RAYMOND PETTIBON, Garage Tattoo, 2011
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RPat 000-pr
MAI-THU PERRET, ‘Tous les chevaux du rois, 2008’, 2011
21 x 14,8 cm
inkjet print on paper
inlay for catalogue ‘How not to become an artist’, published by Suðsuðvestur, Reykjanesbaer, Iceland, 2011
‘Tous les chevaux du rois, 2008’ – installation of 15 vases
JONATHAN MONK, Grey/Gray, 2012
two 7” vinyl records, sleeves,
numbered on certificate with finger prints of grey paint
edition 100
signed
mint
published by CCA Wattis Institute, San Francisco, USA
€ 360,- plus € 20,- Track & Trace registered EU mail
inv.JMon 206
Within each edition copy Grey/Gray one of the two records is visually unique.
Side A is the sound of black paint being mixed with white. Side B is the sound of white paint being mixed with black.
One is in a black sleeve and the other one in a white sleeve, housed within a clear plastic sleeve with a printed sticker and a small offset printed certificate signed in pencil and painted with grey (English spelling) or gray (USA spelling) finger prints.
GLENN LIGON, I Am A Man, 2011
25 1/2 x 14 x 3 1/2 inches / bag itself approx. 14″x16″
tote bag
published by Modern Art Museum, Fort Worth, Texas, USA
p.o.r.
In 1968, at the height of the Civil Rights Movement, hundreds of black sanitation workers in Memphis went on strike. Famously, they carried signs reading, “I AM A MAN”. This statement “I AM A MAN” started out as an exasperated cry from an oppressed minority to be treated as human. The posters were carried by the workers on strike that drew Martin Luther King Jr. to Memphis, Tennessee the first week of April 1968. After King’s assassination later that week, the poster became a nationally recognized symbol of the struggle for equality and humanity. Twenty years later, Ligon replicated those signs in his painting Untitled, 1988. Working through the legacy of the civil rights movement he has found his artistic voice: this was one of Ligon’s earliest paintings to include appropriated text, an exploration that continues to this day.
JONATHAN MEESE, Scarlettierbaby’s Raspberry Mouth Spirit, 2010
bottle 1/2 litre 40% vol., grey cardboard box
edition 40, signed
comes in original cardboard box
published by Brigade Commerz, Pforzheim, Germany
€ 240,- plus € 18,- Track & Trace EU registered mail
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Jonthan Meese’s adapted label of ‘Scarlettierbaby’s Raspberry Mouth Spirit’, 2010
PAOLA PIVI, It’s a Cocktail Party, 2009
10,2 x 0,5 cm
earrings; white gold, glass, various liquids: red wine, milk, olive oil, ink, woodruff syrup, water, tonic, glycerine and/or coffee
edition 60
published by Portikus, Frankfurt, Germany
sold
PAOLA PIVI, It’s a Cocktail Party, 2010
10,2 x 5 cm
earrings; white gold, glass, various liquids: red wine, milk, olive oil, ink, woodruff syrup, water, tonic, glycerine and/or coffee
edition 60
published by Portikus, Frankfurt, Germany
sold
History of prices offered and determined by:
Portikus, Frankfurt, Germany € 53,50 September 2010
Portikus, Frankfurt, Germany € 53,50 October 2011
OLIVIER MOSSET, Sixteen Cardboard Toblerones, 2010
30 x 40 cm
HC, 16 pages printed with a die-cut model on each page, numbered, signed
edition 125 + 30 A.P.
published by Three Star Book, Paris, France € 240,- December 2010
In this book, the spectator can complete the work, or not. While the «Toblerone» sculptures are references to the Swiss national repast, and to the military bunkers that dot the Swiss landscape, their very repetion reveals their most interesting facet: context and origine. In a smooth act of near industrializing a sculptural process, Mosset has placed Toblerones in a long line of austere and culturally important places, as well as executing them in various media, from ice to steel. The book version is executed in one grey color picked by Mosset, and constitutes a form no less significant in the artist’s repertoire.
© K. van Gelder, Amsterdam
– NB These pictures have been copied by https://arspublicata.com/listing/jonathan-monk-editions / website J. and P. Schellmann, Berlin
JONATHAN MONK, My Height in Yellow Highlighter Pen, 2010
10 x 15 cm
yellow marker, postcard
series of unique hand drawn cards
edition 59 + 10 AP
signed
published by Haubrok Edition, Berlin, Germany
€ 285,- plus € 20,- registered mail Track & Trace
inv.JMon 1114_1116
Jonathan Monk’s both ‘My Height in Blue Ballpoint Pen’ (2003) and ‘My Height in Yellow Highlighter Pen’ (2010) fused the portable character of a postcard with the practice of marking one’s changing height on a wall. The postcards should be installed on any wall with the pen line 178 cm above the floor.
Extra information:
Previously in 2003 Jonathan Monk made this multiple for the Lisson Gallery in London:
JONATHAN MONK, My Height in Blue Ballpoint Pen, 2003
10 x 15 cm
postcard, byro ink
series of unique hand drawn cards
edition 200
signed, dated
published by Lisson Gallery, London, England
This card reads: Install this card on any wall with the line six feet above the floor.
ROB PRUITT, Panda Bear, 2010
178 x 153 cm / 60 x 70 inches
beach towel
Art Production Fund: Works On Whatever, New York, USA
out of stock
Jimmy Choo is teaming up with cool American contemporary artist Rob Pruitt for the Cruise 2013 collection. The collection will include shoes, handbags, and small leather goods using Pruitt’s iconic artwork. Pruitt’s work is rooted in pop culture and his art pieces have been exhibited at museums including, MoMA, P.S. 1 and Tate Modern.
History of prices:
Art Production Fund: Works On Whatever, New York: US$ 95.- November 2010
CHRISTIAN MARCLAY, Carpe Diem, 2010
25 x 3 x 0.8 cm
sterling silver, steel ball bearings, leather
edition of 40
published by White Cube, London, England
not available
Christian Marclay’s practice is often related to sounds, music and sound carriers. ‘Carpe Diem’ is a watch ticking in time and place, although different from a regular one. A clock face lacks, instead this artwork has a flat silver reflective face, with ball bearings within, creating a jangling and defunct tik-tok sound.
History of prices:
White Cube, London, England GBP 1.150.- January 2013