HANNES VAN ES, Great illusion productions, 1991
21 x 29,7 cm
copy of thermo print from fax machine, vintage
condition: very slightly aged
inv.HvE 000-pr
This is a slightly yellowed photo copy of a fax that Hannes van Es sent in the 15th of July 1991.
WALTER DAHN, label with signature, 1989
19,8 x 9,6 cm
signed and numbered label issued for being sewn under woolen carpet “Crowns”
edition 6
produced by Equator Production, Brussels, Belgium
Private collection, Amsterdam
Margin Scheme
inv.WDah 718-pr
This label with signature (1989) was signed and numbered for being sewn under woolen carpet “Crowns” (200 x 300 cm) that was issued in an edition of 6. Each carpet was made on a command-selling base. It is unknown whether all copies have been produced.
In a group exhibition called They See The Light at Galerie van Gelder (11 – 27 August 1991), another hand knotted carpet ‘Two Crowns’ (200 x 200 cm) of Walter Dahn was shown, together with carpets by Milan Kunc, Rosemarie Trockel, Peter Nagy, Rob Scholte, Joseph Kosuth, Donald Baechler, Mark Dagley, Guillaume Bijl and Jiri Georg Dokoupil.
HANNES VAN ES, Selfportrait, 1973
23,8 x 17,6 cm
unique vintage photo print
title and year hand written by artist
condition poor; pin holes at four corners, dog’s ears, stains, although splendid condition of print itself
Private collection, Amsterdam
ask for details
inv.HvE 1141-pr
Hannes van Es entitled this photograph as a ‘Selfportrait 1973’ written in the artist’s handwriting. At the back side an ink stamped address shows the name C.W. van Vlijmen, who married ceramist Lies Ram on 27 augustus 1959. Further details about the photographer have not been found.
VIKTOR & ROLF, Fashion Video, 1998
14 x 10 cm (28 x 10 cm)
offset, folded as issued
published by Büro Friedrich, Berlin, Germany
€ 35,- free postage or / plus € 15,- Track & Trace registered EU mail
inv.V&R 1136
CAREL VISSER, invitation card, 1987
10,5 x 14,8 cm
offset
published by Art & Project, Amsterdam
condition: excellent, although slightly colour aged
€ 45,- plus € 12,- Track & Trace registered EU mail
inv.CVis 1134
CAREL VISSER, invitation card, 1983
10,9 x 14,8 cm
offset
published by Plus-Kern Gallery, Brussels, Belgium
condition: excellent, although slightly colour aged
€ 45,- plus € 12,- Track & Trace registered EU mail
inv.CVis 1133
MARINA ABRAMOVIÇ and ULAY, Nightsea Crossing, 1982
each 29,7 x 21 cm
11 pp., vintage photo stats
Dutch language
application for municipality project in Sonesta Koepel, Amsterdam
condition: fine, although tanning at extremes
€ 285,- plus € 12,- Track & Trace registered EU mail
inv.MAbr 1130-pr
PETER VAN BEVEREN, Le Retour de Marco Polo, 1989
29,7 x 21 cm
press release; Dutch and French language
published by International Committee for the Safeguard of Venice and the Great Wall (of China)
rare
inv.PvBe 1124
From the 3rd until 8th of May 1989 an exhibition called “Gran Pavese” was shown on the Tian-An-Men square in Beijing in the People’s Republic of China.
ROBERT RAUSCHENBERG, “Art meets Science and Spirituality”, 1990
29,7 x 21 cm
brochure; leporello, 8 pp.
published by Art meets Science and Spirituality in a Changing Economy Foundation, Amsterdam
rare
inv.LWij 1122-1123
In 1990 from September 10 – 14, a symposium was initiated by Louwrien Wijers at the Stedelijk Museum Amsterdam. Scientists, philosophers and artists took part in this event. Apart from Robert Rauschenberg, also Marina Abramovic, John Cage, JCJ Vanderheyden and Lawrence Weiner participated.
MARIJKE VAN WARMERDAM, Daar is de zon / There is the sun, 2021
42 x 21,7 cm
digital print on matte paper
signed, numbered
edition 20 + 10 AP
published by More Publishers, Brussels, Belgium
Repetition and doubling is one of the favorite motives Marijke van Warmerdam applies in her films and photo works. In this print a picture from her childhood shows her energetically pointing into the air.
“There is the sun” is characteristic for Van Warmerdam’s way of thinking when it comes to how things change position in past, present and future. It is one of her recurring main themes, i.e. anticipating on what comes and reflecting on what happened before. Here Marijke van Warmerdam mirrored a snapshot taken during her early years. Due to its doubling it seems that the child refers to the sun’s changing position in time.
KvG