, 2016
32,3 x 32,3 x 1 cm
vinyl LP, 2 LP covers, inlay with text, fluorescent Perspex cassette, 5 parts
edition 100 + 12 AP, here regular number 59/100
signed, dated, numbered
published by Die Schachtel, Milan, Italy / Tanglewood Press Inc. New York, USA
mint (never played)
€ 2.200,- plus € 32,- Track & Trace registered EU mail
inv.BNau 605-06

 

Ref. Bruce Nauman Soundtrack from First Violin Film, 2016.
https://www.soundohm.com/product/soundtrack-from-first-vio

Photo: K. van Gelder, Amsterdam

Photo: K. van Gelder, Amsterdam

History of prices:
No Storefront, Placenza, Italy April 2025 € 1.300,-
Capsule Gallery, New York, USA (AP edition Nr XII) 27 June 2024 € 182,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr X) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr XI) 28 February 2024 € 299,- (hammer price)
Buchhandlung Walther Koenig, Cologne, Germany March 2023 € 1.400,-
Buchhandlung Walther Koenig, Cologne, Germany December 2022 € 980,-
Die Schachtel, Milan, May 2018 € 750

Posted in J-P, multiples, NAUMAN, BRUCE, prints

Galerie Suspekt, Fotografie van: Artur Barrio, a.o., 1983 [poster]

Galerie Suspekt, Fotografie van: Artur Barrio, a.o., 1983
poster
66,5 x 49,2 cm
screen print
condition: good, although with some weak dents
rare
€ 160,- plus € 32,- Track & Trace registered EU mail
inv.map 000

SOL LEWITT, Untitled, n.d. [pin, ca 1990]

SOL LEWITT, Untitled, n.d. [ca 1990]
5,4 x 5,4 cm
glossy print, badge/lapel pin
limited edition
published by Rosa Esman Gallery, New York, USA
rare, splendid condition
inv.SLew 21
p.o.r.

This pin has the sparkling emanation of a broche and was produced for promotional reasons. It was sent to clients of the Rosa Esman Gallery in New York with the aim to draw attention to the solo exhibition of Sol Lewitt, at that time written as Sol Le Witt. The names of “Sol Le Witt” and “Rosa Esman Gallery” are printed on the reverse.
Sol LeWitt made this Wall Drawing #821 in 1982. It bears the title A Square Divided Horizontally and Vertically into Four Equal Parts, Each with a Different Direction of Alternating Parallel Bands of Lines. and became a signature motif with the pictorial power of a traffic sign.

For date reference see also: El Lissitzky, lapel pin, verso dated 1990 in print.

HESTER OERLEMANS / GEERT DE ROOIJ, Star, n.d. [1991]

HESTER OERLEMANS / GEERT DE ROOIJ, Star, n.d. [ca 1990]
ca 93 x 67 cm
various techniques on silk, paper slip with Dutch text: “Dit is de laatste zeefdruk…”
folded as issued
edition 100, here nr 55
signed, numbered
published by Oceaan, Arnhem
DIV.1-HOer 546

 

Oceaan
Het Arnhemse kunstenaarsinitiatief Oceaan startte in de zomer van 1991 de ‘Tentoonstelling per Post’. Onder het motto “Oceaan komt naar U toe!’, had Hester Oerlemans van Oceaan zeefdrukken gemaakt met vier kunstenaars: Rob Birza, Kees Goudzwaard, Annemie van Kerckhoven en Geert de Rooij. Wie deze vier kunstwerken wilde bekijken, hoefde niet naar Arnhem te gaan. Na overmaking van honderd gulden kreeg je ze thuis gestuurd, en daar kon je je eigen tentoonstelling inrichten. “Ik wilde er iets spannends van maken,” vertelde Hester Oerlemans. “Normaal ga je naar een galerie met allerlei verwachtingen, op basis van de uitnodiging, of een affiche. Wij willen die gang van zaken met dit project doorbreken, en de tentoonstelling zo verrassend mogelijk houden. Dus pas als je thuis per post de zeefdrukken hebt gekregen, weet je hoe de tentoonstelling er uit ziet.”